BIJOU_CONTEMPORAIN

Bienvenue sur mon blog

  • Accueil
  • > Recherche : jorge manilla 2014

26/06/2017

EXPO ‘Vinte e Três. Joalharia Contemporânea na Ibero-América’ – Sociedade Nacional de Belas Artes, Lisbonne (PT) – 27 Juin- 22 Juill. 2017

Vinte e Três. Joalharia Contemporânea na Ibero-América

Veintitrés. Joyería Contemporánea en Iberoamérica / Twenty-Three. Contemporary Jewelry in Ibero-America

This exhibition is part of the official Past and Present – Lisbon Ibero-American Capital of Culture 2017 commemoration / Exposición incluida en el ámbito de las conmemoraciones oficiales Pasado y Presente – Lisboa Capital Iberoamericana de la Cultura 2017
Opening/Inauguración – 26.06.2017 – 18h00 – 21h00
Sociedade Nacional de Belas Artes

PIN - 23

 

In an age of globalization when artists travel to numerous places, how relevant is their nationality in an artistic context?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
What do we mean when we say that jewelry can identify a people and a culture?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
Why do we mean when we say that a people and a culture can be identified by their jewelry?
Could it nowadays only identify an epoch?
// question the cultural identity and heritage of participating artists
// display works without showing the artists’ names and nationalities
// look at the way jewelry manufacturing undergoes changes and is affected by other materials and techniques
// reflect on concepts of identity and the way our past surfaces in the present
// foster a debate on the response of the public and reveal the artists’ names and nationalities when the event closes
Draw up the themes that PIN elected to embody the Twenty-Three. Contemporary Jewelry in the Ibero-America exhibition to promote a reflection on contemporary manufacturing that will make us re-think the cultural heritage of each artist and the relations this establishes.
Each of the 23 areas that make up the exhibition plan where the pieces are displayed represents a member nation of UCCI – Union of Ibero-American Capital Cities.
The artists’ names and nationalities are not displayed in order that their cultural identity and heritage can be probed and questioned.
The public is invited to seek the origin of each group of artists and interact in loco by trying to discover their nationality – and leave a flag sticker at each area.

Lúcia Abdenur / Luis Acosta / Rodrigo Acosta / Inês Almeida / Sandra Alonso / Rafael Luis Álvarez / Jordi Aparicio / Titi Berrio / Stella Bierrenbach / Anabell Bravo / Catalina Brenes / Ximena Briceño / Eva Burton / Daniela Caro Pérez / Jorge Castañón /Ignasi Cavaller / Hugo Celi / Cristina Celis / Trinidad Contreras / Ángela Cura Méndez / Teresa Dantas / Gemma Draper / Isa Duarte Ribeiro / Nicolás Estrada / Alejandra Ferrer Escobar / Filomeno /Alice Floriano / Sandra Frias / Pamela de la Fuente / Samantha Fung / Catalina Gibert / Carolina Gimeno / Leonor Hipólito / Caco Honorato / Gabriela Horvat / Amira Jalet / Ana María Jiménez / Erika Jordán / Kepa KarmonaMarie Pendariès / Guigui Kohon / Francisca Kweitel / Lorena Lazard / Nina Lima / Maru López / Jorge Manilla / Massiel del Mar (Massiel Mariel Muñoz)/ Caio Marcolini / Carlos Martiel / Simón Mazuera / Renata Meirelles / Marília Maria Mira /Miriam Mirna Korolkovas / Xavier Monclús / Marc Monzó / María Eugénia Muñoz / Lucía Nieves / Inês NunesCatarina Dias / Liliana Ojeda / Natalia Olarte / Raquel Paiewonsky / Clara del Papa /Miriam Pappalardo / Renata Porto / Ramón Puig Cuyàs / Tota Reciclados (Valeria Hasse & Marcela Muñiz) / Cristina Roque dos Santos / Kika Rufino / Vania Ruiz / Estela Sàez / Natalia Sarrazín / Marina Sheetikoff / Diana Silva / Inês Sobreira / Rita Soto / Manuela Sousa / Yolanda Sucre / Edu Tarín /Isabel Tristán / Anahí Vallejos / Manuel Vilhena / WALKA (NanoPulgar) / María Ignácia Walker

Luis ACOSTA at EXPO "23" Luis ACOSTA Rodrigo Acosta - en EXPO "Veintitrés"Rodrigo Acosta - brooch

en EXPO Veintitrés. Joyería Contemporánea en Iberoamérica - Pamela de la Fuente - Feliz de participar con "Pullme" en este gran evento en Portugal, además esta pieza es parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018,Pamela de la Fuente -   « Pullme »  (esta pieza es tambien parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018) Ramon Puig Cuyas en EXPO "Veintitrés. Joyería Contemporánea en Iberoamérica"Ramon Puig Cuyas – brooch

Rafael Luis Alvarez  - colección "Lo que fue escrito" Rafael Luis Alvarez  broche colección « Lo que fue escrito » - MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos Jordi AparicioJordi Aparicio

Catalina BrenesCatalina Brenes Jorge CastañónJorge Castañón Catalina Gibert -   braceletCatalina Gibert -   bracelet

Carolina Gimeno JewelleryCarolina Gimeno Jewellery

Caco HonoratoCaco Honorato « Corazón de Greda Negra » de la colección Lloraría a Mares

Gabriela HorvatGabriela Horvat

Amira Jalet  *Inferno* Brooch Wood charcoal from the north of Costa Rica "Roble", Oil paintingAmira Jalet  *Inferno* Brooch

Lorena LazardLorena Lazard

Jorge Manilla - This was not organically": Abruptions #8 Brooch Leather, steel, zinc, charcoalJorge Manilla   – This was not organically »: Abruptions #8 Brooch Leather, steel, zinc, charcoal Miriam Mirna Korolkovas - colar COCAR titanio anodizado e prata 925Miriam Mirna Korolkovas – colar COCAR titanio anodizado e prata 925

María Eugenia Muñoz -  colección "Paisajes Constructivos" brocheMaría Eugenia Muñoz -  colección « Paisajes Constructivos » broche

 Necklace by Natalia SarrazinNecklace by Natalia Sarrazin

 Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, telaLiliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)

Massiel de Mar,  collar construido con papel e hilado a mano.Massiel Mariel MUNOZ (Massiel Del Mar),  collar construido con papel e hilado a mano

Vania Ruiz's necklace 'Ayúdame Papito'Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ Vania Ruiz (CasaKiro Joyas)'s necklace 'Ayúdame Papito' (detail)Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ (detail)

Estela SaezEstela Saez Vilanova

Edu TarinEdu Tarin

Isabel Tristan -  Noves polseres.  col·lecció KubsIsabel Tristan · Noves polseres.  col·lecció Kubs

WALKA joyas - jewelryWALKA joyas – jewelry  – « Cornucopia: Charms for Life », 2017 (Cacho, plata, seda y retrato de la artista portuguesa Maria José Oliveira con su pieza, realizado por Cristina Felipe) Eva Ave Burton - «Bouquet para la Condesa Magenta», broche, 2014Eva Ave Burton – «Bouquet para la Condesa Magenta», broche, 2014

ToTa reciclados pieza “Backside 2“ 2017ToTa reciclados  pieza “Backside 2“

Marília Maria Mira 1989, Brooch, silver, steel, paper. 1993, In the Clouds, Invitation card. Photos: Courtesy Maria Marilia Mira.Marília Maria Mira – 1989, Brooch, silver, steel, paper – 1993, In the Clouds, Invitation card.
Photos: Courtesy Maria Marilia Mira.

Miriam Andraus PappalardoMiriam Andraus Pappalardo

Ignasi Cavaller (MFA 2015) • Necklace 'Horus 1' • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017Ignasi Cavaller (MFA 2015 Idar Oberstein) • Necklace ‘Horus 1′ • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017

Simón Mazuera Zambrano - pieza de la serie el viaje. Simón Mazuera Zambrano - broche de la serie el viaje.

Rita Carolina Soto VenturaRita Carolina Soto Ventura (Rita Soto Joyaspieza Refugios I

Sociedade Nacional de Belas Artes

Rua Barata Salgueiro, 36
1250-044 Lisbonne (PT)
De lunes a viernes (excepto festivos) de 12h00 a 19h00 y sábados de 14h00 a 20h00
*concept / curatorship / production: PIN (Madalena Braz Teixeira, Cristina Filipe, Carlos Silva, Raquel Soares, Joana Taurino) e Marco Roque Antunes
*production assistants: Beatriz Faustino, Natalia Olarte
*advisory commission:
​​​​​​​​Lúcia Abdenur, Titi Berrio, Eva Burton, Holinka Escudero, Pamela de la Fuente, Catalina Gibert, Carolina Gimeno, Klimt02 (Leo Caballero e Amador Bertomeu), Francisca Kweitel, Jorge Manilla, Natalia Olarte, Clara del Papa, Renata Porto, Ramón Puig Cuyàs, Andreina Rodriguez-Seijas, Estela Sàez, Alberto Soarez Chang, Andrea Tello, Valeria Vallarta Siemelink, Manuel Vilhena, WALKA
*exhibition design: Fernando Brizio
*assistant designers: André Calvão, Rafael Sabino, Davide Mateus
*graphic design: Arne Kaiser

 

Enregistrer

29/10/2016

EXCHANGE-BIJOU 1 – Jonathan Hens – the HIGHWAY of success !

Jonathan Hens

I discovered his works at fall 2013 during PARIS – CIRCUITS BIJOUX , at the exhibition ‘Precieux Passages’ at Bibliothèque Forney. A first « face to face » with a (very) STRONG creation !

Strong creation that encountered SUCCESS : in 2012 the Royal Academy of Fine Arts Antwerp presents his works, together with some other students, at SIERAAD 2012 Amsterdam, we saw his works at Marzee Graduate show 2012 AND 2013, an exhibition during SCHMUCK 2014 (« Lights ON/Lights OFF » 3 stations Galerie, Munich), an exhibition during SCHMUCK 2015 (« Oscure sacrifices« , together with Jorge Manilla, at 3STATIONS,  Munich), an exhibition during SCHMUCK 2016 (« Trans-it » – 3STATIONS,  Munich), has been selected  for TALENTE 2016, Munich, he is presented at AUTOR 2016 (the International Contemporary Jewelry Fair in Bucarest, Romania) ……
This is not the « Route of Success », it’s an HIGHWAY !!!

 Jonathan Hens Page aimée · 1 mars · Modifié ·   X10IONS OF THE TRIBE #7 necklace 2015 pewter/ sutures/ leather/ rubber/ diamond dust ® Hanne Nieberding Jonathan Hens   ·   X10IONS OF THE TRIBE #7 necklace 2015 pewter/ sutures/ leather/ rubber/ diamond dust ® Hanne Nieberding

« After having researched different kinds of sub-and material-cultures, Jonathan Hens constructs with his own culture of tin while exploring the different qualities of the metal, making himself a master of his practice. By engraving, pouncing and printing, he develops a new dimension to the material. This results in graphic surfaces combined with archaic shapes and volumes. Hen’s pieces, beautiful as they are, are not indented as mere objects, but as points of recognition in a world of Tribal Ravers. They cross time and cultures. They are an ode to the pleasures of the now. »
– Jonas Belde, Fashion Designer, at Marzee graduation show 2012 Jonathan Hens (MA) - Belgium, Antwerp, Koninklijke Academie voor Schone Kunsten - #8, 2012, necklace, pewter, sutures - 430 x 260 x 99 mm - After having researched different kinds of sub-and material-cultures, Jonathan Hens constructs with his own culture of tin while exploring the different qualities of the metal, making himself a master of his practice. By engraving, pouncing and printing, he develops a new dimension to the material. This results in graphic surfaces combined with archaic shapes and volumes. Hen's pieces, beautiful as they are, are not indented as mere objects, but as points of recognition in a world of Tribal Ravers. They cross time and cultures. They are an ode to the pleasures of the now. - Jonas Belde, Fashion DesignerJonathan Hens (MA) – at Marzee graduation show 2012 - Belgium, Antwerp, Koninklijke Academie voor Schone Kunsten – #8, 2012, necklace, pewter, sutures – 430 x 260 x 99 mm –

Autor 2016.  Jonathan Hens. Alliages Choice.: Jonathan Hens works presented at Autor 2016  

« Jonathan Hens’ striking work speaks of recent developments in today’s world, which has seen a fusion between the banal and the subcultures and becomes a place where men and women have merged into androgynous beings.
His designs are the result of an intense search for an alternative identity. Rather than a classic example of beauty, the viewer gets to see Hens’ interpretation of it. He chose the material pewter to launch his fetishism line.
His dark look mirrors (or reflects) ‘the now’, a place where there is scope for experiment and self expression. His atypical aesthetic has no truck with traditional techniques. Jonathan Hens creates a visual game between austere forms and a rough edge finish. He heightens the geometry and black textures by using suture thread to bind the various elements.
His work raises many questions, such as what beauty means today and whether or not there is still a difference betweens the sexes.
Jonathan Hens’ work gives us greater insight into the diversity of our world. » / Jorge ManillaJonathan Hens -   THE CITY IS MY CHURCH - 2014 - #1 Necklace  -Pewter/ Sutures/ LatexTHE CITY IS MY CHURCH – 2014 – #1 Necklace  -Pewter/ Sutures/ Latex

 *

Actually

HUMAN 2.0 by Jonathan Hens 2016HUMAN 2.0 by Jonathan Hens
BEYOND FASHION 3m2 PROJECT ROOM  PRESENTS
HUMAN 2.0 BY JONATHAN HENS
Oct 13- Nov 10, 2016
24/24 window display
beyondfashion 3m2 project room
Pourbusstraat 7
2000 Antwerpen
www.beyondfashion.be
+32 472 420 683
Jonathan Hens - HUMAN 2.0 #6  necklace 2016 pewter/ sutures/ latexJonathan Hens - HUMAN 2.0 #6  necklace 2016 pewter/ sutures/ latex

Jonathan Hens – Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex: Jonathan Hens – Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex

Jonathan Hens – Human 2.0  Performance By Vincent van Reusel on the nocturnal opening night of our new project with work of Jonathan Hens!: Jonathan Hens – Human 2.0  Performance By Vincent van Reusel on the nocturnal opening night of our new project with work of Jonathan Hens

Jonathan Hens work is also featrured by the gallery’s permanend collection in there new gallery space: Galerie beyond, Sint Jorispoort 27, 2000 Antwerp
www.galeriebeyond.be

 

 

 

Education
2011-2012 Master Jewellery design & Silversmithing – Royal Academy of Fine Arts, Antwerp (Belgium)
2008-2011 Bachelor Jewellery design and Silversmithing -Royal Academy of Fine Arts, Antwerp (Belgium)
2007-2008 Bachelor Fashion design – Royal Academy of Fine Arts, Antwerp (Belgium)

 

 

Enregistrer

Enregistrer

16/06/2016

EXPO ‘Bodies and Minds’ – Galeria Romanelli, Firenze (IT) – 17-19 Juin 2016

« Bodies and Minds »

Mañana se inaugura la muestra “Bodies and Minds” en la Galeria Romanelli en Firenze !
La muestra curada por Antonia Alampi y Riccardo Lami que reúne el trabajo realizado por Lavinia RossettiDaria BorovkovaFederica SalaSana KhalilGiulia Savino y mi (Maria Ignacia Walker) obra « Trascendieron ».

Invito a todos los que se encuentran por estos lados del mundo y aprovecho de agradecer a Alchimia contemporary Jewellery school in Firenze y Jorge Manilla.

 Opening: Friday June 17, from 6.30 pm

"Bodies & Minds"

Alchimia – Contemporary Jewellery School presents :
BODIES AND MINDS
With jewellery by  Daria Borovkova, Sana Khalil, Lavinia Rossetti, Federica SalaGiulia Savino and Marìa Ignacia Walker (Mi Walky).
Curated by Antonia Alampi and Riccardo Lami.
Galleria Romanelli,  Firenze
Alchimia is happy to present BODIES AND MINDS, a group exhibition opening on June 17 at 6.30pm, featuring the work of its recent MFA graduates, choreographed as a conversation between contemporary jewellery and the sculptures and fascinating spaces of the historical Galleria Romanelli.
BODIES AND MINDS wants to incite a reflection on the hybrid nature of the contemporary artistic jewel, on the relationship between the body and the mind, on the constraints determined by physical prerequisites vis-à-vis conceptual investigations, between the weight of tradition and the fragility of innovation.

galeria Romanelli Firenzegaleria Romanelli Firenze

In 1829 the sculptor Lorenzo Bartolini transforms an abandoned fourteenth century church in a studio where his student Pasquale Romanelli, followed by five generations of male heirs, develops the Romanelli Gallery. Hundred-eighty-seven years later six female jewellery artists take over the space and its collection challenging disciplinary and gender hierarchies. BODIES AND MINDS offers unexpected connections and ironic cultural appropriations, in a path that relates illustrious examples of copies and originals from the history of Italian sculpture to the experimental relational dimension of contemporary jewellery.

 galeria Romanelli Firenzegaleria Romanelli Firenze

A large crowd of rings asks us to reflect on the manufacturing of our cultural identities, both as individuals and as members of larger communities, in « Being and Belonging » by Daria Borovkova.
Another critical mass of circular shapes, now without a specific identity, characterizes « In Conflict. Moments of Strike » by Sana Khalil, a tribute or cynical celebration to the impossibility of the artist to perform direct political agency over the world.
While such ambitions can only strengthen our sense of inadequacy, « 1: 20,000″ by Giulia Savino invites us to remain suspended, to let ourselves be carried away by those states of temporary sense of satisfaction that keep us above the world through the appropriation of real and imaginary cities.
On a more personal level, « Madeleine » by Lavinia Rossetti evokes the ephemeral existence of our memories, finding ways to give form to the essence of significant moments.
A similar sense of transience characterizes « Trascendieron » by María Ignacia Walker in a tribute to our daily losses, a possible humorous comment to the Western impulse to preserve and collect.
Finally, and gently, « True Lies. A Collection of Oxymoron » by Federica Sala confronts us with existential questions: what is the true nature of our experience or how do we define reality, whispering, perhaps, what contemporary jewelry wants .

Daria Borovkova  - "Being and Belonging"  2016 Daria Borovkova  – « Being and Belonging »  2016

Sana Khalil  - Alchimia Graduation Show 2014: Sana Khalil

Giulia Savino - " 1 : 20.000" collectionGiulia Savino -  » 1 : 20.000″ collection – Geneve necklace

Lavinia Rossetti - Madeleine - 25-26 March 2016   (ALCHIMIA): Lavinia Rossetti – Madeleine

María Ignacia Walker Contemporary Jewellery - 2015 - TRASCENDIERON: María Ignacia Walker   – 2015 – TRASCENDIERON

True Lies by Federica Sala  2016 - RINGS True Lies by Federica Sala  2016 – rings


On the same evening Alchimia presents at its premises « Wonder/Wander« , a group show with jewellery by Anna Okamoto Gayton, Dana AL-Nafisi, Diana Pantea, Lena Kosztyucsenko, Sehnaz Erdal, all international graduating students of its BFA program.

 

Galleria D’arte Romanelli

Borgo San Frediano 70,
Firenze
ITALY

16/04/2016

Melting Point 2016 VALENCIA (Spain) – EXPO ‘PASSION BIJOU(x)’ – Galería del Tossal, Valencia (SP) – 21 Avril-22 Mai 2016

Passion Bijou(x). Colección Marianne Gassier de Joyería Contemporánea.

Galería del Tossal.   (Con la colaboración del Ajuntament de València):

 

 Melting Point Valencia 2016

Passion Bijou(x). Colección Marianne Gassier de Joyería Contemporánea. Galería del Tossal. Plaça del Tossal, Barri de Carme, València. (Con la colaboración del Ajuntament de València):

 My contemporary jewelry collection in an exhibition !!!

Thanks to Antonio Sánchez García and to all the EASD Valencia team, what was dreamed two years ago after drinking some « Valencia’s water » (not water at all ….. ;-) …) will become reality very soon …..
About 80 jewels from my collection (brooches, neckpieces, bracelets) in 4 themes (« Black envy« , « All Whites« , « Get the Blues » and « Red (thread) » will be displayed, separated by a stream of  about 60 rings …… Was VERY hard to do a choice (galeria Tossal is not big …) !!!

Of course jewels by the « better » actual jewellers (Christophe Burger, Sébastien Carré, Edu Tarin (Talente Prize 2016), François Pereña, Patricia Lemaire, Marianne Anselin, Teresa Faris, Maria Rosa Franzin, Philip Sajet, Noon Passama, Jorge Manilla, Gaetano Pesce, Gigi Mariani, Liana Pattihis, Marta Mattsson, Ramon Puig Cuyas , etc etc ……..) but also by all the youngs newly graduates  (my favourite field of investigations !  ….) from the better jewelry schools (Alchimia in Italy, Idar Oberstein in Germany, Massana in Spain, Afedap or HEAR in France, Suny New Palz in USA …..).

I’m VERY proud &  filled with emotion to share my choices and to give back to these jewellers, I hope, the pleasure they gave me.

The exhibition, titled « PASSION BIJOU(x) », will be held in Galeria Tossal, Valencia (Spain) from April 21 to May 22 2016, during the MELTING POINT jewelry event that occurs every two years in the city of Valencia.
More informations here

And SO SO SO MANY THANKS to all who helped for this project !! A SPECIAL THANK to Antonio Sánchez García who worked (hard) at EASD Valencia !

Alina Carp - ma broche 'Ana' !!!!!!!!!!!!!!: Alina Carp – ma broche ‘Ana’ (from the legend Of Manole) – means SO much for me !

Michelle Kraemer Necklace: CumulusNimbus II, 2014 Balsawood, paint, artificial sand, silver powder, silver 50 x 12 x 7 cm Photo by: Michelle Kraemer From series: Cumulus: Michelle Kraemer Necklace: CumulusNimbus II, 2014 Balsawood, paint, artificial sand, silver powder, silver 50 x 12 x 7 cm Photo by: Michelle Kraemer From series: Cumulus (when times become DARK … even darkness has its beauties …)

Jorge Manilla necklace - : from serie "IN MEMORIAM". •	Mexico,  2014 •	porcelain & thread / porcelana y hilo de algodon Jorge Manilla necklace – : from serie « IN MEMORIAM ». •    Mexico,  2014 •    porcelain & thread / porcelana y hilo de algodon

Mireia Calaf - broche"cortando obsesiones": Mireia Calaf - broche »cortando obsesiones« 

Sebastien Carré 'Inflammation noire', 2014 - pellicule de film, coton, laine & perles: Sebastien Carré ‘Inflammation noire’, 2014 – pellicule de film, coton, laine & perles

Edu Tarín. "Antípoda 5" black. 2014. Brooch. Copper, gold. Electroforming. 115x90x55mm. Photo by Manu Ocaña: Edu Tarín. « Antípoda 5″ black. 2014. Brooch. Copper, gold. Electroforming. 115x90x55mm. Photo by Manu Ocaña

Liana Pattihis broches 01-blue fine trace chain (small) 5,5cm diam L17cm -oct 2012-: Liana Pattihis broche 01-blue fine trace chain (small) 5,5cm diam L17cm -oct 2012

 Noon Passama black  portrait brooch - "Portrait # 16" , 2013 Leather, fur, oxidized silver mouth, oxidized silver backing, remanium pin 10.6 x 10.6 x 5.5 cm: Noon Passama black  portrait brooch – « Portrait # 16″ , 2013 Leather, fur, oxidized silver mouth, oxidized silver backing, remanium pin 10.6 x 10.6 x 5.5 cm (this one choosed me !)

Catalina Gibert - aMARE  necklace - 2013- linen canvas, acrylic paint, lapis lazuli, silver-   detail: Catalina GibertaMARE  necklace – 2013- linen canvas, acrylic paint, lapis lazuli, silver-   detail

Selen Ozus - "error 107" necklace - porcelain | glaze | cotton | silk - 2011: Selen Ozus – « error 107 » necklace – porcelain | glaze | cotton | silk – 2011

Valentina Caprini (Alchimia 2012) - necklace "Rinascita" -  1300 Meters of Red Thread -Valentina Caprini (Alchimia 2012) – necklace « Rinascita » -  1300 Meters of Red Thread

with "Strong" necklace, by Yiota Vogli  France 2015: with « Strong » necklace, by Yiota Vogli   - ’Arteries & Veins’ collection 2015, cotton, wool

Fermall " Tenebres" Plata, or, ópal etiopia. 2016  Brooch "Darkness" Silver, gold, opal Ethiopia. 2016  Lluís Comín.: Lluís Comín – brooch  » Tenebres » Plata, or, ópal etiopia. 2016  Brooch « Darkness » Silver, gold, opal Ethiopia. 2016 

I then will give a conference on April 22, at 10:00, at EASD de València: Salón de Actos
Calle Pintor Domingo, 20. – this day, conferences/lectures talk about the COLLECTORS and PROMOTERS view

22nd APRIL / lectures :
COLLECTORS and PROMOTERS view
10:00  Marianne Gassier (France). Collector, blogger and contemporary jewellery expert. Passion Bijou(x)
11:15   Juan Riusech (France/Spain) Jeweller, galerist and colector in Lille (France). Proyecto Alliage
12:30   Eliana Negroni (Italy) Curator and organizer of “Jewels in Ferment / Gioielli in fermento”. Considerations on a Themed Award

 

Galería del Tossal.
Plaça del Tossal,
Barri de Carme, València

 

02/11/2015

EXPO ‘TRUE LIES. A COLLECTION OF OXYMORONS’ – Září Gallery, Prague (CZ) – 16-20 Nov. 2015

TRUE LIES. A COLLECTION OF OXYMORONS.

A solo show by Federica SALA

Září Gallery, Prague – From November 16 to 20, 2015

OPENING ON NOVEMBER 16, 2015 FROM 7 TO 10PM

TRUE LIES. A COLLECTION OF OXYMORONS. A SOLO SHOW BY FEDERICA SALA

Alchimia is pleased to present True Lies. A Collection of Oxymorons, a solo-show by Italian jewellery artist Federica Sala. This marks the second in a series of solo exhibitions realized by the graduating students of Alchimia’s MFA program 2014/2015, each taking place in a different European city.

Federica Sala, Sweet Pain, 2015, Neckpiece, Glass, Rutilo, Shibuichi, photo by Federico CavicchioliFederica Sala, Sweet Pain, 2015, Neckpiece, Glass, Rutilo, Shibuichi, photo by Federico Cavicchioli

True Lies. A Collection of Oxymorons wants to question our perception of reality, inspired by Plato’s thoughts on how “reality is just a defective projection of our limited way of perceiving”*. Strong in look but extremely fragile in essence, the jewellery pieces encourage us to reflect about the inextricable co-dependency of opposites, and of how our existence might be determined by the limits we set for ourselves. Glass and stone become one entity growing from each other via a new and experimental technique developed by the artist in years of research on the island of Murano, world-famous for its artisanal glass production.
True Lies are impossible structures that point us towards the fragility of the reality we know, by sharing with us just one of the possible variations of it.
Federica Sala is one of the significant figures of a rising generation of Italian jewellery artists. Her practice is based on a continuous experimentation on the properties and qualities of materials, with a particular interest in glass and organic forms, grounded in a strong theoretical research. With this new collection Federica Sala introduced a unique approach in combining different materials such as metal, glass and gemstones. One of its pieces was nominated for the prestigious Stanislav Libenský Award.
On the occasion of the exhibition the artist will present an artist book, featuring drawings, images and a conversation with artist Luca Pozzi.

Federica Sala, Negative Growth, 2015, Neckpiece, Glass, Rutile, Silk, photo by Federico CavicchioliFederica Sala, Negative Growth, 2015, Neckpiece, Glass, Rutile, Silk, photo by Federico Cavicchioli

Federica Sala, Visible Absence, 2015, Neckpiece, Glass, White Gold, photo by Federico CavicchioliFederica Sala, Visible Absence, 2015, Neckpiece, Glass, White Gold, photo by Federico Cavicchioli

 Federica Sala, Unbearable Lightness, Neckpiece, 2015, Glass, Cianite, SilverFederica Sala, Unbearable Lightness, Neckpiece, 2015, Glass, Cianite, Silver

 

 

Federica Sala (b. 1986 Italy, lives and works in Milan) holds an MFA in Contemporary Jewellery and Body Ornament from Alchimia in Florence (2015) tutored by the Mexican jewellery maker Jorge Manilla, and a BFA in Fashion Design from the Politecnico in Milan (2011) tutored by the Italian anthropologist Eleonora Fiorani and the Italian artist Giorgio Vigna. From 2010 to 2012 she has been the assistant of Giorgio Vigna and her work has been exhibited at the Mad Museum in New York, at the American Glass Weekend, at the Society of Arts and Crafts in Boston and SOFA in Chicago, among the others.

 Federica Sala, Clear Releckness, 2015, Neckpiece, Glass, Rutilo, Silver, Leather, photo by Federico Cavicchioli: Federica Sala, Clear Releckness, 2015, Neckpiece, Glass, Rutilo, Silver, Leather, photo by Federico Cavicchioli

 

 

Září Gallery
Heřmanova 33, Prague 7
http://www.zarigallery.com
zari.galerie@email.cz
+420605121419
Opening times and days: Tue-Fri from 1 to 7pm

 

 

 

06/10/2015

EXPO ‘Omnia Vanitas’ – Wcc-bf Mons, Anciens Abattoirs de Mons (BE) – 24 Oct. 2015-10 Janv. 2016

Omnia Vanitas By Wcc-bf Mons

Exposition du 24/10/15 au 10/01/16 aux Anciens Abattoirs de Mons

puis/et à la Galerie Koma, Mons  du 24 octobre 2015 au 20 décembre 2015

 wccbf_omniavanitas

 

Résultat de l’appel à candidature aux créateurs des pays de l’Union européenne. Toutes disciplines des arts appliqués, ainsi que design, photo,…
Resultat of the call to the artists from the European Union countries. Each discipline within the applied arts, as well as design, photography,…

Vanity is a theme as old as the existence of Art itself. “Remember you will die” whispered the slave to the Roman General during the triumphs. Nowadays, this superstition which became obsession cannot be hidden. Her rebirth in the Contemporary Art is such that Vanity has become true fashion or a lifestyle. “Vanitas vanitatum, omnia vanitas”. How better than the current age of technology and overconsumption to update this adage? In this month of the dead, Omnia Vanitas proposes a stop in space-time, a time for reflexion to ask themselves the right questions once again.
On this occasion, the WCC-BF and the Koma Gallery exposed 62 artists from Belgium, Luxembourg, The Netherlands, France, Italy, Portugal, Poland, Finland and Estonia. In their own way, each of them present their personal interpretation of death and Vanity. As in the exhibition of the European Price for Applied Arts, the artworks will be seen with all the contemplation and the reflexion it requires. In its own way, Omnia will propose to visitors a more intimate perspective on our relationship with life and death.

 

Faezeh AFCHARY-KORD — Nathalie AMAND — Tanneke BARENDREGT — Alice BERTRAND  — Philippa BEVERIDGE  — Frédéric BRAHAM — Philippe BRODZKI  — Isabelle CARPENTIER   — Sébastien CARRE  — Anne-Sophie COSTENOBLE — Rose-Marie CRESPIN — Betty CUYKX  — Emmanuelle DARNAULT — Estefania DE ALMEIDA — Anke DE KORT — Trees DEMITS  — Nathalie DESMEDT  — Nicolas DESTINO — Camille DUPUIS — Emelyne DUVAL  — Ana ESCOBAR  — Hilde FOKS — Trini GAINZA  — Adinda GODDYN — Elodie GONZALVEZ  — Sabine HERMAN — Peter HOOGEBOOM –  Irving S.T. Garp (Bernard CAELEN) – Delphine JOLY — Christer JONSSON — Arthur KEMPENAAR — Désirée KERKLAAN — Anke LAND — Nathalie LATOUR — Claire LAVENDHOMME  — Thérèse LEBRUN — Antoine LEPERLIER — Geraldine LUTTENBACHERJan MACHATOVAKadri MAELKJorge MANILLA — François MARCADON — Helena MARK — Olga MATHEY — Laurence MEYER — Julika MÜLLER — Rosa NOGUESBarbara PAGANIN Renzo PASQUALE — PATBOUN — Monika PATUSZYNSKA  — Nathalie PERRET Ruudt PETERS — Alet PILON — Olivier REMAN — Hélène RIVIERE — Sophie SCHRAEN — Johanna SCHWEIZER — Carolein SMIT  — Alejandra SOLAR  — Olivier SONCK  — Luus URMAS  — Dorothée VAN BIESENMonique VOZ  — Annamaria ZANELLA .

OMNIA VANITAS - Frédéric Braham Installation: Agape, 2006 Lackered wood, glass, metronome, fabric, plastic, insects, iron and Buchenwald stones jewellery, candlelight, pure pigment obtained by the calcination of bones, oxidized silver, chrome-plaited and painted metal, leather 290 x 95 x 200 cm Photo by: Paul Duvochel: Frédéric Braham Installation: Agape, 2006 Lackered wood, glass, metronome, fabric, plastic, insects, iron and Buchenwald stones jewellery, candlelight, pure pigment obtained by the calcination of bones, oxidized silver, chrome-plaited and painted metal, leather 290 x 95 x 200 cm Photo by: Paul Duvochel

Sebastien Carré - My Sweet Disease, 2014 - harnaisSébastien Carré - My Sweet Disease, 2014 – harnais
Structure en cotte de maille acier inoxydable et papier japonais crocheté ; Brodé avec des perles (Rocaille, plastiques, métalliques et pierres semi précieuse) ; coton, soie, fibre bi-composée (60%soie 40% algue), laine et nylon crochetés et graines d’arbres.
Harnais fais à ma taille / Harness made in my size

OMNIA VANITAS - Ruudt Peters Object: Costa, 2011 Polyurethane 13 x 22 x 3,5 cm: Ruudt Peters Object: Costa, 2011 Polyurethane 13 x 22 x 3,5 cm

OMNIA VANITAS - Luus Urmas Brooch: Purification, 2015 Kitchen Sponge, acrylic paint, glue 8,5 x 6 x 3,5 cm Photo by: Luus Urmas Carved with bared hands: Luus Urmas Brooch: Purification, 2015 Kitchen Sponge, acrylic paint, glue 8,5 x 6 x 3,5 cm Photo by: Luus Urmas Carved with bared hands

Alejandra Solar (M.F.A. 2014 Odar Oberstein) • Brooch "Murmullos" • Onyx, slate, silver, print • 2015 • © photo by artistAlejandra Solar (M.F.A. 2014 idar Obersteon) • Brooch « Murmullos » • Onyx, slate, silver, print • 2015 • © photo by artist

 Isabelle Carpentier - Diadème "Miss " Argent, résine, dents en porcelaine.Isabelle Carpentier – Diadème « Miss  » Argent, résine, dents en porcelaine

 

 

 

 

Deux lieux :

*Les Anciens Abattoirs/ Galerie du WCC-BF
17/02, rue de la Trouille
7000 Mons (Belgique)
www.wcc-bf.org
Exposition du 24 octobre 2015 au 10 janvier 2016
Exhibition from 24th october to 10th january 2016

Tous les jours (sauf le lundi, et les 24, 25, 31.12.2015 et 01.01.2016) de 10h00 à 18h00
Open everyday (except Monday, 24, 25, 31.12.2015 and 01.01.2016)  from 10:00 to 18:00

*Galerie KOMA
4, Rue des Gades
7000 Mons (Belgique)
www.asblkoma.be
Exposition du 24 octobre 2015 au 20 décembre 2015
Exhibition from 24th october to 20 December 2015
Mercredi jeudi samedi et dimanche de 14h00 à 18h00
Wednesday Thursday Saturday and Sunday from 14:00 to 18:00

 

20/09/2015

during JOYA Barcelona 2015 : Competition/Awards ENJOIA’T 2015 – 8 Oct. 2015

Classé dans : BARCELONA,Concours / Competition,ENJOIAT (ES),JOYA (ES),Prix/Awards — bijoucontemporain @ 0:05

AWARDS during JOYA 2015

http://www.joyabarcelona.com/images/Prensa/logo_joya.jpg

Enjoia’t Awards 2015  

El 8 de octubre, a las 20h. en la Fábrica MORITZ

Enjoia’t Awards 2015 Award  /  08 Oct 2015 - El 8 de octubre, a las 20h. en la Fábrica MORITZ (Ronda Sant Antoni 39, Barcelona).:

ENJOIA’T, Prize for Contemporary Jewellery Making, is a unique event within the sector, which has been rewarding the most outstanding proposals within the field of jewellery making for professionals as well as students.
However, ENJOIA’T is not just a prize, and you will find not just jewellery. ENJOIA’T is much more than all this, since it is also a celebration of creativity, an indispensable meeting point for professionals in the sector, and a platform from which to show the public your creative project.
In fact, ENJOIA’T rewards originality, technical quality, conceptual richness and transgression in the field of jewellery making so much as to question its own limits.

 

1/ Para el concurso ENJOIA’T 2015, ahora hemos presentado a nuestros semifinalistas :

ENJOIA'T 2015 semifinalistas CATEGORIA ESTUDIANT:ENJOIA’T 2015 semifinalistas CATEGORIA ESTUDIANT

CATEGORIA ESTUDIANT:
 -Yanli Duan (Xina)
-Erica Jordán Mancebo (València)
-Cristina León Camús (València)
-Akiko Shinzato (Regne Unit)
-Monique Voz (Bélgica)
-Laura Paglieri (Barcelona)
-Adriana Díaz Huigera (Barcelona)
-Mercedes Lamagrande Lurueña (Tarragona)
-Lin Wan-Ying (Suècia)
-Georgina Contel Ibarra (Barcelona)
-Juan José Ibáñez Piqueras (València)
ENJOIA'T 2015 semifinalistas CATEGORIA PROFESSIONALENJOIA’T 2015 semifinalistas CATEGORIA PROFESSIONAL
CATEGORIA PROFESSIONAL:
 -Lauren Kalman (EUA)
-Katja Toporski (EUA)
-Velislava Bozhinova (Bulgària)
-Angela Ciobanu (Romania)
-Jordi Aparicio (Barcelona)
-ERATO KOULOUBI (Grècia)
-Heejoo Kim (Corea del Sud)
-Jennifer Lozano (Barcelona)
-Associació Obrador Xisqueta (Lleida)
-Marta Herradura (Madrid)
-Anja Eichler (Alemanya)
-Christine Jalio (Finlàndia)

2/ La segunda fase que tendrá lugar el 8 de octubre es la de la selección de los ganadores de cada premio (categorías profesional, estudiante y premio del público). Esta selección empezará por la mañana con la exposición de los semifinalistas en el Salon Joya que se celebrara en esas fechas aquí en Barcelona, exactamente en el Arts Santa Mònica. Cada semifinalista deberá llevar puesta la joya que ha presentado y además se valorará la originalidad en la defensa y presentación.

The Second Phase:
The Awards – The jury will meet the semi-finalists in the Arts Santa Monica building on Thursday, October 8th, 2015. Each piece must be worn ( by the participant or someone else), and the participant will have 5 minutes to present it and defend it before the jury. Besides the technical and innovative aspects of the piece, the originality of the presentation/defence will be evaluated.
Thus, the participant may utilize the elements he or she thinks convenient to help in the presentation.

3/ Por la noche (8 de octubre – 20h)  en la Fábrica Moritz tendrá lugar la fiesta de los Premis Enjoia’t, en la cual los 20 participantes lucirán la pieza entre el público. Todos los asistentes podrán votar para escoger al ganador del Premio de Opinión (del publico). Al final de la fiesta, el jurado hará pública la deliberación y entregará los diplomas a los ganadores y finalistas.

ENJOIA'T 2014

Categories and prizes
The prizes will be announced and handed out the 8th of October.
Professional Award :  There is one prize only for creators, designers or companies, with a
maximum of two finalists. The winner will be crowned with a piece made by Rodrigo Acosta, winner of the
ENJOIA’T Professional Award of 2014, and will be given the responsibility of making the crown for the following year. The prize consists of an exposition in the context of the event JOYA, Barcelona Contemporary Jewellery Fair, in its edition of 2016, valued at 780 €.***
Both the professional and student award-winners of ENJOIA’T will be part of a report in the specialised magazine « On Diseño ».
Student Award : There is one prize only for students with a maximum of two finalists.
The winner will be crowned with a piece made by Anna Norrgrann, winner of the ENJOIA’T Student Award of 2014, and will be given the responsibility of making the crown for the following year.
The prize consists of an exposition in the context of the event JOYA, Barcelona Contemporary Jewellery Fair, in its edition of 2016, valued at 780 €.***
Both the professional and student award-winners of ENJOIA’T will be part of a report in the specialised magazine « On Diseño » -.
Public Opinion Award : There is one prize chosen by the attendees of the celebration.
The prizes and the finalists of each category, as with those of the public opinion award, will receive an official diploma. The crowns will become part of the permanent collection of the A-FAD, Artists and Artisans of the FAD
The selecting jury of ENJOIA’T 2015 will be composed of:
– Ramon Puig Cuyàs; contemporary jeweller
– Jorge Manilla; contemporary jeweller
– Monika Szpatowicz; subdirector of the Srebro Festival in the Legnica Gallery in Poland
– Piotr Rybaczek; director of the Basílica Gallery in Barcelona
– Magda Polo; doctor of philosophy of art and president of the A-FAD

 

 

Fábrica MORITZ
Ronda Sant Antoni 39, Barcelona
http://a-fad.blogspot.com.es/A FAD: info@a-fad.org // tel 93.25.66.776

22/08/2015

EXPO ‘DE LA MANO’ – Galeria Naranjo Velilla, Medellin (COLOMBIA) – 20-27 Aout 2015

DE LA Mano Muestra en la Naranjo Velilla Galería , en Medellín. San Fernando Plaza.

el 20 de agosto se inoguró  en Medellin Colombia la primera muestra de joyería internacional de joyería contemporánea organizado por 3 joyeras y un arquitecto.

Primera Muestra Internacional de Joyería Contemporánea en Medellín, Colombia.

Convocada por el grupo Grupo DELAMANO, la exposición mostrará el trabajo de  33 de Colombia, Argentina, de EEUU, Bulgaria, Rumania, Alemania, España y Grecia, Taiwan y México en San Fernando Plaza y Naranjo & Velilla

La artista argentina invitada es Jessica Morillo (Ansiosa Hormona), que participará junto a artistas destacados como Jorge Manilla.

La muestra inaugura el 20 de agosto a las 19 hs, y estará abierta al público durante siete días.

DE LA MANO

avec  :  Adriana Díaz – Alejandra Ferrer — Alejandra Ruiz – Alina López — Ana María Jiménez — Andres Caro — Angela Rojo – Catalina Patiño – Daniel MatizShih-Dea Deborah Tseng — Eleonora Varini – Helena Aguilar – Isabel Trujillo – Jessica MorilloJorge Manilla –  Juan Luis MesaLeia Zumbro — Linda Sánchez — Lucas Restrepo — María Constanza Ochoa — Noha Nicolescu — Paola Pérez — Paula Estrada Matyášová – Paula Vélez – Polina Dimitrova –  Sebastian Escalante – Sergio Fernandez – Simón MazueraSteffi Götze – Tatiana Apraez – Titi Berrio — Víctor Saldarriaga — Virginia Escobar

Jorge ManillaJorge Manilla

Jorge ManillaJorge Manilla

Steffi Götze, brooch Steffi Götze, brooch

Isabel Trujillo - dualidadIsabel Trujillo – dualidad

Jessica Morillo - SelvaJessica Morillo (Ansiosa Hormona) – Selva

Titi Berrio - ExpansionTiti Berrio – Expansion

Virginia Escobar.Virginia Escobar

Tatiana ApraezTatiana Apraez

Helena Aguilar - "Pieza de Mano". Ébano, cumare y plata. 2012.Helena Aguilar – « Pieza de Mano ». Ébano, cumare y plata. 2012

 

 

Naranjo Velilla Galería
San Fernando Plaza – Local 264
Medellín – Colombia
tel +57 4 4484810
http://www.naranjovelilla.com/

 

 

28/04/2015

From Greece, Erato Kouloubi Geometric & Architectural Jewelry

Erato Kouloubi

« Experimentation!
Forms that enter one through the other. Circles and squares.Incomplete shapes.
Metals that are mixed. Silver fused with copper and bronze, titanium encased in gold.
Expore and expand the concept of recycling. Phonecards. Colour. Semiprecious stones.Resin. A peculiar finish. That of the old one, the used one. The feeling of immediacy, of intimacy.
Forms complicated and forms simple.
Shapes anthropocentric and abstract too.
Ispiration throughout the whole life. The nature. The love. The death. » (MyPrecious.gr)

« My work is inspired by architecture and geometry. I design jewelry that assembles in an abstracted form, creating a multitude of viewpoints plus a multitude of applications. Originally what leads me in making innovative forms is that I am interested in the reflection of the viewer. »

Erato Kouloubi Erato Kouloubi  « Tubism » necklace – « The origin of symmetry » serie

Erato Kouloubi presents "The origin of symmetry"  Gold, platinum, bronze and silver - will be at JOYA 2013Erato Kouloubi presented at JOYA 2013 « The origin of symmetry«   Gold, platinum, bronze and silver

« The Origin of Symmetry » « In this work, I explore architecture influenced by the avant-garde art movements of Cubism & Constructivism that later influenced trends as Bauhaus & Destijl movement. I design jewelry that assembles in an abstracted form, creating a multitude of viewpoints plus a multitude of applications. Originally what leads me in making innovative forms is that I am interested in the reflection of the viewer. The collection is made of gold-platted bronze, rhodium-platted bronze and oxidized silver. Bronze is cut, fold and soldered to express the three dimensions. Oxidized silver chain is used to present the bronze sculptures. »

 Erato Kouloubi jewellery -Collection  "The origin of symmetry" serie : "irreversible"Erato Kouloubi - at Joya Barcelona’13 – fotos by Alexis Kamitsos – « The origin of symmetry«   serie : « irreversible »

Erato Kouloubi – Geometric & Architectural Jewelry. -Erato Kouloubi – Geometric & Architectural rings – « The origin of symmetry«  serie

Puis elle est passée du très lisse au « rugueux » ….

« Deconstructing the Cube » and the « Cities In Dust » :  « After I studied the austere geometry of the formal, my work led me into something different: The concept of Deconstruction. I started by deconstructing the cube (2014) .For me, deconstruction is not simply the fragmentation of the structured form, but the dematerialization of the material itself. What at the end of the process seem like a solid base, are the results of both: controlled tempering and the unexpected outcomes of experimentation with the fusion technique. Finally, the white color of the metal symbolizes the dynamics of a new beginning. »

Collection ""Deconstructing the Cube"  - Erato Kouloubi - ring "deconstructing the Faith"Erato Kouloubi – Collection «  »Deconstructing the Cube«   -  ring « deconstructing the Faith »

Erato Kouloubi - Cities In Dust – Collection, “Zion76″ Ring. 2014.Erato Kouloubi - « Cities In Dust » Collection – “Zion76″ Ring. 2014.

Erato Kouloubi. "Cities In Dust" Collection - “Su″ brooch. 2014.Erato Kouloubi. « Cities In Dust » Collection – “Su″ brooch. 2014

Erato Kouloubi. "Cities In Dust" Collection - “Iyali″ brooch. 2014Erato Kouloubi. « Cities In Dust » Collection – “Iyali″ brooch. 2014

Exploring the art of jewelry, Erato graduated from Mokume (Jewelry School Athens). She specialized in Chemical Coloring and Patination of Metals in” Camberwell College of Arts “ and Manipulating Glass in “St.Martins College” London,U.K. In the meantime, she worked with the jewelry designer Yen Duong in Cockpit Arts Center. Returning to Greece she creates her own studio. Through her work she was established in handmade jewelry art.

AND She opened a very active jewelry gallery, « Popeye Loves olive » : actually, a solo exhibition by Jorge Manilla,  »Beyond the Limits II« , until May 9th 2015 . To visit if you are in Athens !

 

19/04/2015

EXPO ‘TWEEX 3′ – La Vénerie/Ecuries, Watermael-Boitsfort (Brussels) (BE) – 24 Avril-17 Mai 2015

TWEEX 3 : masters & students of Contemporary Art Jewellery creation

The TWEEX 3 exhibition takes place at  La Vénerie/Ecuries, Watermael-Boitsfort Cultural Centre Vernissage: jeudi 23 avril de 18h à 21h + KERMESSE – Stand pêche aux canards -  happening :  Je 23 avril  18h >  20h

TWEEX 3.     Exhibition  /  24 Apr-17 May 2015 - La Vénerie, Bruxelles -

In a co-production with La Vénerie, Françoise Vanderauwera and Bernard François present a third overview of masters and student work from four different colleges and art academies:
KASKA (Koninklijke Academie voor Schone Kunsten), Antwerp, (Academy of Fine Arts Antwerp)
RHoK (Academie voor Beeldende Kunsten), Brussels, (College of Fine Arts, Brussels)
SASK (Stedelijke Academie voor Schone Kunsten), Sint-Niklaas and
Académie de Dessin et des Arts décoratifs « Gustave Camus » de Châtelet ,Charleroi.

 Tweex3

Maîtres et élèves créateurs de bijoux contemporains.  3ème Etat des lieux de la transmission des savoirs maîtres-élèves du «bijou d’auteur» dans nos écoles supérieures et académies d’art. Art jeune et pluridisciplinaire, à la croisée des beaux-arts et du design, le bijou d’art contemporain, forme d’expression artistique à part entière, fait incontestablement partie de notre patrimoine. En s’interrogeant sur le poids des savoirs et la part de ceux-ci dans la création contemporaine et en soulignant le caractère critique et autoréflexif de cette discipline artistique, nous vous proposons de découvrir les passeurs de ces savoirs issus des Académies des Beaux- Arts de Châtelet (Charleroi), KASK (Koninklijke Academie voor Schone Kunsten, Antwerpen) RHoK (Academie Beeldende Kunsten, Brussel) et SASK (Stedelijke Academie voor Schone Kunsten, Sint-Niklaas).

Tatiana Warenichova (KASKA alumni), Fairy Teller Queen, brooch, 2010, magazine paper, wood, silvervander Tatiana Warenichova (KASKA alumni), Fairy Teller Queen, brooch, 2010, magazine paper, wood, silvervander

Artist list :  Nina AirapetovaVelislava Bozhinova — Nadine Braeckeleer — Tineke Carels — Ilse Claus — Antonio Conati — Laurent-Max De Cock — Barbara Deriemaeker — Alain Duprez — Silke Fleischer — Kathleen Frisson — Jeaninne Gailly — Max Gielis — Jonathan Hens — Karin Lanneer –  Jorge Manilla — Brigitte Mathieu — Marta Miguel — Michel Mousset — Hilde Van Belleghem — Lore Van KeerJasper VandenbergheKaren VanmolPeter Vermandere

 TWEEX 3. Ilse Claus Bracelet: Second skin, 2015 chamois leather, gelatin, pigment, plastic zipper bag Photo by: Stanislas Huaux SASK-Sint-Niklaas studentIlse Claus - Bracelet: Second skin, 2015 chamois leather, gelatin, pigment, plastic zipper bag - Photo by: Stanislas HuauxSASK-Sint-Niklaas student

Marta Miguel - RHoK alumni - healing pendant, 2011 pink felt with latexMarta Miguel -  healing pendant, 2011 pink felt with latex - RHoK alumni -

 Left: Max Gielis (RHoK teacher), Are we Going to Die Pretty?, brooch, 2013, silver, feathers, glass, blood Right: Barbara Deriemaeker (RHoK alumni), No titel, necklace, 2012, plaster, lintLeft: Max Gielis (RHoK teacher), Are we Going to Die Pretty?, brooch, 2013, silver, feathers, glass, blood
Right: Barbara Deriemaeker (RHoK alumni), No titel, necklace, 2012, plaster, lint

 Barbara Deriemaeker RHoK alumni No titel 2012 plaster, stuffed animals, boxesBarbara Deriemaeker (RHoK alumni) No titel 2012 plaster, stuffed animals, boxes

 Left: Jorge Manilla (KASKA teacher), Essence of morality, pendant, 2013, Polymer Gypsum, steel, fabrics, photo: Hanne Nieberding Right: Jonathan Hens (KASKA alumni), DARK PARADISE #4, bracelet, 2013, tin, sutures, plastic, photo: Hanne NieberdingLeft: Jorge Manilla (KASKA teacher), Essence of morality, pendant, 2013, Polymer Gypsum, steel, fabrics, photo: Hanne Nieberding
Right: Jonathan Hens (KASKA alumni), DARK PARADISE #4, bracelet, 2013, tin, sutures, plastic, photo: Hanne Nieberding

Left: Hilde Van Belleghem (SASK teacher), ruuw & puur, necklace-bracelet and ring, 2015, silver 925, photo: Lieven Herreman Right: Tineke Carels (SASK alumni), hebberige handjes, necklace, 2014, silver, photo: Stanislas HuauxLeft: Hilde Van Belleghem (SASK teacher), ruuw & puur, necklace-bracelet and ring,2015, silver 925, (detail) photo: Lieven Herreman
Right: Tineke Carels (SASK alumni), hebberige handjes, necklace, 2014, silver, (detail) photo: Stanislas Huaux

Left: Hilde Van Belleghem (SASK teacher), ruuw & puur, necklace-bracelet and ring,2015, silver 925, (detail) photo: Lieven Herreman / Right: Tineke Carels (SASK alumni), hebberige handjes, necklace, 2014, silver,  photo: Stanislas Huaux   Left: Hilde Van Belleghem (SASK teacher), ruuw & puur, necklace-bracelet and ring,2015, silver 925, (detail) photo: Lieven Herreman Right: Tineke Carels (SASK alumni), hebberige handjes, necklace, 2014, silver, photo: Stanislas Huaux

 Dimitar Stankov KASKA alumni Bagpipes and Memories ring, 2014 silver Dimitar Stankov (KASKA alumni) Bagpipes and Memories ring, 2014 silver

 Dimitar Stankov Ring: Untitled, 2014 silver KASKA alumni Dimitar Stankov Ring: Untitled, 2014 silver KASKA alumni

 Velislava Bozhinova Necklace: Adaptation, 2014 porcelain, hemp rope KASKA alumniVelislava Bozhinova Necklace: Adaptation, 2014 porcelain, hemp rope KASKA alumni

 Karen Vanmol Necklace: Cultivate, 2014 Wood, Laminated, brass, paint, silver, plastic vintage beads KASKA alumniKaren Vanmol Necklace: Cultivate, 2014 Wood, Laminated, brass, paint, silver, plastic vintage beads KASKA alumni

 Gailly Jeannine Pendant: Untitled, 2015 Châtelet alumni Gailly Jeannine Pendant: Untitled, 2015 Châtelet alumni

 Left: Kathleen Frisson (SASK teacher), In memoriam, necklace, 2015, onyx, silver, gold, photo: Stanislas Huaux Right: Karin Lanneer (SASK alumni), ode aan de onbekende schilder 2, necklace, 2013, chitterlings, yarn, pearls, silver metal, photo: Stanislas Huaux Left: Kathleen Frisson (SASK teacher), In memoriam, necklace, 2015, onyx, silver, gold, photo: Stanislas Huaux
Right: Karin Lanneer (SASK alumni), ode aan de onbekende schilder 2, necklace, 2013, chitterlings, yarn, pearls, silver metal, photo: Stanislas Huaux

 Jasper Vandenberghe (KASKA alumni), Experimentables - Exp2.W.2015, ring, tin, Amethyst QuartsJasper Vandenberghe (KASKA alumni), Experimentables – Exp2.W.2015, ring, tin, Amethyst Quarts

 

Vander A Gallery  / La Vénerie
3 place Gilson 3
1170 Watermael-Boitsfort  (Brussels) BELGIUM
info@vanderagallery.be
tel  (0) 495 264 281
(0) 478 570 674
from Friday 24 April 2015 to Sunday 17 May 2015 Wednesday, Thursday, Friday and Saterday: from 14:00 to 18:00 Sunday: from 10:00 to 13:00

 

 

1234