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11/03/2017

#MunichJewelleryWeek2017 – EXPO (9) – ‘Off The Shelf’ / Central Saint Martins – Vitsoe, Munich (DE) – 4-14 Mars 2017

(9) Off The Shelf

work by staff and students of Central Saint Martins, BA Jewellery Design course.

9  Off the Shelf

Off the Shelf is an exhibition of work by staff and students of Central Saint Martins, BA Jewellery Design course. For a second year running, the designers are delighted to be returning to show at Vitsœ in Munich. The exhibition follows on from a series of projects where staff and students have displayed their work together in a celebration of the diverse and lively approach to contemporary jewellery and objects.
BA Jewellery Design approaches the subject of jewellery as a conversation between body and object, with originality and innovation at its heart. Based in the centre of London, we enjoy superb links with industry and encourage our students to engage with the wider social contexts of their work while developing their own creative practices and a diverse set of technical skills.
 
with :  Anna Tuhus — Ariel Yi-Chen Tsai — Carola Solcia — Caroline Broadhead — Chloe Valorso — Coline Assade — Elena Bonanomi — Emily Grimble — Erica Heng — Florance Tebbutt — Giles Last — Jasleen Kaur –  Jing Jiang — Katy Hackney — Kigen Kamijima — Lin CheungLucie DavisLucie GledhillMaria Militsi — Marlene McKibbin — Max Warren — Melanie Georgacopoulos — Michelle Lung — Miho Ishizuka — Naomi Filmer –  Sam Rodway-Smith — Scott Armstrong — Scott WilsonSilvia Weidenbach –  Stacey Huang — Veronika Fabian — Yayun Fang — Yichen Dong

9 - Off the shelf - Central St Martins -  Lucie Gledhill, rope necklace cut out- 'rope is patient' - a 4 meter rope chain made from 2 kilos sterling silverLucie Gledhill, rope necklace cut out – ‘rope is patient’ – a 4 meter rope chain made from 2 kilos sterling silver

Lin Cheung (Central St Martins - 2017) - delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold: Lin Cheung   – delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold

9 - Off the shelf - Central St Martins - Melanie Georgacopoulos, Necklace:  Melanie Georgacopoulos, Necklace

9 - Off the shelf - Central St Martins -   Veronika Fabian, Leather Chains: Veronika Fabian, Leather Chains

9 - Off the shelf - Central St Martins - Elena Bonanom, Binary Finery 1: Elena Bonanomi, Binary Finery 1

Marlene Mckibbin -  'adoorable'Marlene Mckibbin -  ‘adoorable’

9 - Off the shelf - Central St Martins -  Lucie Davis, Enamelled Price Pins: Lucie Davis, Enamelled Price Pins

9 - Off the shelf - Central St Martins - Stacey Huang, Buy one get one free: Stacey Huang, Buy one get one free

9 - Off the shelf - Central St Martins -   Yayun Fang, Mary's Veil: Yayun Fang, Mary’s Veil

9 - Off the shelf - Central St Martins -  Veronika Fabian, Jewellery is my best friend:  Veronika Fabian, Jewellery is my best friend

Chloé ValorsoChloé Valorso

9 - Off the shelf - Central St Martins -   Chloe Valorso, Eyes: Chloe Valorso, Eyes

Naomi Filmer - objectNaomi Filmer – object

Caroline Broadhead - "Dropped Necklace"Caroline Broadhead  « Dropped Necklace »

9 - Off the shelf - Central St Martins -  Maria Militsi, Equestrian: Maria Militsi, Equestrian

 
Vitsoe
Türkenstraße 36
80799 Munich
Mon- Fri 10:00–19:00, Sat 10:00–18:00, Sun 11:00–19:00
csmbajewellery.wordpress.com

 

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13/09/2016

JOYA 2016 – EXPO ‘CHAINED INTERPRETATIONS’ – Fortune Privée boutique, Barcelona (ES) – 27 Sept.-2 Oct. 2016

http://www.joyabarcelona.com/images/Prensa/logo_joya.jpg

During  JOYA Barcelona 2016 Art Jewellery Fair 
« CHAINED INTERPRETATIONS » by Liana Pattihis.
at Fortune Privée , Barcelona. Opening: 27 September, 18.00h

 "CHAINED INTERPRETATIONS" by Liana Pattihis

En un mundo que gira en torno a las redes sociales, es difícil imaginar un día sin nuestra dosis diaria de interacción virtual y del intercambio de imágenes con nuestros « amigos » en línea que ofrecen una visión de las inspiraciones e intereses mutuos.
  La última colección de la artista Liana Pattihis se inspira en las imágenes encontradas en redes sociales que representan la flora y la fauna. Las imágenes fueron elegidas por su composición visual y elementos estéticos específicos con el fin de dar una tridimensionalidad a las imágenes y convertirlas en piezas de joyería usable.
Con esta colección la artista da un paso mas, desarrollando una nueva técnica de esmaltado, cada color de esmalte se funde y dispersa sobre la cadena por separado, la pieza se construye después de la cadena previamente esmaltada. Esto permite que la pieza se adapte a los diversos movimientos de las cadenas de plata, mezclando los colores y entrelazándolos poéticamente como si fueran ‘naturalezas muertas’, traduciéndolos en un relieve de capas de textura impactante.

 Liana Pattihis. Emilia, 2016 Silver Ball Chain, Silver Trace Chain, Enamel, Stainless Steel: Liana PattihisBrooch: Emilia, 2016 – Silver Ball Chain, Silver Trace Chain, Enamel, Stainless Steel
10 x 7 cm – Awarded at: Gioielli In …Fermento 2016 – From series: Chained Interpretations – Inspired by the Vineyards of the Emilia Romagna region in Italy

Liana Pattihis Necklace: Emilia Silver trace chain, enamel Part of: Gioielli in Fermento 2016 - Premio Torre Fornello VI edition  Liana Pattihis Necklace: Emilia Silver trace chain, enamel Part of: Gioielli in Fermento 2016 – Premio Torre Fornello VI edition

 Liana Pattihis  - "Emilia" necklace detail closeup silver trace chain enamel. Liana Pattihis  – « Emilia » necklace detail closeup silver trace chain enamel.

Liana Pattihis  Necklace: Splendour in the grass, Panel, 2013  Silver Cable Chain, Enamel  23cm x 52cm, L150cm: Liana Pattihis  Necklace: Splendour in the grass, Panel, 2013  Silver Cable Chain, Enamel  23cm x 52cm, L150cm

Liana Pattihis - Splendour in the Grass necklace 01, 2013. Silver cable chain, Silver Trace chain and Enamel.Liana Pattihis - Splendour in the Grass necklace 01, 2013. Silver cable chain, Silver Trace chain and Enamel.

 » The processes Liana uses in making her jewellery are ones of building and burying…The natural quality of the surface gives a feel of a much earlier age, yet buried under the enamel are anonymous, potentially unattractive, silver chains of this age of mass production. The point of delight is not only that unique, colourful and exciting pieces of jewellery are created, but that the rules of enamelling have been broken and rewritten so successfully. » Caroline Broadhead August 2010

 

Fortune Privée
Carrer de Sant Sever 6,
Barcelona.
Wednesday to Sunday, 11.00h to 15.00h
and 16.00h to 20.00h.

 

 

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14/02/2016

During SCHMUCK 2016 : EXPO ‘SHELF LIFE’ – Vitsoe, Munich (DE) – 20 Fevr.–1er Mars 2016

 SHELF LIFE -

Work by 33 makers, staff and students of Central Saint Martins

Opening event 26.02  – 17.00 – 20.00

25.02.2016:  Talk by Lin Cheung and Naomi Filmer,   from 16.00 – 17.00h
27.02.2016: Exhibitors Tour, 11.00-12.00

« #4 on the #mjw16 #munichjewelleryweek MAP / Shelf Life shows work by 33 makers, staff and students of Central Saint Martins, BA Jewellery Design course.… »:

Shelf Life shows work by 33 makers, staff and students of Central Saint Martins, BA Jewellery Design course, showing for the first time at Vitsœ in Munich, this is the second project where staff and students display work as equals in a celebration of the diverse and lively approach to contemporary jewellery and objects. Within the breadth of possibilities, the common thread of the course is using materials and objects imaginatively and expressively in response to observations, emotions and situations.

with :   Elena Bonanomi — Caroline Broadhead — Season Cheng — Lin Cheung — Olivia Cosh Hall — Lucie Davies — Naomi FilmerMelanie Georgacopoulos — Rosie Greener — Emily Grimble — Katy Hackney — Lily Harte — Stacey Huang — Jieun Kim — Giles Last — Fan Sze Li — Holly Matthewson — Marlene McKibbin – Maria Militsi Akiko Shinzato — Ella Stern — Esna Su — Yuxi Sun — Florance Tebbutt — Anna Tuhus — Juliette van de Kerchove — Misha Venter — Max Warren — Silvia Weidenbach — Scott Wilson — Jennifer Wong — Scarlett Zhang — Hau-Wen Chien — Juliette van der Kerchove

The concept of Shelf Life is apt for this exhibition, in that it is located within the shelves of the Vitsœ showroom, using the relationship between the shelf space and the works placed on them to reflect on issues of temporality and endurance.
To shelve means to put something aside, to discard, to remove from everyday use. In contrast, we use shelves to display, as a way to draw attention to and highlight things of importance. What do we keep on our shelves? How long do we keep them there? How does the shelf life affect the thing produced? What is life like to live on the shelf? What is life beyond the shelf? Are just some of the questions we can ask.
Some of the work displayed has been made in response to projects, some self-motivated, and some in response to the idea of shelves.

The basis we work to is that jewellery is a microcosm through which to explore and express responses to the world. The course values an open-minded approach, experimentation and risk-taking, along with the more traditional skills. And we encourage jewellery design to be explored, questioned and tested out in a number of guises and contexts, with skill and imagination.
Having the chance to show work from novice and veteran practitioners, from either end of a career path, is a valuable one. It demonstrates a continuity of the subject; how ideas are taken up, reworked, tussled with and how new ideas take hold. Shelf Life gives us the opportunity to celebrate the work of staff and students and which reflects some of our diversity and achievements. / Caroline Broadhead, Course Leader of BA Jewellery Design at Central Saint Martins

We are often amazed and charmed by the many different ways individuals and organisations wish to use Vitsœ’s shelves. But then this versatility is not surprising, as the 606 Universal Shelving System was designed to be discreet and to allow the content to speak.
The vibrancy of thinking and experimentation explored by the staff and students of Central Saint Martins, BA Jewellery Design course is both energising and brave. It feels natural for Vitsœ to support, both in the physical and literal sense, as this body of work challenges our thinking of how we use our shelves./ Jennie Moncur, Creative Director at Vitsœ

ShelfLife - Fan Sze LiFan Sze Li attachment

Central Saint Martins Graduation Show 2015 -  Fan Sze Fiona Li Attachments Combining hardware-store grit and playful eccentricity, Fiona’s work departs from the notion of decorative jewellery for women and instead explores masculine objects of function and practicality. Using braces and snap hooks, her pieces echo masculine construction tools and attire, fashioned in contrasting materials such as dusty pink suede and flashy gold metal. This transforms the concept of unfashionably dull hard labou: Fan Sze Li

‘Shelf Life’: BA Jewellery Design to Exhibit in Munich - Misha VENTER: Misha Venter