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05/03/2018

EXPO ‘‎Hidden curriculum’ – during the MJW 2018 – Atelier Cepissakova, Munich (DE) – 8-11 Mars 2018

 

« ‎Hidden curriculum »

Contemporary jewelry exhibition inside   Munich Jewellery Week  (7–10 March 2018)

Popeye loves Olive  Art Space hosts an exhibition platform during Munich Jewellery Week by inviting a group of 14 Greek artists to meet the Mexican artist Jorge Manilla and to develop a joint project on Hidden Curriculum, Identity and Proxemics. 

Opening: Thursday 08/03/18 @19.00 – 22.00

Popeye loves Olive‎ - Hidden curriculum*

Participating Artists:    Jorge Manilla – Aggelika Diplari – Aggelos Konstantakatos – Anna Vlahos – Antria Prasinou – Artemis Valsamaki – Erato Kouloubi – Ioli Livada –  Joanna Grigoriou – Liana Pattihis – Marina Zachou – Niki Stylianou – Xenia Deimezi – Yakinthi Oikonomou – Yiota Vogli

 

 » Hidden Curriculum*
The Hidden curriculum consists of teaching items which are not officially intended and developed by school and educational system. The educational authorities use the concepts of “hidden curriculum” and “invisible curriculum” to explain teachings and attitudes influenced by these implicit factors (Alavi, Abdollahi and Ahmadi, 2008).
With the intention to explore behaviors, perspectives and attitudes, that the participants adopt during their learning process, in an independent way outside of an institution.
For this exhibition we have decided to take the idea of a Hidden Curriculum and explore in a free but very careful way, issues like gender roles, morals, social class, stereotypes, cultural expectations and personal language.
According to the Austrian artist and architect Hundertwasser, we have five layers of skin. From the innermost to the furthest from the centre: Epidermis, Clothes, Houses, Identity and Earth. Each layer (skin) defines and interacts with the whole human entity.
According to Proxemics, we arrange objects and ourselves in relation to space as it makes us feel more or less comfortable. Individuals naturally maintain a separation that relates to environmental and cultural factors but also to social and interpersonal situations. One could say that proxemics is separated in Intimate, Personal, Social and Public Space/Skins. Moreover, all layers of Space/Skins interact, affect and define each other.
Most importantly, it should be underlined; the above studies claim that Identity is created by social interplay.
According to history, Jewelry serves as a primary means of conveying cultural values. Traditionally, jewels were seen as sacred and precious; however, from the beginning of the 20th century, jewelry has started to be objectified. Jewelry as a result of all human social interactions becomes a product of non-verbal communication.
The process, through which a piece of jewelry is created, is totally connected with the cultural and social background of each jewelry artist. From the selection of materials to the final product, it is needed that all different possibilities and perspectives of this act to be explored.
On the other hand, the viewer interacts both with the maker and the wearer of a piece of jewelry; as jewelry narrates stories and communicates feelings and Identities. 
By comparing fourteen Greek jewelry artists’ work in opposition to that of a Mexican artist and educator; this exhibition seeks to collect information on how hidden curriculum, proxemics and identity are expressed through jewelry.
What kind of space occupies the work of each artist? What kind of skin it represents? « 

 

HIDDEN CURRICULUM - Yiota Vogli Dialogue I Νecklace / Ruthenium plated bronze, alpaca, paper pulp, grains, oxidationsYiota Vogli Dialogue I Νecklace / Ruthenium plated bronze, alpaca, paper pulp, grains, oxidations

Yiota Vogli. Brooch: Dialogue, 2017. silver, alpaca, hand painted silver, paper pulp, acrylics, cotton.Yiota Vogli. Brooch: Dialogue, 2017. silver, alpaca, hand painted silver, paper pulp, acrylics, cotton.

Yakinthi Oikonomou Brooch: Veresé, 2017 Argentium silver, bronze, stainless steel. Photo by: Orestis RovakisYakinthi Oikonomou. Brooch: Veresé, 2017. Argentium silver, bronze, stainless steel.. Photo by: Orestis Rovakis.

HIDDEN CURRICULUM - Yakinthi Oikonomou Home sweet home Brooch / Argentium silver, stainless steelYakinthi Oikonomou Home sweet home Brooch / Argentium silver, stainless steel

Xenia Deimezi. Necklace: FEED ME, 2018. Latex, cotton and polyester thread, brilliant cut white diamond.. 70 x 10 cm. Photo by: Aimilia Balaska. From series: into existence.
Xenia Deimezi. Feed-me  Necklace / Latex, cotton & polyester thread, brilliant cut diamond  - Photo by: Aimilia Balaska. From series: into existence

HIDDEN CURRICULUM - Niki Stylianou. - Landscape #3 Necklace / Hand cut and hand stitched leather, thread, copper, pigments, patina
Niki Stylianou.   Landscape #3  - Necklace / Hand cut and hand stitched leather, thread, copper, pigments, patina  

Niki Stylianou Necklace: Mapping: traces made solid, 2017 Copper, bronze, pigments, patina, cord. Photo by: Niki StylianouNiki Stylianou - Necklace: Mapping: traces made solid, 2017 - Copper, bronze, pigments, patina, cord. - Photo by: Niki Stylianou

HIDDEN CURRICULUM - Antria Prasinou Ephemeral Body Neckpiece / Copper, rice paper, ink, silver, pigments, silk thread – avec Antria Prasinou.
Antria Prasinou. - Ephemeral Body - Neckpiece / Copper, rice paper, ink, silver, pigments, silk thread  

Antria Prasinou Brooch: Liberate the Senses, 2017 Copper, rice paper, ink, silver, pigments, silk thread. Photo by: Konstantinos KostopoulosAntria Prasinou - Brooch: Liberate the Senses, 2017 - Copper, rice paper, ink, silver, pigments, silk thread. - Photo by: Konstantinos Kostopoulos

Liana Pattihis Necklace: Shades of Black, 2017 Copper wire, silver chain, enamel. 89 cm Photo by: Liana PattihisLiana Pattihis - Necklace: Shades of Black, 2017 - Copper wire, silver chain, enamel. 89 cm  Photo by: Liana Pattihis

Erato Kouloubi. Brooch: Food Victim 1, 2018. Pasta, acrylics, epoxy, bronze.. 12 x 16 x 5 cm. Photo by: George Economopoulos. From series: Food Victim  Collection.
Erato Kouloubi Food Victim 1 Brooch / Pasta, acrylics, pigments, silver

Erato Kouloubi Brooch: Food Victim, 2018 Pasta, acrylics, pigments, silver. Photo by: Erato KouloubiErato Kouloubi - Brooch: Food Victim, 2018 - Pasta, acrylics, pigments, silver. Photo by: Erato Kouloubi

HIDDEN CURRICULUM - Aggelika Diplari Garden Brooches Wood, argentium silver, pigments, patina – avec Aggelika Diplari.
 Aggelika Diplari. - Garden  Brooches - Wood, argentium silver, pigments, patina 

Ioli Livada Brooch: Untitled, 2017-2018 Bronze, corn leaves, pigments, threads, sterling silver. Photo by: Fanis Logothetis

Ioli Livada  -  Brooch: Untitled, 2017-2018 - Bronze, corn leaves, pigments, threads, sterling silver. Photo by: Fanis Logothetis

Ioli Livada Brooch: Imaginary Flowers 5, 2018 Bronze, corn leaves, pigments, threads, sterling silver.Ioli Livada - Brooch: Imaginary Flowers 5, 2018 - Bronze, corn leaves, pigments, threads, sterling silver.

Joanna Grigoriou Fragments 3 Brooch / Wood, resin, pigments, stainless steel

Joanna Grigoriou Fragments 3 Brooch / Wood, resin, pigments, stainless steel  

Anna Vlahos Meander 1 Brooch / Sterling silver, stainless steel
Anna Vlahos Meander 1 Brooch / Sterling silver, stainless steel

Artemis Valsamaki Brooch: Keep the Faith, 2017 Copper, silver, acrylic paint. Photo by: Alexis KamitsosArtemis Valsamaki - Brooch: Keep the Faith, 2017 - Copper, silver, acrylic paint. - Photo by: Alexis Kamitsos

 

HIDDEN CURRICULUM - Jorge Manilla Insides  Brooch / Wood, cochayuyo, copper steelJorge Manilla - Insides  Brooch / Wood, cochayuyo, copper steel

Jorge Manilla Object: Untitled, 2018 Cochayuyo, rubber. Photo by: Christian TvibergJorge Manilla  Object: Untitled, 2018 - Cochayuyo, rubber. - Photo by: Christian Tviberg

 

 

 
Atelier Cepissakova 
Ligsalzstrasse 29
80339 Munich / München, Deutschland
- Thursday 08.03.18 [10.00 – 17.00]
OPENING: 19.00 – 22.00
- Friday 09.03.18: [10.00 – 18.00]
- Saturday 10.03.18 [10.00 – 13.00]
- Sunday 11.03.18 [11.00 – 16.00]Contact:
Erato Kouloubi
eratokosmima@yahoo.com
+30 6944871569http://www.munichjewelleryweek.com/event/hidden-curriculum/

04/03/2018

EXPO ‘Holy Rock’ – during the Munich Jewellery Week (MJW) – Internationale Handwerksmesse München, Munich (DE) – 7-13 Mars 2018

Holy Rock

 Contemporary jewelry exhibition inside   Munich Jewellery Week   (MJW)  7 – 10 March

ASTONISH 2018 at Internationale Handwerksmesse München, from the 7th to the 13th of march in

Hall B1, Stand-No. 759

ASTONISH is a collective of seven female contemporary jewellery makers sharing a common passion: (gem) stones. For the third consecutive year, they will exhibit their work at Internationale Handwerks Messe(IHM) in Munich, March 2018.

Artist list  :  Sharareh Aghaei – Eva Burton – Gabriela Cohn – Pia Groh – Helen Habtay — Stephie MorawetzJulia Obermaier

Astonish HOLY ROCK - MJW 2018

Child of the elements.
You connect us to the past and our memories. You give us silence and peace. Hypnotized, we gaze at you when exploring your inner worlds. Born from time and the forces of nature you are everlasting and the matter of our making.
Every Rock is holy, indeed. From stones as silent observers, we make valuable experiences, we communicate through our making. Find the seven makers of ASTONISH for the third consecutive year at SCHMUCK, to pay hommage/tribute to ‘THE HOLY ROCK’ in you and me.
So let us celebrate together Gems and Jewels.

 

Astonish HOLY ROCK

*

Julia Obermaier - ASTONISH    Dancing on a wonky table – Necklace – Agate, resin, pigment, fabric, silver – 27 x 9 x 5 cm – 2017 – Julia ObermaierJulia Obermaier -   Dancing on a wonky table – Necklace – Agate, resin, pigment, fabric, silver – 27 x 9 x 5 cm – 2017 – Julia Obermaier

 

ASTONISH - Eva Burton - En el umbral de Xibalba – necklace – Anodized aluminium, syntetic corundum, 14 kt gold – 33.5 x 16 x 2.5 cm – 2017 – Qi WangEva Burton – En el umbral de Xibalba – necklace – Anodized aluminium, syntetic corundum, 14 kt gold – 33.5 x 16 x 2.5 cm – 2017 – Qi Wang

Sharareh Aghaei - ASTONISH - Untitled – Necklace – Titanium Nets, Malachite and lapis lazuli Powder, Cement, Resin epoxy – 40x17x4 cm – 2017 – Nima AshrafiSharareh Aghaei -   Untitled – Necklace – Titanium Nets, Malachite and lapis lazuli Powder, Cement, Resin epoxy – 40x17x4 cm – 2017 – Nima Ashrafi

Stephie Morawetz - ASTONISH - Golden Look – Vagina Mirror – Olive wood, mirror Perspex, Perspex, gold plated brass – 13 x 10 x 1,5 – 2017 – photo rights Shenkar College of Engineering and DesignStephie Morawetz -  Golden Look – Vagina Mirror – Olive wood, mirror Perspex, Perspex, gold plated brass – 13 x 10 x 1,5 – 2017 – photo rights Shenkar College of Engineering and Design

STEPHIE MORAWETZ | astonish - Same Shit – Necklace – Bird shit pearls (from the Shenkar jewelry department), gold plated brass – 2017 – photo rights Stephie MorawetzStephie Morawetz - Same Shit – Necklace – Bird shit pearls (from the Shenkar jewelry department), gold plated brass – 2017 – photo rights Stephie Morawetz

GABRIELA COHN | astonish  - Organic Bowl – Object – Porcelain – 14 x 15 x 12 cm – 2017GABRIELA COHN   - Organic Bowl – Object – Porcelain – 14 x 15 x 12 cm – 2017

Gabriela Cohn Necklace: Bornn, 2016 Porcelain, Silver, Alpaca, Pigments 22 x 14 x 35 Photo by: Qi WangGabriela Cohn Necklace: Bornn, 2016 Porcelain, Silver, Alpaca, Pigments 22 x 14 x 35 Photo by: Qi Wang

Pia Groh Necklace: N 7, 2017 Agate, oxidized silver. 6 x 5 x 23 cmPia Groh – N`7 – Necklace – oxidized Silver, agate – 23 x 6 x 5 cm – 2017 – Photo rights Pia Groh

Helen Habtay - ASTONISH - Map and Territory-No8    Map and Territory, no8 – Necklace – Leather, Tiger Eye, Ribbon, Rubber – 46 x 7,5 x 3 cm – 2017 – Photo rights Qi WangHelen Habtay -  Map and Territory-No8    Map and Territory, no8 – Necklace – Leather, Tiger Eye, Ribbon, Rubber – 46 x 7,5 x 3 cm – 2017 – Photo rights Qi Wang

 

 

 
Internationale Handwerkmesse Munich
Hall B1, Stand-No. 759.
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

18/11/2017

EXCHANGE-BIJOU 1 – Viktoria MUNZKER – at 2017 Beijing International Jewelry Art Exhibition – 18-27 Nov. 2017

Viktoria Munzker

2017 Beijing International Jewelry Art Exhibition / Nov. 18-27 2017 / @ BIFTPARK (Beijing Institute of Fashion Technology Park)

 2017 Beijing International Jewelry Art Exhibition / Nov. 18-27 2017 / @ BIFTPARK (Beijing Institute of Fashion Technology Park) -

2017 Beijing International Jewelry Art Exhibition is  to be held on November 18-26 in Beijing.
Themed on « Union & Concurrence », under the meaning of « combination »and « run in parallel », which is mutually exclusive, this exhibition embodies China’s national policies of Global View, the Belt and Road, and Win-Win Cooperation, and also represents that the Eastern and Western cultural ecologies respect each other, interact with each other, complement each other and help each other forward in terms of contemporary jewelry art under the multi-cultural context.

The exhibition aims to promote diverse jewelry art creation, exploring the latest concepts of international jewelry art as well as the fashion and development trend of international jewellery business. With concept innovation and academic guidance as its focus, it builds an interactive platform and space for different artistic creation ideas and thoughts. During the exhibition, an international jewelry art academic innovation forum, an international jewelry design education forum, along with an international jewelry fashion trend forum will be held.

 Viktoria Münzker Ferus Brooch: Heliopora Coerulea, 2016 Driftwood, silver, granules, synthetic topas

Viktoria Münzker - Brooch: Heliopora Coerulea, 2016 - Driftwood, silver, granules, synthetic topaz

 Viktoria Münzker Ferus - Necklace: Cupido Minimus, 2016 Operculum, brass, glas crystal, granules 10 x 7 x 2.5 cm Photo by: Viktoria Münzker Ferus

 Viktoria Münzker Ferus – Necklace: Cupido Minimus, 2016 Operculum, brass, glas crystal, granules 10 x 7 x 2.5 cm Photo by: Viktoria Münzker Ferus 

Viktoria Munzker - Brooch: Aeria Memoria, 2016 Operculum, driftwood, antique nail, bronze, silver, granules 11 x 5 x 3.5 cm Photo by: Viktoria Münzker Ferus

Viktoria Munzker - Brooch: Aeria Memoria, 2016 Operculum, driftwood, antique nail, bronze, silver, granules 11 x 5 x 3.5 cm Photo by: Viktoria Münzker Ferus

 

 

 

Beijing Institute of fashion Technology,
Beijing Shi, Chaoyang Qu
100029 -  Beijing 
CHINA
jewelryart@futuredesign.cn
http://futuredesign.cn/

30/10/2017

EXPO «Materio-Talk» – Paris Parcours Bijoux 2017 – Les Ateliers de Paris – 9 Nov.-9 Dec. 2017

Materio-Talk commence le 9 novembre aux  Ateliers de Paris ! Explorez les connections et les dialogues engendrés par la création dans le cadre du Parcours Bijoux : http://bit.ly/2hnUXJf

Les Ateliers de Paris présentent «Materio Talk», exposition imaginée par le créateur et commissaire de cette exposition : Sébastien Carré.

Parcours Bijoux 2017

Inauguration jeudi 9 Novembre, à partir de 18h30

Materio-Talk - Aux Ateliers de Paris - inauguration 9 novembre 2017 soir

 

Quelles histoires résident dans l’esprit de l’artiste lorsqu’il crée ? D’où vient ce choix de matières ou l’utilisation de certaines techniques pour transmettre une idée ? C’est à ces questions que tente de répondre cette exposition par la mise en valeur des mythologies personnelles de huit artistes dans le but de s’exprimer par le biais d’une œuvre d’art à porter ou arborer.
Ce sont ces histoires intérieures que nous essayerons de mettre en valeur, quatre groupes ont donc été constitués par des liens établis par l’intermédiaire de choix de techniques, de matières, de vocabulaire formel ou conceptuel afin de mettre en lien de jeunes artistes issus d’écoles françaises abordant le bijou d’art face à un artiste étranger de renommée internationale.
Quatre thématiques seront donc abordées par chaque artiste mais il faudra également que chacun réalise une Œuvre en employant la matière de l’autre artiste de l’équipe afin de mettre en valeur l’idée derrière l’œuvre et celle qui anime la main.
Textes de l’ exposition par / Texts of the exhibition by : Nichka Marobin – Blo(g)azette – The Morning Bark
Autour de diverses thématiques, quatre équipes ont été constituées pour créer des passerelles entre les pratiques de jeunes artistes français et de grands noms internationaux du bijou d’art afin de mettre en valeur le caractère universel du bijou comme objet d’expression pour l’artiste et de communication pour son porteur.
 
« Les artistes, appelés à créer une pièce pour chaque thème, ont également été appelés à créer deux bijoux sur leur propre sujet spécifique, l’un utilisant le matériel que l’autre artiste aurait utilisé ; l’autre doit contenir un mot supplémentaire, celui que l’autre personne de l’équipe aura utilisé pour décrire le travail de son coéquipier. En ce sens, le dialogue entre les artistes se manifeste par le discours des matières et évolue sous notre regard.
L’un des aspects les plus fascinants de l’exposition Materio Talk a été le fait que chaque artiste ait dû choisir un mot spécifique pour décrire le travail de son propre coéquipier. D’un même lemme, tous les artistes engagés dans ce projet ont développé leurs propres langages formels en constante réciprocité avec leur propre collègue, donnant vie à un dialogue tangible, mais particulier, sur les formes, les idées et les bijoux, capable de transmettre de grands sujets dans une petite taille. »
*
Beautés Primitives / Primal Beauty
« On ne peut comprendre son propre présent sans le passé car le passé fait partie de nous-mêmes et nous devons l’embrasser.
Le passé, et plus précisément le temps préhistorique, est le principal domaine d’étude de l’artiste grec Akis Goumas et de la française Marion Fillancq. Pour les deux, cette quête archéologique est, avant tout, une quête pour eux-mêmes.
Les fragments de la mer Egée permettent à Akis de construire son langage formel, tandis que les anciennes techniques du verre sont le point de départ de l’investigation de Marion: ils concentrent leurs travaux sur une mémoire reconstruite capable d’englober notre contemporanéité et qui posent toujours des considérations ouvertes sur la nature intérieure de l’homme. »
Nichka Marobin
Akis Goumas - "Inner" - photo by V.XeniasAkis Goumas -  Pendant: Inner, 2017 – Hammered bronze, casted sheets, steel, obsidian, pigments – Photo by: V. Xenias
« Je suis impliqué depuis plus d’une décennie dans l’étude des découvertes préhistoriques de la région égéenne et cela a affecté mon rapport au bijou. Mon processus créatif se développe comme une fouille conceptuelle en mon for intérieur et met en évidence des émotions, les impressions de souvenirs personnels ou collectifs, ou bien même des évènements obscurs du passé.
Dans un certain sens, ce processus ressemble à une excavation archéologique dans laquelle chaque couche a les caractéristiques d’une certaine période.« 
www.akisgoumasgallery.com – Akis Goumas Marion Fillancq, pensée taille - Nucléus & marionites -  photo F. GolfierMarion Fillancq, pensée taille – Nucléus & marionites -  photo F. Golfier
« Alors que l’Homme de la préhistoire taillait la pierre pour ses besoins. Il semble que nous taillons encore aujourd’hui, pour nos désirs. Ce postulat constitue la base du travail de Marion Fillancq et met en évidence des idées, concepts, ou esthétiques contraires. Ironisant souvent sur l’idée du luxe, c’est aussi certains statuts du bijou lui-même qui sont bousculés, créant une dualité contre laquelle Marion Fillancq elle-même, a du mal à lutter.«  
www.marionfillancq.comMarion Fillancq
*
Symétrie organique / Organic Symetry
« Le groupe d’oeuvres de l’artiste estonien Tanel Veenre et le français Sébastien Carré est regroupé sous le thème «Symétrie organique»: le premier s’inspire de la sexualité et explore comment, à partir de la symétrie humaine de l’appareil reproducteur, de nouvelles formes peuvent être réalisées dans une pureté de lignes capables de devenir autre chose et dépasser la mimesis de la réalité.
Les éléments organiques employés par Sébastien Carré lui permettent de créer de nouveaux mondes; des minéraux et de la végétation aux pellicules de film, tout peut être mélangé et rassemblé afin de créer un nouveau langage plastique. Les éléments assemblés sont soigneusement étudiés, choisis et ils témoignent de la nécessité pour l’artiste français d’étudier ce lien intérieur entre tous les êtres humains et les autres espèces.« 
Nichka Marobin
Sébastien Carré - Necklace: Cultural Balance, 2017 Sharkskin, Pearls, beads, filmstrip, cotton, silk and nylon thread - at "MATERIO  TALK" exhibitionSébastien Carré - Necklace: Cultural Balance, 2017 Sharkskin, Pearls, beads, filmstrip, cotton, silk and nylon thread – photo Milo Lee
« Végétal, animal et minéral sont combinés dans ces bijoux aux formes de paysages. Mélanger ces matières interactives me permet de réveiller un corps qui tend à être plus insensible en raison d’une société surconnectée. Célébrer la diversité nous fera grandir. Dans l’histoire du vivant, si les cellules n’avaient pas coopéré au lieu d’essayer de se détruire, la vie n’aurait jamais produit l’homme. Chérissons la diversité, être ensemble est déjà un trésor. »
www.sebastiencarre.com
Sébastien Carré

Tanel Veenre - Brooch: Crown of the Nature, 2017 Wood, reconstructed coral, silver, cosmic dust - Photo by: Tanel VeenreTanel Veenre – Brooch: Crown of the Nature, 2017 Wood, reconstructed coral, silver, cosmic dust – Photo by: Tanel Veenre
 » Je suis intéressé d’aller au-delà de la raison, de trouver le noyau de l’humain sous cette épaisse couche de culture. Les expériences extatiques sont comme des portes ouvertes vers le côté animal de l’Homme. Pour mon travail, j’ai basé mes recherches tout autant sur l’extase religieuse que sexuelle pour transcrire cette sensation de se perdre dans le plaisir. Je poursuis donc certaines idées du Baroque pour qui l’art se doit de produire une réponse émotionnelle du spectateur. Mes oeuvres sont donc une allégorie, qui vise à retranscrire ce pouvoir de la sensualité pour arriver à l’accomplissement de cette Utopie du plaisir. »
www.tanelveenre.com
Tanel Veenre
*
Cultures Modulaires / Modular Culture
Peter Hoogeboom (Nl) / Yiumsiri Kaï Vantanapindu
« La méditation contemporaine sur l’utilisation de l’argile et de la porcelaine est le principal trait d’union entre l’artiste néerlandais Peter Hoogeboom et l’artiste thaï-française Yiumsiri Vantanapindu pour le thème «Cultures Modulaires».
La recherche de Peter Hoogeboom commence par l’étude des éléments individuels en argile de l’histoire ancienne qui sont après transformés en petits morceaux numériques. Les pièces souples et élégantes rappellent cette vocation pour l’Antiquité et la culture passée qui émerge clairement de ses oeuvres. Ainsi, la mémoire collective et historique qui réside dans l’étude constante des techniques d’argile et de porcelaine d’Europe et d’Asie fournit des résultats inattendus. Une culture métissée et le concept d’hybridation offrent à Yiumsiri Vantanapindu un domaine d’étude et de création témoignant l’importance et la richesse des langues qu’une civilisation «sans frontières» pourrait offrir. Née en Thaïlande et vivant maintenant en France, la recherche de Yiumsiri se concentre sur le dialogue constant sur le passé et le présent, sur la mémoire collective et la contemporanéité en mélangeant les cultures. Ses pièces d’argile, de basalte, de porcelaine et de métaux sont une méditation sur son propre héritage avec une vue contemporaine. »
Nichka Marobin
at MATERIO TALK - Peter Hoogeboom - photo Peter HoogeboomPeter Hoogeboom - Necklace: Sacrifice, 2017 – Porcelain, silver, rubber, nylon. – 24 x 21 x 3.5 cm – Photo by: Peter Hoogeboom – From series: Broken
« Depuis 1995, j’applique de la céramique dans mes bijoux, un matériau qui dans son emploi contemporain est principalement utilisé pour fabriquer de la vaisselle. Parce que la fonction utilitaire de la céramique a été fortement liée à l’homme depuis le début de la préhistoire, je me réfère à cela en fabriquant de petits éléments en forme de jarre, de coupe ou de pot. On peut également faire référence à l’argile / terre en tant que nourriture pour les cultures dont nous nous nourrissons ainsi que notre bétail. »
www.peterhoogeboom.nl
Peter Hoogeboom
at MATERIO TALK - Yiumsiri Vantanapindu Bracelet: Black-Kam-Laï, 2017 Black porcelain and metalYiumsiri Vantanapindu Bracelet: Black-Kam-Laï, 2017 Black porcelain and metal
« Une frontière est un endroit composé de couches différentes, d’une ligne imaginaire à un endroit particulier, séparant ou regroupant deux territoires. Mon travail tourne autour du thème: «Sans Frontières». Par cela je souhaite exprimer que pour envisager un travail entre deux cultures, je dois ancrer ma réflexion par rapport aux diverses philosophies des lieux dans lesquels je crée tout autant que les différentes identités qui font l’individu que je suis. Par conséquent, l’art contemporain comme je l’appréhende se doit de souligner la diversité d’une manière intelligible. »
www.yiumsirivantanapindu.carbonmade.com
Yiumsiri Vantanapindu
*
Merveilles naturelles / Natural Wonder
« En observant les pièces de la suédoise Märta Mattsson et de la française Marie Masson, on est fasciné par le sens de la “circularité” qui s’exprime par le biais des éléments naturels utilisés par les deux artistes. Le sens de cette «renaissance» (mot utilisé par Märta Mattsson pour présenter son travail) ressort clairement des travaux de ces deux artistes fascinées par la nature. Dans le cas spécifique de Märta, les insectes sont ramenés à une vie éclatante qui nous charme grâce à un nouveau sentiment d’émerveillement. Pour Marie, les éléments naturels tels que la peau, les cheveux, le crin et les fourrures sont assemblés afin de recréer de nouvelles pièces qui re-méditent le corps lui-même. Dans ce sens, en regardant ces travaux, on peut penser au symbole antique et mythologique d’Ouroboros (du grec ancien οuροβoros), le serpent ou le dragon mangeant sa propre queue, représentant la renaissance éternelle.« 
Nichka Marobin
at LATERIO TALK - Märta Mattsson Brooch: Insectomania, 2017 Cicada wings, wood, glass, resin, lacquer, cubic zirconia, pigment, silver Photo by: Märta MattssonMärta Mattsson Brooch: Insectomania, 2017 Cicada wings, wood, glass, resin, lacquer, cubic zirconia, pigment, silver Photo by: Märta Mattsson
« Je trouve parfois de la beauté dans les choses que certains trouvent étranges ou repoussantes. Je suis fascinée quand il y a quelque chose que vous ne voulez pas voir et le sentiment provoqué par cette envie de ne pas regarder, bien qu’au final on finisse toujours par regarder. Mes bijoux jouent de cette tension entre attraction et répulsion. J’emploie des matières qui semblent inappropriées au premier abord, rendant l’ordinaire et les objets familiers extraordinaires et inconnus. »
www.martamattsson.com
Märta Mattsson

Marie Masson © Marie Masson - Cocarde - 2017 – Broche Cuir, plumes de faisan, Hématite, zincMarie Masson © Marie Masson – Cocarde – 2017 – Broche Cuir, plumes de faisan, Hématite, zinc
« Le travail de Marie Masson se situe entre le bijou contemporain, les arts décoratifs, la sculpture, la mode et l’objet de curiosité. Cheveux, crins, poils et peaux, racontent la mise à nu du corps. Sur mesure, elle assemble, détourne, et met en évidence des attributs naturels de l’homme et de l’animal. Elle les considère en tant que premières parures visibles et propose des objets singuliers, restituant une intimité artificielle. »
www.marie-masson.com
Marie Masson
 
 
As an art, jewellery creations are, at the same time, products of an established historical moment and pieces which carry with themselves layers of memory, universal messages of beauty and, above all, languages able to survive during the years. They are yet ephemeral because they can be broken, dismantled, fused and recomposed following the desires and circumstances of contingency and need.
More than traditional jewellery, contemporary jewellery offers a multiplicity of panoramas and languages. The use of different materials and the subversion of the hierarchy of what might be considered precious changed all perspectives. It is an evidence nowadays: studio jewellery is made also of non-precious metals and non-precious stones. From iron to plastics, from paper to wood, from fibers to insects each material can be worked, re-built and assembled in order to become a jewel, varying the traditional concepts of value and preciousness.
As different cartographies, contemporary jewels map and evoke new worlds and histories; they offer new languages and confront the viewer and the wearer to new perspectives and new interpretations.
Under the common vault of contemporary jewellery, materials surface as a formal language, the one that identifies an artist. Nevertheless, each Artist is always his/her own work: in each piece life blooms, emerges and marks a moment; the formal language reveals itself through the use of a specific material.
As a language, it evolves over the years and it finds similarities among the great variety of contemporary jewellery world creating unexpected connections and links.
The exhibition MATERIO-TALK, organized by the French Artist Sébastien Carré, focuses on the use of a specific material as a form of language and all the possible connections with other artists who are using the same material.
The themes proposed in this exhibition gather four French contemporary jewellers to four International contemporary jewellers, in order to investigate how the use of a common and specific material as a formal language can be achieved from two different sides, exploring the artistic process and all the connections between the artists.
The artists, called to create a piece for each theme, were called also to create two jewels on their own specific subject, one using the material that the other artist will have used. In addition to this, the second piece had to contain an additional word, the one that the other person in the team will have used to describe the work of his teammate. In this sense, the talk of material becomes a tangible conversation and dialogues are in front of our eyes.
One of a fascinatingaspect of the exhibition Materio-Talk has been the fact each artist had to choose a specific word in order to describe the work of his/her own teammate. From one single lemma all the Artists involved in this project developed their own languages in constant reciprocity with their own fellow member, giving life to a tangible, yet peculiar dialogue on forms, ideas, and jewels, able to convey great subjects in a small size.
As an invited collaborator of this group, I here add my own word able to embrace the whole production of Materio-Talk: transformation. / Nichka Marobin

 

Les Ateliers de Paris
30 rue du Faubourg Saint-Antoine
75012 Paris
(M° Bastille)
Tél. : 01 44 73 83 50
http://www.ateliersdeparis.com

15/09/2017

EXCHANGE-BIJOU 2 – Reka Lőrincz – « Supercalifragilisticexpialidocious » at Putti Art Gallery, sept. 2017

Reka Lőrincz

5 new pieces on show at Putti Art Gallery  during September 2017 (08-27 Sep 2017) :  Supercalifragilisticexpialidocious. Jewellery is not only jewellery

(next exhibition : 2018: Fair  07 Mar 2018 – 13 Mar 2018  Schmuck 2018.)

« On the border of kitsch and consume Réka Lörincz from Budapest and Gisbert Stach from Munich show a colourful kaleidoscope of works defining field of jewellery in a new creative way »
«  There are many misunderstandings in the common meaning of jewellery and in the thinking of what jewellery should be.
On the border of kitsch and consume Réka Lörincz from Budapestand Gisbert Stach from Munich show a colourful kaleidoscope of jewellery, objects, installations and films where they try to define and enlighten the field of jewellery in a new humoristic, critical and philosophical way.
Both are doing as well collaborations in making jewellery pieces.

 
Réka Lörincz’s jewellery is playing with the colourful world of plastics and toys that she is deforming by absurd and surrealistic elements into amazing jewellery pieces. Their objects are pretending to have a function. But by combining abstract materials the visitor is surprised by the humour and colourfulness of the installation. Reka Lorincz has studied in Hungarian University of Craft and Design, has shown her works in various group and personal exhibitions around the world. » (Klimt02)

 

COCO ! sort de ce corps !!!!

 Réka Lörincz Brooch: Don't take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paintRéka Lörincz Brooch: Don’t take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paint

Réka Lörincz Necklace: Don't take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paintRéka Lörincz Necklace: Don’t take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paint Réka Lörincz Brooch: Monday to Sunday, 2017 Pearl, champagne quartz, mystic topaz, sapphire, ruby,  rhodium - plated brass, plastic, stainless steel, mountain crystal, citrineRéka Lörincz Brooch: Monday to Sunday, 2017 Pearl, champagne quartz, mystic topaz, sapphire, ruby,  rhodium – plated brass, plastic, stainless steel, mountain crystal, citrine

Exhibition display.  -   Réka Lörincz Brooch: Monday to Sunday, 2017 Pearl, champagne quartz, mystic topaz, sapphire, ruby,  rhodium - plated brass, plastic, stainless steel, mountain crystal, citrineExhibition display.  -   Réka Lörincz Brooch: « Monday to Sunday »

Réka Lörincz Object: Pearl grinder, 2015 Pearl, alloy, wood, metal foilRéka Lörincz Object: Pearl grinder, 2015 Pearl, alloy, wood, metal foil

Réka Lörincz Object: Must Have, 2017 Pearl, shovel, epoxy, textile  Réka Lörincz Object: Must Have, 2017 Pearl, shovel, epoxy, textile 

Réka Lörincz Necklace: Pearl truck, 2015 Pearl, goldplated brass, alloy, plastic, epoxyRéka Lörincz Necklace: Pearl truck, 2015 Pearl, goldplated brass, alloy, plastic, epoxy

Réka Lörincz Brooch: Perfect woman, 2015 Gold plated cooper, pearl, plastic 7.5 x 10 x 1.5 cmRéka Lörincz Brooch: Perfect woman, 2015 Gold plated cooper, pearl, plastic 7.5 x 10 x 1.5 cm

 Réka Lörincz Brooch: Pearl can, 2015 Gold plated cooper, pearl, stainless steel ø 6 cmRéka Lörincz Brooch: Pearl can, 2015 Gold plated cooper, pearl, stainless steel ø 6 cm

 Reka lorincz - Hommage à Coco Channel -  necklace - pearl, duct tape 2015:Reka Lorincz - Hommage à Coco Channel -  necklace – pearl, duct tape 2015

 

 

 

Education:
2012
Workshop with Gemma Draper – Antwerpem
2011 Symposium in Bratislava – Atelier EM
2010 Semmelweis University – Department of applied Psychology
2007 Workshop with Ted Noten – BIAD – Birmingham
2004 Diploma
2002 Erasmus scolarship to Spain, Barcelona
2000 Hungarian University of Craft and Design – Visual educator teacher department
1999- 2004 Hungarian University of Craft and Design – Metal design department
1997-1999 Budai Art technical college – goldsmith department

 

 

 

Putti Art Gallery
16 Mārstaļu iela
1050 -  Rïga
LATVIA

26/06/2017

EXPO ‘Vinte e Três. Joalharia Contemporânea na Ibero-América’ – Sociedade Nacional de Belas Artes, Lisbonne (PT) – 27 Juin- 22 Juill. 2017

Vinte e Três. Joalharia Contemporânea na Ibero-América

Veintitrés. Joyería Contemporánea en Iberoamérica / Twenty-Three. Contemporary Jewelry in Ibero-America

This exhibition is part of the official Past and Present – Lisbon Ibero-American Capital of Culture 2017 commemoration / Exposición incluida en el ámbito de las conmemoraciones oficiales Pasado y Presente – Lisboa Capital Iberoamericana de la Cultura 2017
Opening/Inauguración – 26.06.2017 – 18h00 – 21h00
Sociedade Nacional de Belas Artes

PIN - 23

 

In an age of globalization when artists travel to numerous places, how relevant is their nationality in an artistic context?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
What do we mean when we say that jewelry can identify a people and a culture?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
Why do we mean when we say that a people and a culture can be identified by their jewelry?
Could it nowadays only identify an epoch?
// question the cultural identity and heritage of participating artists
// display works without showing the artists’ names and nationalities
// look at the way jewelry manufacturing undergoes changes and is affected by other materials and techniques
// reflect on concepts of identity and the way our past surfaces in the present
// foster a debate on the response of the public and reveal the artists’ names and nationalities when the event closes
Draw up the themes that PIN elected to embody the Twenty-Three. Contemporary Jewelry in the Ibero-America exhibition to promote a reflection on contemporary manufacturing that will make us re-think the cultural heritage of each artist and the relations this establishes.
Each of the 23 areas that make up the exhibition plan where the pieces are displayed represents a member nation of UCCI – Union of Ibero-American Capital Cities.
The artists’ names and nationalities are not displayed in order that their cultural identity and heritage can be probed and questioned.
The public is invited to seek the origin of each group of artists and interact in loco by trying to discover their nationality – and leave a flag sticker at each area.

Lúcia Abdenur / Luis Acosta / Rodrigo Acosta / Inês Almeida / Sandra Alonso / Rafael Luis Álvarez / Jordi Aparicio / Titi Berrio / Stella Bierrenbach / Anabell Bravo / Catalina Brenes / Ximena Briceño / Eva Burton / Daniela Caro Pérez / Jorge Castañón /Ignasi Cavaller / Hugo Celi / Cristina Celis / Trinidad Contreras / Ángela Cura Méndez / Teresa Dantas / Gemma Draper / Isa Duarte Ribeiro / Nicolás Estrada / Alejandra Ferrer Escobar / Filomeno /Alice Floriano / Sandra Frias / Pamela de la Fuente / Samantha Fung / Catalina Gibert / Carolina Gimeno / Leonor Hipólito / Caco Honorato / Gabriela Horvat / Amira Jalet / Ana María Jiménez / Erika Jordán / Kepa KarmonaMarie Pendariès / Guigui Kohon / Francisca Kweitel / Lorena Lazard / Nina Lima / Maru López / Jorge Manilla / Massiel del Mar (Massiel Mariel Muñoz)/ Caio Marcolini / Carlos Martiel / Simón Mazuera / Renata Meirelles / Marília Maria Mira /Miriam Mirna Korolkovas / Xavier Monclús / Marc Monzó / María Eugénia Muñoz / Lucía Nieves / Inês NunesCatarina Dias / Liliana Ojeda / Natalia Olarte / Raquel Paiewonsky / Clara del Papa /Miriam Pappalardo / Renata Porto / Ramón Puig Cuyàs / Tota Reciclados (Valeria Hasse & Marcela Muñiz) / Cristina Roque dos Santos / Kika Rufino / Vania Ruiz / Estela Sàez / Natalia Sarrazín / Marina Sheetikoff / Diana Silva / Inês Sobreira / Rita Soto / Manuela Sousa / Yolanda Sucre / Edu Tarín /Isabel Tristán / Anahí Vallejos / Manuel Vilhena / WALKA (NanoPulgar) / María Ignácia Walker

Luis ACOSTA at EXPO "23" Luis ACOSTA Rodrigo Acosta - en EXPO "Veintitrés"Rodrigo Acosta - brooch

en EXPO Veintitrés. Joyería Contemporánea en Iberoamérica - Pamela de la Fuente - Feliz de participar con "Pullme" en este gran evento en Portugal, además esta pieza es parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018,Pamela de la Fuente -   « Pullme »  (esta pieza es tambien parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018) Ramon Puig Cuyas en EXPO "Veintitrés. Joyería Contemporánea en Iberoamérica"Ramon Puig Cuyas – brooch

Rafael Luis Alvarez  - colección "Lo que fue escrito" Rafael Luis Alvarez  broche colección « Lo que fue escrito » - MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos Jordi AparicioJordi Aparicio

Catalina BrenesCatalina Brenes Jorge CastañónJorge Castañón Catalina Gibert -   braceletCatalina Gibert -   bracelet

Carolina Gimeno JewelleryCarolina Gimeno Jewellery

Caco HonoratoCaco Honorato « Corazón de Greda Negra » de la colección Lloraría a Mares

Gabriela HorvatGabriela Horvat

Amira Jalet  *Inferno* Brooch Wood charcoal from the north of Costa Rica "Roble", Oil paintingAmira Jalet  *Inferno* Brooch

Lorena LazardLorena Lazard

Jorge Manilla - This was not organically": Abruptions #8 Brooch Leather, steel, zinc, charcoalJorge Manilla   – This was not organically »: Abruptions #8 Brooch Leather, steel, zinc, charcoal Miriam Mirna Korolkovas - colar COCAR titanio anodizado e prata 925Miriam Mirna Korolkovas – colar COCAR titanio anodizado e prata 925

María Eugenia Muñoz -  colección "Paisajes Constructivos" brocheMaría Eugenia Muñoz -  colección « Paisajes Constructivos » broche

 Necklace by Natalia SarrazinNecklace by Natalia Sarrazin

 Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, telaLiliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)

Massiel de Mar,  collar construido con papel e hilado a mano.Massiel Mariel MUNOZ (Massiel Del Mar),  collar construido con papel e hilado a mano

Vania Ruiz's necklace 'Ayúdame Papito'Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ Vania Ruiz (CasaKiro Joyas)'s necklace 'Ayúdame Papito' (detail)Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ (detail)

Estela SaezEstela Saez Vilanova

Edu TarinEdu Tarin

Isabel Tristan -  Noves polseres.  col·lecció KubsIsabel Tristan · Noves polseres.  col·lecció Kubs

WALKA joyas - jewelryWALKA joyas – jewelry  – « Cornucopia: Charms for Life », 2017 (Cacho, plata, seda y retrato de la artista portuguesa Maria José Oliveira con su pieza, realizado por Cristina Felipe) Eva Ave Burton - «Bouquet para la Condesa Magenta», broche, 2014Eva Ave Burton – «Bouquet para la Condesa Magenta», broche, 2014

ToTa reciclados pieza “Backside 2“ 2017ToTa reciclados  pieza “Backside 2“

Marília Maria Mira 1989, Brooch, silver, steel, paper. 1993, In the Clouds, Invitation card. Photos: Courtesy Maria Marilia Mira.Marília Maria Mira – 1989, Brooch, silver, steel, paper – 1993, In the Clouds, Invitation card.
Photos: Courtesy Maria Marilia Mira.

Miriam Andraus PappalardoMiriam Andraus Pappalardo

Ignasi Cavaller (MFA 2015) • Necklace 'Horus 1' • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017Ignasi Cavaller (MFA 2015 Idar Oberstein) • Necklace ‘Horus 1′ • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017

Simón Mazuera Zambrano - pieza de la serie el viaje. Simón Mazuera Zambrano - broche de la serie el viaje.

Rita Carolina Soto VenturaRita Carolina Soto Ventura (Rita Soto Joyaspieza Refugios I

Sociedade Nacional de Belas Artes

Rua Barata Salgueiro, 36
1250-044 Lisbonne (PT)
De lunes a viernes (excepto festivos) de 12h00 a 19h00 y sábados de 14h00 a 20h00
*concept / curatorship / production: PIN (Madalena Braz Teixeira, Cristina Filipe, Carlos Silva, Raquel Soares, Joana Taurino) e Marco Roque Antunes
*production assistants: Beatriz Faustino, Natalia Olarte
*advisory commission:
​​​​​​​​Lúcia Abdenur, Titi Berrio, Eva Burton, Holinka Escudero, Pamela de la Fuente, Catalina Gibert, Carolina Gimeno, Klimt02 (Leo Caballero e Amador Bertomeu), Francisca Kweitel, Jorge Manilla, Natalia Olarte, Clara del Papa, Renata Porto, Ramón Puig Cuyàs, Andreina Rodriguez-Seijas, Estela Sàez, Alberto Soarez Chang, Andrea Tello, Valeria Vallarta Siemelink, Manuel Vilhena, WALKA
*exhibition design: Fernando Brizio
*assistant designers: André Calvão, Rafael Sabino, Davide Mateus
*graphic design: Arne Kaiser

 

Enregistrer

26/02/2017

EXCHANGE-BIJOU 1 – Snem YILDIRIM – Artistar Jewels 2017

Snem YILDIRIM

a ray of sun during Milan Fashion week

23-26 February | Milan Fashion Week  

ARTISTAR-jewels-2017 is the only contest in Italy, and one of the few in the world, that offers a never given before and across-the-board reading on the latest evolution of contemporay jewels and offers all the selected participants the extraordinary possiblity of taking part in a prestigious show.

Snem Yildirim - Necklace "FiveInARow"Snem Yildirim  Necklace -  FiveInARow, 2016 – Powder coated brass, re-cycled plastic bottles (nylon wire), cotton
- From series: Kanavice Series
Artistar Jewels officially opens the doors to the international contemporary jewellery during the Milan Fashion Week 
Artistar Jewels is the event founded in 2012 by the designer Enzo Carbone and is now a benchmark in the contemporary jewelry scenario. An international showcase for well-known artists and springboard for emerging creative talents. The participants present their works, unique pieces or small series, selected for the high artistic value, for the technical sperimentation and the stylistic research. Evocative body ornaments, very different for the materials and the techniques but linked by the fil rouge of the narration of a story, always present in each creation. Artistar Jewels is a project born with the aim of spreading the culture of contemporary jewelry and designed to anticipate the market trends, one of the first italian realities which has exploited all the potentiality of the web to implement the commercialization of contemporary jewelry.
 Snem Yildirim Necklace: Seven Hills, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire) Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim Necklace  Seven Hills, 2016 – Powder coated brass, re-cycled plastic bottles (nylon wire)
- Photo by: Snem Yildirim – From series: Kanavice Series
Snem Yildirim - Kanavice II Series - necklaceSnem Yildirim – Kanavice II Series – necklace
Snem Yildirim Necklace: All in One, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), wood, paint, cotton Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Necklace: All in One, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), wood, paint, cotton Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim - Kanavice II Series - broochSnem Yildirim - Kanavice II Series -  Three of You, brooch, 2017 – Powder coated brass, re-cycled plastic bottles (nylon wire), steel
Snem Yildirim Brooch: Kanavice, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Brooch: Kanavice, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim Brooch: Round and Round, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Brooch: Round and Round, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice Series
 
Artistar Jewel 2017
23-26 February 2017
Palazzo Giureconsulti, Milano
Via Mercanti, 2
Hours: 9:30 am – 6:00 pm (open to public)
FREE ENTRANCE
Award Ceremony: 24 February 2017 hour 6:00 pm (on invitation)

Enregistrer

04/01/2017

EXPO ‘Neuer Schmuck aus Idar-Oberstein – NSAIO 6′ – Stadtmuseum Simeonstift Trier (DE) – 27 Nov. 2016-26 Fevr. 2017

Neuer Schmuck aus Idar-Oberstein – NSAIO 6 

27 novembre 2016 – 26 Febr. 2017
at Stadtmuseum Simeonstift Trier

Neuer Schmuck aus Idar-Oberstein - NSAIO 6

Beginning with the renaissance of gemstones in jewellery design since the 1970s, Ute Eitzenhöfer, Theo Smeets, Lothar Brügel (ret. 2014) and Eva-Maria Kollischan (since 2014) successfully established the Hochschule Trier in Idar-Oberstein as a creative European jewellery centre. To mark the exhibition in the Stadtmusem Simeonstift in Trier on thirty years of the Gemstone and Jewellery Department, the publication shows an exciting selection of works from the last ten years (2006-2016). Works in creative design and photography accompany diverse approaches that exemplify the contemporary use of a reputedly ‘outmoded’ raw material.
In exploring the aesthetic characteristics of the material and the experimental confrontation with its physical qualities, the gemstone’s potential for design comes entirely into its own. Within current discourse it comments ironically, on the one hand, on the unilateral societal ascription as a luxury item; on the other, it functions as a charming and noble object of nature.

 

 

Den Programm-Flyer mit allen Informationen finden sie hier: http://bit.ly/2gaGKhd
Fachrichtung Edelstein und Schmuck: http://bit.ly/2g7u6mK
Stadtmuseum Simeonstift: http://bit.ly/2gaMwQa
Arnoldsche Art Publisher: http://bit.ly/2g7gQ1s

BOOK-catalog exhibition - NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop | nsaio6: BOOK-catalog exhibition – NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop
Catalogue: « nsaio6 – New Jewellery from Idar-Oberstein » • Ute Eitzenhöfer / Theo Smeets • published by Arnoldsche Art Publishers
NSAIO 6 -  - Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier.: Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier

NSAIO 6 - Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier: Julia Obermaier   Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier this Sunday the 27th of november there will be a beautiful Vernissage at the Stadtmuseum Simeonsstift in Trier.  You can see a humongous number of amazing Jewellery from current students and alumni from Hochschschule Trier, Campus Idar-Oberstein! And I’m super happy to be part of it! » Julia Obermaier

NSAIO6 - Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012: Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012

NSAIO6 - Catalina Brenes (MFA 2016) necklace - marble, resin with graphite, textile: Catalina Brenes (MFA 2016) necklace – marble, resin with graphite, textile

 Tabea Reulecke, "Leopard", Halsschmuck, 2014.Tabea Reulecke, « Leopard », Halsschmuck, 2014.

"Kann man das tragen?"  " on peut porter ?"  créations de Idar-OberSTEIN Campus - Photo : Valérie Wagner Valerie Wagner (5. Semester BFA stud.) • Necklace « Monstranz » • plastic, limestone, rock crystal, flax twine • 2016 • ©photo by Michael Müller-  »Kann man das tragen? »   » on peut porter ? »  créations de Idar-OberSTEIN Campus  

Pop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville - collier Maximilien SchröderPop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville – collier Maximilien Schröder

NSAIO6 - Tianqi LI (BFA, 5e semester 2016) -   'Beffchen', Halsschmuck, 2016, Pferdehaar, Stahl  ( 'Beffchen', collier, 2016, acier, crin de cheval): Tianqi Li   (BFA, 5 semester 2016) -  „Beffchen », Halsschmuck, 2016, Pferdehaar, Stahl  ( « Beffchen », collier, 2016, acier, crin de cheval)

 nsaio 6 - Edu Tarin: Edu Tarin

NSAIO6 - Edu Tarin (MFA 2015) brooch 'revival 5' gold plated copper 2012: Edu Tarin (MFA 2015) • brooch « revival 5″ • gold plated copper • 2012 • ©photo by artist

Saleema Sheikh (MFA stud.) • necklace "Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine MüllerSaleema Sheikh (MFA stud.) • necklace « Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine Müller

Qi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artistQi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artist

Yftah Avrahamy ("Dot Melanin") Necklace: Untitled, 2016 Agate, finesilver, fishing wire Yftah Avrahamy / Dot Melanin Necklace: Untitled, 2016 Agate, finesilver, fishing wire

NSAIO6 - Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck: Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck

NSAIO6 - Stephanie Morawetz (BFA stud.) necklace '60233040' Stephie-Stein, magnets 2014: Stephanie Morawetz (BFA stud.) necklace ’60233040′ Stephie-Stein, magnets 2014

NSAIO 6 - Eva-Maria Reuther (er), Anastasiya Larionova (\  - Edles, Gewichtiges und Freches aus Metall und Edelstein - volksfreund.de: Eva-Maria Reuther (er), Anastasiya Larionova (\  – Edles, Gewichtiges und Freches aus Metall und Edelstein

NSAIO6 - Gabriela Cohn (MFA 2016) necklace 'Tatzia 11' porcelain, silver, pigment 2016 photo by Qi Wang: Gabriela Cohn (MFA 2016) necklace ‘Tatzia 11′ porcelain, silver, pigment 2016 photo by Qi Wang

NSAIO 6 - Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm: Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm

 

 

Stadtmuseum Simeonstift Trier  (City Museum Simeonstift in Trier)
Simeonstr. 60, an der Porta Nigra
54290 Trier (Trèves)
Phone:   + 49 651 – 7181459
Fax   + 49 651 – 7181458
Facebook
stadtmuseum@trier.de

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31/10/2016

EXCHANGE-BIJOU 1 – Linda EZERMAN – How I fell in love with shrimps ….

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,Hollande (NL),Linda EZERMAN (NL),www Klimt02 — bijoucontemporain @ 23:19

Linda EZERMAN

Contemporary jeweller Linda Ezerman lives and works in Wormerveer, The Netherlands.  Ezerman has a diverse educational background embrassing areas such as Sculpting, Cultural Management and Communication. Her jewellery plays with the paradoxical feelings her surroudings (the woods and the sea) can invoke, as well as the menaning of their history. 

« « In my jewellery I combine non-precious and precious materials. The creation process of my work is lengthy; it takes me many days, if not weeks, to complete a piece of jewellery. I work in an organic manner and combine unusual and unique materials. The result is tactile and wearable light-weight jewellery. Recognise the original materials in my jewellery may require a second or even a third close look.
My jewellery echoes the sea, contemporary and striking. Each piece is handmade and unique. »
 »

 I admired her beach serie, sea seeds, corals & algea jewels ….. This year we got SHRIMPS ! ALL very wearable, VERY desirable shrimps !

Linda Ezerman - Shrimps 2016 - Neckpiece, unique piece Materials: silver, silicone, ink Linda Ezerman - Shrimps 2016 – Neckpiece, unique piece Materials: silver, silicone, ink

Linda Ezerman - Neckpiece from the series Shrimps Materials: silver, paint, silicone, pigment: Linda Ezerman - Neckpiece from the series Shrimps Materials: silver, paint, silicone, pigment

Linda Ezerman  Necklace: Shrimp, 2015  Silver, silicone, ink  Photo by: Linda Ezerman  From series: Shrimps: Linda Ezerman  Necklace: Shrimp, 2015  Silver, silicone, ink  Photo by: Linda Ezerman  From series: Shrimps

Linda Ezerman Neckpiece: Shrimp, 2015 Silver, silicone, ink Photo by: Linda Ezerman From serie: ShrimpsLinda Ezerman - Neckpiece: Shrimp, 2015 – Silver, silicone, ink – Photo by: Linda Ezerman -From serie: Shrimps

« In my jewellery I express how I experience the outside world. I am fascinated by the surroundings I find myself in and what these surroundings invokes in me: paradoxical feelings of freedom, security and imminent danger.
A walk in the woods, for example, invokes a feeling of freedom, yet the woods also make me feel slightly ill at ease: there always seems to be lurking something in the shadows.
With the sea I also maintain a paradoxical relationship. There is space and unfamiliar life, which I find both fascinating and frightening because of its incomprehensible infinity.
Moreover, the history of my surroundings create meaning. Century-old remnants of industrial life have made this landscape into what it is today and shaped the people who live here into who and what they are.
The materials I work with originate from my surroundings: felt, wood, silver and copper, mixed with polymer clay, silicone and paint. My work is wearable, which allows it to offer security or protection from that which is so intangible and yet so impressive: the surroundings in which you find yourself. »  Linda Ezerman

 Linda Ezerman Brooch: Shrimp, 2015 Silver, silicone, ink: Linda Ezerman Brooch: Shrimp, 2015 Silver, silicone, ink

 

Had several workshops/workclasses in felt jewelry, polymer clay ‘at Dutch Polymer Guild), goldsmithing
Exhibited in 2016 at « Más que Zuecos y Tulipanes./Més que esclops i tulipes« 

 

She will e at SIERAAD 2016 – Amsterdam – 10-13 Nov. 2016

SIERAAD Art Fair 2016 - Amsterdam - 10-13 Nov. 2016

  LINDA EZERMAN Dutch linda@ezerman.nl www.lezerman.com  stand 52bLINDA EZERMAN  Dutch  linda@ezerman.nl  www.lezerman.com  stand 52b

01/05/2016

EXPO ‘A flor de pell’ – 66 Mistral Gallery, Barcelona (ES) – 15 Avril-29 Juill. 2016

A flor de pell

Mistral 66 Gallery -  Barcelona  -

The intention is to show the diversity in the works from a selected group of contemporary jewellery artists.

 A Flor de pell

Avec :    Marta Breis — Lluís ComínNicolas Estrada –  José MarínClara DelPapa – Elena ComínMaria Diez –  Sébastien CarréCarla GarciaClara NiuboFatima Tocornal –  Sandra Llusà –  SteffiGötze Jordi AparicioQuars d’una.

Steffi Götze Broche "RAUM 2" Plata, cobre y esmalte.Steffi Götze Broche « RAUM 2″ Plata, cobre y esmalte
José Marín Earrings "OBJETOS SIN PESO" Titanium, gold and yellow sapphire.José Marín Earrings « OBJETOS SIN PESO » Titanium, gold and yellow sapphire
Jordi Aparicio Ring “ÀNIMA 18” Oxidated silver witch elecrolaqued ceramic.Jordi Aparicio Ring “ÀNIMA 18” Oxidated silver witch elecrolaqued ceramic

Clara Niubo Brooch "KRIPTONITA" Copper, nickel silver, enamel, brass and silver.Clara Niubo Brooch « KRIPTONITA » Copper, nickel silver, enamel, brass and silver

Fátima Tocornal Brooch "LO SALVAJE" Enamel and silver plated alpaca.Fátima Tocornal Brooch « LO SALVAJE » Enamel and silver plated alpaca

Maria Díez Necklace "DESENCAIX" Copper, enamel and dyed cotton.Maria Díez Necklace « DESENCAIX » Copper, enamel and dyed cotton

Sébastien Carré Bracelet “INFLAMACIÓN” Japanese paper, carnelian, silk and pearls.Sébastien Carré Bracelet “INFLAMACIÓN” Japanese paper, carnelian, silk and pearls.

Clara del Papa Ring “WADI-J” Series “Tierras lejanas” Silver, keum boo, resins, lands and sands of Wadi Rum-Jordan.Clara del Papa Ring “WADI-J” Series “Tierras lejanas” Silver, keum boo, resins, lands and sands of Wadi Rum-Jordan

Nicolas Estrada - Open sky: agate, silverNicolas Estrada - Open sky: agate, silver 

Lluís Comín Brooch "REBROTS" Silver, gold, copper, Ethiopian opal and boxwoodLluís Comín Brooch « REBROTS » Silver, gold, copper, Ethiopian opal and boxwood

 

66 Mistral Gallery Contemporary Jewelry
Av. Mistral, 66
08015 -  Barcelona
Mail: info@lluiscomin.com
Phone: 933 25 53 40
Monday to Saturday 10 -14h / 16:30 – 20:30h

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