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21/04/2017

EXCHANGE-BIJOU 1 – Jonathan HENS – ‘Difference’ EXPO at AJW 2017 ! 19-21 May 2017

Jonathan HENS at Athens Jewelry Week (AJW) 2017  with an exhibition together with Dimitar Stankov.

« Upcoming exhibition will be the one in Athens Jewellery week together with Dimitar Stankov. 
Our title is  Difference’ - Inspired by cultures, created our own.
The exhibition will present our work since we graduated from our masters in Royal Academy of Fine Arts in Antwerp until our most recent work.
This is to show the development, the differences and the unity in our body of work »

SATURDAY, 20/5  21.00 : opening : Difference by Jonathan Hens & Dimitar Stankov (group exhibition) -  @Six D.o.g.s / 6-8 Avramiotou str., Monastiraki 10551, Athens / tel. (+30) 210 3210510 / www.sixdogs.gr Dates: 19/5- 21/5

 

 Jonathan Hens - MUT.8 #7, 2012 necklace pewter/ sutures: Jonathan Hens – MUT.8 #7, 2012 necklace pewter/ sutures

Jonathan Hens - The city is my church #6 - 2013 necklace pewter/ sutures/ steel/ pewter/ sutures/ human hair/ arabic gum: Jonathan Hens – The city is my church #6 – 2013 necklace pewter/ sutures/ steel/ pewter/ sutures/ human hair/ arabic gum

Jonathan Hens - THENE-W-AGE2 - DARK PARADISE #1 2013 bracelet - pewter/ sutures/ plastic: Jonathan Hens – THENE-W-AGE2 – DARK PARADISE #1 2013 bracelet – pewter/ sutures/ plastic

 Jonathan Hens - X10IONS OF THE TRIBE #7. - 2015 necklace pewter/ sutures/ diamond dust/ leather/ rubber: Jonathan Hens – X10IONS OF THE TRIBE #7. – 2015 necklace pewter/ sutures/ diamond dust/ leather/ rubber

Jonathan Hens - HUMAN 2.0 #5 - 2016 necklace pewter/ sutures/ latex: Jonathan Hens - HUMAN 2.0 #5 – 2016 necklace pewter/ sutures/ latex

Jonathan Hens - NIGHTLIGHTSKIN  #1 - 2017 necklace pewter/ sutures/ leather: Jonathan Hens – NIGHTLIGHTSKIN  #1 – 2017 necklace pewter/ sutures/ leather:

 

Six D.o.g.s 
6-8 Avramiotou str.
Monastiraki 10551, Athens(Greece
tel. (+30) 210 3210510
www.sixdogs.gr  Enregistrer

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11/03/2017

#MunichJewelleryWeek2017 – EXPO (9) – ‘Off The Shelf’ / Central Saint Martins – Vitsoe, Munich (DE) – 4-14 Mars 2017

(9) Off The Shelf

work by staff and students of Central Saint Martins, BA Jewellery Design course.

9  Off the Shelf

Off the Shelf is an exhibition of work by staff and students of Central Saint Martins, BA Jewellery Design course. For a second year running, the designers are delighted to be returning to show at Vitsœ in Munich. The exhibition follows on from a series of projects where staff and students have displayed their work together in a celebration of the diverse and lively approach to contemporary jewellery and objects.
BA Jewellery Design approaches the subject of jewellery as a conversation between body and object, with originality and innovation at its heart. Based in the centre of London, we enjoy superb links with industry and encourage our students to engage with the wider social contexts of their work while developing their own creative practices and a diverse set of technical skills.
 
with :  Anna Tuhus — Ariel Yi-Chen Tsai — Carola Solcia — Caroline Broadhead — Chloe Valorso — Coline Assade — Elena Bonanomi — Emily Grimble — Erica Heng — Florance Tebbutt — Giles Last — Jasleen Kaur –  Jing Jiang — Katy Hackney — Kigen Kamijima — Lin CheungLucie DavisLucie GledhillMaria Militsi — Marlene McKibbin — Max Warren — Melanie Georgacopoulos — Michelle Lung — Miho Ishizuka — Naomi Filmer –  Sam Rodway-Smith — Scott Armstrong — Scott WilsonSilvia Weidenbach –  Stacey Huang — Veronika Fabian — Yayun Fang — Yichen Dong

9 - Off the shelf - Central St Martins -  Lucie Gledhill, rope necklace cut out- 'rope is patient' - a 4 meter rope chain made from 2 kilos sterling silverLucie Gledhill, rope necklace cut out – ‘rope is patient’ – a 4 meter rope chain made from 2 kilos sterling silver

Lin Cheung (Central St Martins - 2017) - delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold: Lin Cheung   – delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold

9 - Off the shelf - Central St Martins - Melanie Georgacopoulos, Necklace:  Melanie Georgacopoulos, Necklace

9 - Off the shelf - Central St Martins -   Veronika Fabian, Leather Chains: Veronika Fabian, Leather Chains

9 - Off the shelf - Central St Martins - Elena Bonanom, Binary Finery 1: Elena Bonanomi, Binary Finery 1

Marlene Mckibbin -  'adoorable'Marlene Mckibbin -  ‘adoorable’

9 - Off the shelf - Central St Martins -  Lucie Davis, Enamelled Price Pins: Lucie Davis, Enamelled Price Pins

9 - Off the shelf - Central St Martins - Stacey Huang, Buy one get one free: Stacey Huang, Buy one get one free

9 - Off the shelf - Central St Martins -   Yayun Fang, Mary's Veil: Yayun Fang, Mary’s Veil

9 - Off the shelf - Central St Martins -  Veronika Fabian, Jewellery is my best friend:  Veronika Fabian, Jewellery is my best friend

Chloé ValorsoChloé Valorso

9 - Off the shelf - Central St Martins -   Chloe Valorso, Eyes: Chloe Valorso, Eyes

Naomi Filmer - objectNaomi Filmer – object

Caroline Broadhead - "Dropped Necklace"Caroline Broadhead  « Dropped Necklace »

9 - Off the shelf - Central St Martins -  Maria Militsi, Equestrian: Maria Militsi, Equestrian

 
Vitsoe
Türkenstraße 36
80799 Munich
Mon- Fri 10:00–19:00, Sat 10:00–18:00, Sun 11:00–19:00
csmbajewellery.wordpress.com

 

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30/11/2016

EXCHANGE-BIJOU 2 – Carlos SILVA – Tests and Experiments

Carlos SILVA

Expérimentation(s), expérimentation(s), & expérimentation(s) !!
D’ailleurs un de ses albums de photos s’intitule « Tests and Experiments » et on dirait que c’est vraiment ça son « leitmotiv », le « truc en plus », ce qui l’éclate ! le matière de prédilection, en tout cas celle autour de laquelle il tourne et retourne, c’est le bois …. le naturel …. auquel, petit à petit, il ajoute des « produits dénaturés » de la « civilisation » (plastiques, goudron, mousse synthétique pour déco, plâtre….)

Here are some « experiments », as an « appetizer » ! ;-)

Carlos Silva - bracelet - wood, silver leaf: Carlos Silva – bracelet – olive tree wood, silver leaf – 2014

« “A subject that is beautiful in itself gives no suggestion to the artist. It lacks imperfection.” – Oscar Wilde
In our daily lives we come across many elements that hold a hidden beauty. 
I feel I am rarely attracted by the immediate beauty of nature. It is in its minor flaws, irregularities and asymmetries I find true expression. 
 In my work I create jewelry that can translate this seemingly random nature. I use many organic shapes, and use techniques which allow me to replicate these unique shapes, their natural formations and imperfections, because therein lies their true beauty. »
Carlos Silva-  Projects - CASA - school project 2011-12 - necklace - wooden pegs: Carlos Silva-  Projects – CASA – school project 2011-12 – necklace – wooden pegs
PURE | Carlos Silva: Carlos Silva - PURE – 2014 · – Necklace – wood, plaster and cotton thread
Carlos Silva - necklace - olive wood, natural leather, nylon thread -    mai 2014 ·   Colar | Necklace  madeira de oliveira, cabedal natural e fio de nylon olive wood, natural leather and nylon thread: Carlos Silva – necklace – olive wood, natural leather, nylon thread -  2014
Carlos Silva  - Necklace  - Copper, stone and cotton thread 60X40X15 mm: Carlos Silva  – Necklace  – Copper, stone and cotton thread 60X40X15 mm
Carlos Silva -  2016-   'Frozen Fragments' Necklace - cork, plaster and cotton: Carlos Silva -  2016-   ‘Frozen Fragments’ Necklace – cork, plaster and cotton
***
*
 Xmas 2016 - IngalleryBCNINRED
Jewelry Group Exhibition
Opening December, 12th
@ Ingallerybcn
C/ Penèdes, 3, Barcelona
Carlos Silva - ring shot noel 2016New exhibition INRED coming soon, stay tuned !!! ring shot !!!

 

 

 

 

*Studies : Curso de Joalharia no AR.CO Lisboa – Centro de Arte e Comunicação Visual | Lisboa | Portugal de 2009 a 2013
*Board Member of PIN - Portuguese Association of Contemporary Jewelry
*AJF Ambassadorfor Portugal
*Collaborates with the Project Pavilion 31 of the Psychiatric Hospital Lisbon with the artists of Atelier CHPL Arts
*[be.de.lite@gmail.com]

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29/11/2016

EXCHANGE-BIJOU 2 – Sébastien Carré – De coeur et de tripes …

« Sébastien Carré is a jewelry designer based in France. After studying five years at HEAR, the prestigious Art school of Strasbourg in France, he decides to stay there to keep on working on his organic jewelries. Throughout many exhibits he tries to wake up corporeality and the senses of the spectators.  »

 Sébastien Carré -  Viscéral - necklace 2013 - collier de 7 metres ....Sébastien Carré -  Viscéral – necklace 2013 – aluminium & lin – collier de 7 metres ….

Sébastien Carré -  Viscéral -Sébastien Carré -  Viscéral ………. 7 metres d’intestins ….

Sébastien Carré - Viscéral, 2013  Collier 7 mètres, Cotte de maille Aluminium, coton, lin, soie, cuir 7 meters Necklace, aluminum chainmail, cotton, linen, silk, leather ("+ de 187000 anneaux a la main et deux semaine de broderie intensive=près de 6 mois de travail sur cette pièce" !!): Sébastien Carré - Viscéral (porté), 2013  Collier 7 mètres, Cotte de maille Aluminium, coton, lin, soie, cuir 7 meters Necklace, aluminum chainmail, cotton, linen, silk, leather (« + de 187000 anneaux a la main et deux semaine de broderie intensive = près de 6 mois de travail sur cette pièce » !!)

« The making of these pieces of jewelry is inspired by cell mitosis. The modular process used to produce its shape, and the interactivity of materials chosen, bring forth the idea of a living organism.
The materials I use are picked in order to allow me to work despite the constraints of my disease. (eg: Crohn’s disease) Being able to work outside of the studio was definitely the most important part of this process, and textile became one of the most obvious choices of material to use during my creative process.
I am using this process to create objects to represent parts of the human body (see the seven meter necklace which represents the digestive tract), sometimes to symbolize the concept of the inflammation, or to even question our relationship with our own body and others’.
Even if we can find cathartic meaning in my pieces of jewelry, I consider them more interactive artefacts designed to help you feel your own body and to instigate discussion and thus interpersonal communication. » (Klimt02)

 Sébastien Carré - DNA’s Causes?, 2013, necklace, copper chain, Japanese paper, 2000 x ø 25 mm - Galerie-Marzee-GraduateShow2014 Sébastien Carré - DNA’s Causes?, 2013, necklace, copper chain, Japanese paper, 2000x ø 25 mm – shown at  Marzee-Graduate Show 2014

« Pour ma part, je suis dans un autre domaine, celui du bijou d’art, dans lequel la valeur artistique et conceptuelle compte beaucoup. Certains artistes vont même jusqu’à réaliser des bijoux quasi importables. En questionnant le rapport au corps, le bijou d’art quittera ainsi l’espace du musée, d’une galerie, en trouvant un nouvel espace d’exposition, celui du corps, qui n’a jamais connu une telle mise en valeur que dans notre société de l’image. ….. J’ai été diplôme en juin 2014, après 5 ans d’études à la Haute Ecole des Arts du Rhin (HEAR) …. C’est également grâce à mon Erasmus à l’Escola Massana de Barcelone, que j’ai réussi à gagner en autonomie » (Les Pulpeuses)

rencontres-sebastien-carré « Quelles sont les matières que tu utilises pour signifier l’organique ?
« Tout peut potentiellement être utilisé, métal, papier, cuir, textile, pierre semi-précieuses… Je cherche cependant des éléments qui me permettent d’amener du sens à mes bijoux. J’ai par exemple utilisé de la pellicule de film pour évoquer les souvenirs responsable de la dépression. Le cuivre est souvent employé pour symboliser l’inflammation car il est traditionnellement employé comme anti-inflammatoire (déjà chez les Aztèques…); L’acier inoxydable me permet de symboliser le monde médical; le nylon évoque quant à lui la présence humaine; et les pierres semi précieuses sont généralement choisies en fonction des théories de Naturopathie qui leurs sont associées. Ma seule constante est désormais de créer la structure de ces bijoux par l’emploi de techniques associées aux textiles sur lesquels je viens appliquer ces différents éléments comme un cancer colonisant un organe. Tout l’intérêt étant de jouer sur la préciosité des matières au niveau de la représentation de la partie malade afin de faire réfléchir sur nos questionnement occidentaux lié à la préciosité. Ainsi j’essaye de montrer que l’on peut trouver du bon et de la beauté dans toute situation (même les pires) parfois en changeant simplement de façon de penser ou en changeant de point de vue. »  (Le Polyèdre – rencontres avec Sébastien Carré)

****

ACTUALITé immédiate & « noëlesque » :

Some of my pieces are travelling to Rome... in myday-byday gallery  Exhibition White Christmas Coming Soon!!!! Some of my pieces are travelling to Rome
to myday-byday gallery
Exhibition « White Christmas » Coming Soon !!!! 15-31 Dec. 2016

EXCHANGE-BIJOU 2 - Sébastien Carré - De coeur et de tripes ... dans COUP DE COEUR 15181383_343899402634955_4517682422516992831_n

 

***

 Sebastien Carré - marche-de-noel-2016 - Strasbourg - 30nov-31dec2016À partir d’aujourd’hui 30 Nov. jusqu’au 31 Dec. 2016
Pour la seconde année, vous pourrez retrouver quelques unes de mes toutes dernières créations à la galerie Art’Course dans le cadre de la programmation Off du Marché de Noel de Strasbourg
Vernissage dimanche 4 décembre à partir de 17h
Et merci à la galerie Art Course d’avoir utilisé une de mes pieces pour réaliser le Flyer (photo: Milo Lee Photography)
galerie Art’Course
49a rue de la Course
67000 Strasbourg
www.galerieartcourse.com

 

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29/10/2016

EXCHANGE-BIJOU 1 – Jonathan Hens – the HIGHWAY of success !

Jonathan Hens

I discovered his works at fall 2013 during PARIS – CIRCUITS BIJOUX , at the exhibition ‘Precieux Passages’ at Bibliothèque Forney. A first « face to face » with a (very) STRONG creation !

Strong creation that encountered SUCCESS : in 2012 the Royal Academy of Fine Arts Antwerp presents his works, together with some other students, at SIERAAD 2012 Amsterdam, we saw his works at Marzee Graduate show 2012 AND 2013, an exhibition during SCHMUCK 2014 (« Lights ON/Lights OFF » 3 stations Galerie, Munich), an exhibition during SCHMUCK 2015 (« Oscure sacrifices« , together with Jorge Manilla, at 3STATIONS,  Munich), an exhibition during SCHMUCK 2016 (« Trans-it » – 3STATIONS,  Munich), has been selected  for TALENTE 2016, Munich, he is presented at AUTOR 2016 (the International Contemporary Jewelry Fair in Bucarest, Romania) ……
This is not the « Route of Success », it’s an HIGHWAY !!!

 Jonathan Hens Page aimée · 1 mars · Modifié ·   X10IONS OF THE TRIBE #7 necklace 2015 pewter/ sutures/ leather/ rubber/ diamond dust ® Hanne Nieberding Jonathan Hens   ·   X10IONS OF THE TRIBE #7 necklace 2015 pewter/ sutures/ leather/ rubber/ diamond dust ® Hanne Nieberding

« After having researched different kinds of sub-and material-cultures, Jonathan Hens constructs with his own culture of tin while exploring the different qualities of the metal, making himself a master of his practice. By engraving, pouncing and printing, he develops a new dimension to the material. This results in graphic surfaces combined with archaic shapes and volumes. Hen’s pieces, beautiful as they are, are not indented as mere objects, but as points of recognition in a world of Tribal Ravers. They cross time and cultures. They are an ode to the pleasures of the now. »
– Jonas Belde, Fashion Designer, at Marzee graduation show 2012 Jonathan Hens (MA) - Belgium, Antwerp, Koninklijke Academie voor Schone Kunsten - #8, 2012, necklace, pewter, sutures - 430 x 260 x 99 mm - After having researched different kinds of sub-and material-cultures, Jonathan Hens constructs with his own culture of tin while exploring the different qualities of the metal, making himself a master of his practice. By engraving, pouncing and printing, he develops a new dimension to the material. This results in graphic surfaces combined with archaic shapes and volumes. Hen's pieces, beautiful as they are, are not indented as mere objects, but as points of recognition in a world of Tribal Ravers. They cross time and cultures. They are an ode to the pleasures of the now. - Jonas Belde, Fashion DesignerJonathan Hens (MA) – at Marzee graduation show 2012 - Belgium, Antwerp, Koninklijke Academie voor Schone Kunsten – #8, 2012, necklace, pewter, sutures – 430 x 260 x 99 mm –

Autor 2016.  Jonathan Hens. Alliages Choice.: Jonathan Hens works presented at Autor 2016  

« Jonathan Hens’ striking work speaks of recent developments in today’s world, which has seen a fusion between the banal and the subcultures and becomes a place where men and women have merged into androgynous beings.
His designs are the result of an intense search for an alternative identity. Rather than a classic example of beauty, the viewer gets to see Hens’ interpretation of it. He chose the material pewter to launch his fetishism line.
His dark look mirrors (or reflects) ‘the now’, a place where there is scope for experiment and self expression. His atypical aesthetic has no truck with traditional techniques. Jonathan Hens creates a visual game between austere forms and a rough edge finish. He heightens the geometry and black textures by using suture thread to bind the various elements.
His work raises many questions, such as what beauty means today and whether or not there is still a difference betweens the sexes.
Jonathan Hens’ work gives us greater insight into the diversity of our world. » / Jorge ManillaJonathan Hens -   THE CITY IS MY CHURCH - 2014 - #1 Necklace  -Pewter/ Sutures/ LatexTHE CITY IS MY CHURCH – 2014 – #1 Necklace  -Pewter/ Sutures/ Latex

 *

Actually

HUMAN 2.0 by Jonathan Hens 2016HUMAN 2.0 by Jonathan Hens
BEYOND FASHION 3m2 PROJECT ROOM  PRESENTS
HUMAN 2.0 BY JONATHAN HENS
Oct 13- Nov 10, 2016
24/24 window display
beyondfashion 3m2 project room
Pourbusstraat 7
2000 Antwerpen
www.beyondfashion.be
+32 472 420 683
Jonathan Hens - HUMAN 2.0 #6  necklace 2016 pewter/ sutures/ latexJonathan Hens - HUMAN 2.0 #6  necklace 2016 pewter/ sutures/ latex

Jonathan Hens – Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex: Jonathan Hens – Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex

Jonathan Hens – Human 2.0  Performance By Vincent van Reusel on the nocturnal opening night of our new project with work of Jonathan Hens!: Jonathan Hens – Human 2.0  Performance By Vincent van Reusel on the nocturnal opening night of our new project with work of Jonathan Hens

Jonathan Hens work is also featrured by the gallery’s permanend collection in there new gallery space: Galerie beyond, Sint Jorispoort 27, 2000 Antwerp
www.galeriebeyond.be

 

 

 

Education
2011-2012 Master Jewellery design & Silversmithing – Royal Academy of Fine Arts, Antwerp (Belgium)
2008-2011 Bachelor Jewellery design and Silversmithing -Royal Academy of Fine Arts, Antwerp (Belgium)
2007-2008 Bachelor Fashion design – Royal Academy of Fine Arts, Antwerp (Belgium)

 

 

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27/09/2016

EXPO ‘Swedes and Belgian Blues’ – Gallery Four, Göteborg (SE) – 2 Sept.-1er Oct. 2016

Swedes and Belgian Blues

Four Gothenburg, Sweden

Opening: September 2nd, 17-21

FOUR - Swedes and Belgian Blues

Chocolate, beer and Jean-Claude Van Damme, waffles, the European parliament and Brussels sprouts. Sadly enough people probably also associate Belgium with terror and cattle with breeding problems.
When we think of Belgium we think of jewellery! Not only of the diamonds in Antwerp, but predominantly of the eminent art jewellery scene. Belgium has some of the most famous contemporary jewellery schools, – galleries and – artists. Playful, thought provoking and with an elegant confidence, the art jewellery culture is vibrant and powerful.
Galerie Beyond (formerly Beyond Fashion) is situated in the central parts of Antwerp and has been run by Karin De Buysere and René Darmont for 15 years. The work of the artists that the gallery represents has a conceptual strength and challenges the traditional perception of what jewellery is. The connection to the lively fashion- and art field is unmistakable while classic goldsmithing seams more distant.
The exhibition ”Swedes and Belgian Blues” is a co-operation between Galerie Beyond and Four, showing work by 5 Belgian and 5 Swedish artists. Sweden is also a well-known country in the international jewellery world and we also have an influential fashion scene. Are there any similarities? Are there any differences? To connect a certain aesthetic or a style to a nationality might be impossible in a society where the global art scene is only a browser away. But is there something of a local culture? Swedes and Belgian Blues will be shown in Antwerp in January 2017.

  

Participating artists:
Tine De RuysserJonathan HensArnaud SprimontAnneleen SwillenKaren VanmolKarin Roy AnderssonLinnéa ErikssonHanna LiljenbergAnna Norrgrann – Sanna Svedestedt Carboo.

Karin Roy Andersson - brooch from 2016 made of recycled plastics (from lunch trays), thread and steel - FOUR: Karin Roy Andersson – My brooch from 2016 made of recycled plastics (from lunch trays), thread and steel –
« Since I was a kid I have had a strong interest in animals, especially fish and birds. I love their shape, their movements and the pattern of the feathers and scales, their bodies, faces and exceptional behaviour. The pieces on show at « Swedes and Belgian Blues » are made of plastics collected from garbage containers and ditch-banks. I keep my eyes open when I go to the hairdresser; I search in my friends’ bathrooms and fridges – you have to be observant if you are going to find that perfect jewellery material!

Sanna Svedestedt Carboo-  Building blocks, 2013, necklace made of naturally tanned leather Sanna Svedestedt Carboo -  Building blocks, 2013, necklace made of naturally tanned leatherSanna Svedestedt Carboo works with leather. In this material she create sharp and exact shapes that look heavy but are surprisingly light. Svedestedt Carboo uses old leather shaping techniques and Cuir Bouilli, adding a contemporary expression to a classic craft tradition. With the right touch, boiling hot water and quite a lot of stubbornness, the leather is transformed into the desired form. « I am drawn to the combination of controlled shapes and soft organic flow, and the clash that takes place in the meeting of the two. »

bracelets by Tine de RuysserTine de Ruysser - Dollar Bracelets, 2016,  made of banknotes
Paper money came into existence because people did not want to carry their gold around. Through time the relation between money and gold has been close but the connection has changed. Now we are hesitating about having too much money in our wallets but many of us are happy to show wealth, status or image by wearing gold. For this piece banknotes are used as a precious material. The notes are put together to create an object. The banknotes are not damaged, so the object can be taken apart and returned to the monetary value of the materials. Just like precious metals.

 Anneleen Swillen - Weights pending 2, 2016, necklace made of resin, plaster, concrete, cotton, rubber and natural stonesAnneleen Swillen – Weights pending 2, 2016, necklace made of resin, plaster, concrete, cotton, rubber and natural stones
Inspired by the way daily goods are consumed and (re)presented, Anneleen Swillen draws attention to the intrinsic but often unnoticed qualities of everyday objects. Weights, pending is an artistic research into both formal and functional potential of disposable packaging for object and jewellery design.  The necklace is composed of pairs of various pendants that differ in weight, shape and size. Both sides of the necklace can be shifted and scaled in search for a balance – or imbalance – when worn. Carrying these weights as a collection of charms around the neck and shoulders does not go unnoticed for the wearer or the viewer.

Anna Norrgrann - Necklaces made of aluminium and nylon threadAnna Norrgrann – Necklaces made of aluminium and nylon thread
« I’m attracted to the qualities in different kinds of metal that make them perform in various ways, depending on the treatment. I see my work as collaboration between these qualities in the material and my own technical skills. m attracted to the qualities in different kinds of metal that make them perform in various ways, depending on the treatment. I see my work as collaboration between these qualities in the material and my own technical skills. » – Anna Norrgrann

Karen Vanmol - AKA #Iseefaces, brooches -made of wood, laminate and steelKaren Vanmol - AKA #Iseefaces, brooches -made of wood, laminate and steel
« The human mind has the desire to name things. Our brains are so eager to recognize patterns and correlations they see them where there are none. Have a closer look at Karen Vanmol’s brooches and let us know what you see. »

Hanna Liljenberg - Untitled, brooches, 2016- made of black burned iron, oil paint, varnish and steelHanna Liljenberg - Untitled, brooches, 2016- made of black burned iron, oil paint, varnish and steel
« My jewellery is in constant collision between the organic and the rigidly constructed. In this project I wanted to simplify the construction of my jewellery to the greatest extent, and I have been working with old painting techniques to produce light in the darkness. Having previously worked with repetitions of one single form, I have now tried to shape one sprawling piece into a cohesive unit. » – Hanna Liljenberg

Jonathan Hens - Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex  Jonathan Hens – Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex 
 - Jonathan Hens designs are the result of an intense search for an alternative identity. Rather than a classic example of beauty, the viewer gets to see Hens’ interpretation of it.

Linnéa Eriksson- Connect, necklace 2016 made of steel, oxidized silver and spray paint.Linnéa Eriksson- Connect, necklace 2016 made of steel, oxidized silver and spray paint.
Linnéa Eriksson’s work is a reflection of her surroundings. She finds inspiration in pieces of metal or in the feeling of a heavy beat. « It is a combination of traditional jewellery crafts and the modern street expression. »

 Arnaud Sprimont  - Microbiota 1, brooch, 2016 -made of polyurethane resin, steel and pigments.Arnaud Sprimont  – Microbiota 1, brooch, 2016 -made of polyurethane resin, steel and pigments. 
Supported both by a scientific and empirical observation of the cells and patterns of the living, Arnaud Sprimont investigates an invisible and frightening universe.  The exploration of the strong ties that exist between human being and nature is the heart of his approach and of his will to define himself, in nature and in harmony with it, as microbiotes living in symbiosis with their host.
 

Nordhemsgatan 74,
Göteborg (Sweden)
+46 73 086 42 49
New ppen hours! Wed, Thu, Fri 12-18, Sat 12-16

 

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24/08/2016

30th Marzee International Graduate Show 2016 – Marzee Graduate Prize – And the WINNERS are …..

30th Marzee International Graduate Show 2016

opening Sunday 21 August at 4pm  of the 2016 Annual International Marzee Graduate Show at Galerie Marzee.
During the opening we will also be presenting the Marzee Graduate Prize to this year’s most promising graduates -
The exhibition will be on show until 29 October 2016.

The Marzee International Graduate Show 2016. 30th Marzee International Graduate Show - www.facebook.com/... - opening of this exhibition on Sunday 21 August at 4pm at Galerie Marzee! - exhibition will run from 21 August until 29 October 2016.-  - - - X: (Wei Zhou, Hints  CAFA (Central Academy of Fine Arts), China)

MARZEE GRADUATE PRIZE  2016

The Marzee International Graduate Show is an annual event and the highlight of our exhibition calendar. In organising this unique event, we hope to turn the spotlight on the fantastic work produced by jewellery graduates from all over the world.

Every year the Marzee Graduate Prize is awarded to a selection of the most promising students. The quality of work this year has been exceptional and so we are delighted to announce a record number of prize winners :

Wei Zhou (BA) – CAFA, Beijing, China
Alžběta Dvořáková (MA) – AAAD, Prague, Czech Republic
René Martin – Akademie der Bildenden Künste, Nuremberg, Germany (NOT jewelry)
Yiftah Avraham (MA) – Hochschule Trier, Idar-Oberstein, Germany
Catalina Brenes (MA) – Hochschule Trier, Idar-Oberstein, Germany
Federica Sala (MA) – Alchimia, Florence, Italy
Jongseok Lim (BA) – Kookmin University, Seoul, South Korea
Yenim Park (MA) – Kookmin University, Seoul, South Korea
Katharina Dettar (MA) – RCA, London, UK
Luci Jockel (BA) – RISD, Providence, US

Congratulations to all the winners!

They won the Marzee Graduate Prize 2016 out of a selection of 106 graduates from 70 schools worldwide !!!

Catalina Brenes & Yiftah Avraham -  Marzee Graduate Prize 2016 Catalina Brenes & Yiftah Avraham -  Marzee Graduate Prize 2016 – ©phot. by Galerie Marzee – Only two of the winners, but THE image of youth, beauty, happiness & SUCCESS ! Continue to give us all that beauty you make !

  Marzee Graduate Show 2016: Catalina Brenes (MFA 2016 Idar-Oberstein) • Brooch "22 Uhr" • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang   Catalina Brenes (MFA 2016 (Idar-Oberstein Hochschule Trier)) • Brooch « 22 Uhr » • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang 

Marzee Graduate Prize 2016  Catalina Brenes (MFA 2016) • Neckpiece "16:43" • Carrara white marble, fabric and resin with natural pigments • 2016 • ©photo by Qi WangMarzee Graduate Prize 2016  Catalina Brenes (MFA 2016) • Neckpiece « 16:43″ • Carrara white marble, fabric and resin with natural pigments • 2016 • ©photo by Qi Wang

Marzee Graduate Prize 2016  Yiftah Avraham (MFA 2016) • Neckpiece "Tsunami on Beach, Number 6" • Fine silver, copper, rock crystal, brass, plexiglass, simolux, paint, epoxy, steel, bone and the force of nature • 2016 • ©photo by Yiftah Abraham using Qi's fathers cameraMarzee Graduate Prize 2016  Yiftah Avraham (MFA 2016 Idar-Oberstein, before at Shenkar) • Neckpiece « Tsunami on Beach, Number 6″ • Fine silver, copper, rock crystal, brass, plexiglass, simolux, paint, epoxy, steel, bone and the force of nature • 2016 • ©photo by Yiftah Abraham using Qi’s fathers camera

Yiftah Abraham - untitled, 2016, ring; obsidian, silver, synthetic sapphire, lichen, paint Yiftah Abraham – untitled, 2016, ring; obsidian, silver, synthetic sapphire, lichen, paint

Marzee grad show 2016 - Marzee Graduate Prize 2016  Yiftah Avraham (MFA 2016) • Brooch "Hello Kitty 2" • Bone, epoxy, pvc, simolux, fungus, car paint, steel, fine silver, brass, safety card, key, rock crystal, olive wood, IDF uniform, wedding glass, sabra cactus thorns, dragon fly wings, poetry, sweet potato leaves, sunflower seeds, lichen and the artist´s hair • 2016 • ©photo by Yiftah Abraham using Qi's fathers cameraYiftah Avraham (MFA 2016 Idar-Oberstein) •  Brooch « Hello Kitty 2″ • Bone, epoxy, pvc, simolux, fungus, car paint, steel, fine silver, brass, safety card, key, rock crystal, olive wood, IDF uniform, wedding glass, sabra cactus thorns, dragon fly wings, poetry, sweet potato leaves, sunflower seeds, lichen and the artist´s hair • 2016 • ©photo by Yiftah Abraham using Qi’s fathers cameraKatharina Dettar RCA (Royal College of Art), London  2.1 grams, 2016 installation with ring; stone, gold installatie met ring; steen, goud  Marzee International Graduate ShowKatharina Dettar    (BA 2013Idar-Oberstein, fresh MA graduate of the Royal College of Art) • Installation « 2,1 grams » • 24ct Gold (2,1 g) and shale (1.400 kg) & quartzit (140 kg) • 2016 • ©photo by Guillem Trius
« Awakening Awareness – To magnify a problem, to create dialogues and awake awareness about what lays behind some of the objects that surround us. 3D diagrams that communicate about the material waste of our nowadays goods.
Jewellery, tableware, furniture and silk clothes are present in our daily life, contrary to the unseen raw material we need in order to produce them. »

Katharina Dettar 1000 Moths for a Blouse, 2016, blouse; Bombyx mori moths, silk thread - Marzee Prize 2016: Katharina Dettar 1000 Moths for a Blouse, 2016, blouse; Bombyx mori moths, silk thread -  (BA 2013Idar-Oberstein, fresh MA graduate of the Royal College of Art)

Federica Sala - Alchimia 2016Federica Sala - Controlled Freedom, 2015, necklace; glass, aegirine – Alchimia 2016
Federica Sala at Marzee graduation show 2016Federica Sala at Marzee graduation show 2016
Marzee gradution show 2016-. - Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass; Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic:  Alžběta Dvořákova, « The secret space », 2016, brooch; leather, silver, brass – Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic
Alžběta Dvořákova, "The secret space", 2016, brooch; leather, silver, gold leaf - Academy of Arts, Architecture and Design (AAAD), Prague, Czech RepublicAlžběta Dvořákova, « The secret space », 2016, brooch; leather, silver, gold leaf – Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic
Alzbeta Dvorakova at Marzee graduation show 2016 - Marzee Prize 2016 - master work "the Secret space" - back of brooch: Alzbeta Dvorakova  – master work « the Secret space » – back of brooch 
Candidate selected student category ENJOIA'T 2016 / The Cages by Wei Zhou: Candidate selected student category ENJOIA'T 2016/ The Cages by Wei Zhou:
  Wei Zhou - The Cages, 2016, necklace; silver, wood, parchment, thread CAFA (Central Academy of Fine Arts), Beijing, China

 Luci Jockel Bloom, 2014, brooch; groundhog skull, fungi, honeycomb, beeswax, steel, brass - Marzee Prize 2016: Luci Jockel,  MFA 16 JM (RISD) -  « Bloom », 2014, brooch; groundhog skull, fungi, honeycomb, beeswax, steel, brass – RISD (Rhode Island School of Design), Providence, US

Jongseok Lim Specimen Series – 8, 2015, brooch; fine silver, sterling silverJongseok Lim Specimen Series – 8, 2015, brooch; fine silver, sterling silver - Kookmin University, Seoul, South Korea

Yenim Park untitled, 2016, brooch; horsehair, stainless steelYenim Park -  untitled, 2016, brooch; horsehair, stainless steel – Kookmin University, Seoul, South Korea

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands
tel +31 24 322 9670
mail@marzee.nl

 

Enregistrer

17/08/2016

EXPO ‘Marzee Graduate Show 2016′ – Marzee Gallery, Nijmegen (NL) – 21 Aout-29 Oct. 2016

30th Marzee International Graduate Show 2016

Please join us on Sunday 21 August at 4pm for the opening of the 2016 Annual International Marzee Graduate Show at Galerie Marzee.

During the opening we will also be presenting the Marzee Graduate Prize to this year’s most promising graduates -

The exhibition will be on show until 29 October 2016.

The Marzee International Graduate Show 2016.

***

Marzee Graduate Show 2016 - Wan Hee Cho jewel(Wan Hee Cho (KR) necklace) RISD (Rhode Island School of Design) in 2013)

Galerie Marzee  -30th Marzee International Graduate Show 2016 -  Wei Zhou, Hints / Untitled, 2016, necklace; silver, greenhide; CAFA, Beijing, China  Wei Zhou, Hints / Untitled, 2016, necklace; silver, greenhide; CAFA (Central Academy of Fine Arts), Beijing, China

30th Marzee International Graduate Show -  [Wei Zhou, Hints  CAFA, China]: Wei Zhou, Hints  CAFA (Central Academy of Fine Arts), China 

  Fan WANG, Sint Lucas Antwerpen - Marzee graduate show 2016  Fan WANGSint Lucas Antwerpen

Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass; Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic - Marzee graduation show 2016Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass – AAAD (Academy of Art, Architecture and Design), Prague, Czech Republic

Luci Jockel, Royal Mourning, 2014, brooch; squirrel skull, lichen, fungi, insect pins, steel; Rhode Island School of Design (RSID), Providence, US - Marzee .... 2016- Luci Jockel, Royal Mourning, 2014, brooch; squirrel skull, lichen, fungi, insect pins, steel – RISD (Rhode Island School of Design), Providence, US

Marzee ..... - Katie Kameen, Terrain, 2016, necklace; found objects, rubber tubing; Indiana University, Bloomington, US: Katie Kameen, Terrain, 2016, necklace; found objects, rubber tubing; Indiana University, Bloomington, US

Tain Jingwen, The winter Solstice, 2016, brooch; silver, oil painting, metal; CAFA, Beijing, China:  - Marzee ....  2016Tain Jingwen, The winter Solstice, 2016, brooch; silver, oil painting, metal; CAFA (Central Academy of Fine Arts), Beijing, China

Federica Sala, Controlled Freedom, 2015, necklace; glass, egirina; Alchimia, Florence, Italy: -  Marzee International Graduate Show 2016 -Federica Sala, Controlled Freedom, 2015, necklace; glass, egirina; Alchimia, Florence, Italy

Ronit Vishovski, Undivided, 2016, brooch; casted glass, wire; Cranbrook Academy of Art, Bloomfield Hills, USA - Marzee graduate show 2016Ronit Vishovski, Undivided, 2016, brooch; casted glass, wire; Cranbrook Academy of Art, Bloomfield Hills, USA

Lena Wunderlich, Whiteness is Blindness, 2016, brooch; brass, acrylic urethane - automotive paint, stainless steel (model: Kamal N.); Rhode Island School of Design (RISD), Providence, USA: - Marzee graduate show 2016 Lena Wunderlich, Whiteness is Blindness, 2016, brooch; brass, acrylic urethane – automotive paint, stainless steel (model: Kamal N.); RISD (Rhode Island School of Design), Providence, USA

Yenim Park, Horsehair Jewelry 4, 2016, brooch; horsehair, stainless steel; Kookmin University, Seoul, South-Korea - Marzee 2016.. - Yenim Park, Horsehair Jewelry 4, 2016, brooch; horsehair, stainless steel; Kookmin University, Seoul, South-Korea

Stephanie O'Leary, Fragments, 2016, necklace; steel, sterling silver, enamelled copper, wenge, neodymium magnets twine; Middlesex University, London, UK - Marzee .... - 2016Stephanie O’Leary, Fragments, 2016, necklace; steel, sterling silver, enamelled copper, wenge, neodymium magnets twine; Middlesex University, London, UK

  Nadja Soloviev - Akademie der Bildenden Künste NürnbergNadja Soloviev Akademie der Bildenden Künste  Nürnberg

Maya Shoshan - Shenkar - MARZEE 2016Maya ShoshanShenkar College of Engineering and Design

Pallavi Verma - jewelry with hair - Jewellery Design Royal Academy of Fine Arts AntwerpPallavi Verma – jewelry with hair – Jewellery Design Royal Academy of Fine Arts Antwerp (Koninklijke Academie voor Schone Kunsten)

Mahvash Salim Raza (MFA 2016 Idar-Oberstein) • Necklace "My Perfect Universe" • Resin, gold, silver and ink on transparency • 2016 • ©photo by Muhammad Ashrafi - Marzee Graduate Show 2016Mahvash Salim Raza (MFA 2016 Idar-Oberstein Hochschule Trier) • Necklace « My Perfect Universe » • Resin, gold, silver and ink on transparency • 2016 • ©photo by Muhammad Ashrafi

[and from   Idar-OberSTEIN  : Yiftah Abraham (MFA 2016), Catalina Brenes (MFA 2016), Ferran Iglesias Baron (MFA 2016), Julia Obermaier (Julia Obm)(BFA 2016) and Mahvash Salim Raza (MFA 2016) are selected for the graduation show]

Marzee Graduate Show 2016: Catalina Brenes (MFA 2016 Idar-Oberstein) • Brooch "22 Uhr" • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang   Catalina Brenes (MFA 2016 (Idar-Oberstein Hochschule Trier)) • Brooch « 22 Uhr » • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang 

Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (selected for Marzee Graduate Show 2016:): Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (Idar-Oberstein Hochschule Trier)

Ferràn Iglesias (MFA stud. Idar-Oberstein) • Brooch "Life in Happiness" • Silver, steel and pigment • 2016 • ©photo by Elena GorbunovaFerran Iglesias Baron (MFA stud. Idar-Oberstein Hochschule Trier) • Brooch « Life in Happiness » • Silver, steel and pigment • 2016 • ©photo by Elena Gorbunova

and, from France – Strasbourg – Haute école des arts du Rhin (HEAR)  are selected Solene Dejean  and Camille Ancelin – Honneur aux françaises ! :-)

 Solène Dejean  Ring: PIECES SERIE n°2, 2016  Brass, silver, plexiglass  5 x 8 x 5 cm: Solène Dejean  Ring: PIECES SERIE n°2, 2016  Brass, silver, plexiglass  5 x 8 x 5 cm (Haute école des arts du Rhin (HEAR))

Camille Ancelin (Haute école des arts du Rhin (HEAR) Camille Ancelin (Haute école des arts du Rhin (HEAR)

 

Participating academies and universities:
Australia – MelbourneRMIT (Royal Melbourne Institute of Technology)
Belgium – AntwerpenSint Lucas Antwerpen
Belgium – AntwerpenKoninklijke Academie voor Schone Kunsten
Belgium- HasseltMAD-Faculty
China – BeijingCAFA (Central Academy of Fine Arts)
China – BeijingBIFT (Beijing Institute of Fashion Technology)
Czech Republic – PilsenLadislav Sutnar Faculty of Design and Art (University of West Bohemia)
Czech Republic – PragueAAAD (Academy of Art, Architecture and Design)
Estonia- TallinnEKA (Eesti Kunstiakadeemia)
Finland – LappeenrantaSaimaa University of Applied Sciences
France – LimogesENSA Limoges
France – Strasbourg – Haute école des arts du Rhin (HEAR)
Germany – DüsseldorfHochschule Düsseldorf
Germany – HalleBurg Giebichenstein – Kunsthochschule Halle
Germany – HildesheimHAWK Hildesheim (Hochschule für angewandte Wissenschaft und Kunst)
Germany – Idar-ObersteinHochschule Trier
Germany – MunichAkademie der Bildenden Künste
Germany – PforzheimFachhochschule Pforzheim
Germany – NuremburgAkademie der Bildenden Künste
Israel – JerusalemBezalel Academy of Arts & Design
Israel – Ramat-GanShenkar College of Engineering and Design
Italy – FlorenceAlchimia, Scuola di Gioielleria
Japan – TokyoHiko Mizuno College of Jewelry
South Korea – SeoulKookmin University
Netherlands – MaastrichtMaastricht Academy of Fine Arts and Design
Netherlands – AmsterdamGerrit Rietveld Academie
New Zealand – AucklandManukau Institute of Technology
New Zealand – PoriruaWhitireia Community Polytechnic
Spain – BarcelonaEscola Massana
Sweden – GöteborgHDK (Högskolan för design och konsthantverk)
Sweden – StockholmKonstfack, University of Arts Craft and Design
Switzerland – GenèveHEAD (Haute ecole d’art et de design)
United Kingdom – BirminghamBirmingham City University, School of Jewellery
United Kingdom – EdinburghEdinburgh College of Art
United Kingdom – LondonMiddlesex University
United Kingdom – LondonCentral Saint Martins
United Kingdom – LondonRoyal College of Art
USA – Bloomfield HillsCranbrook Academy of Art
USA – BloomingtonIndiana University
USA – New PaltzState University of New York at New Paltz
USA – ProvidenceRISD (Rhode Island School of Design)
USA – San DiegoSan Diego State University
 

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands
tel +31 24 322 9670
mail@marzee.nl

 

15/08/2016

DECOUVERTE/COUP de COEUR : Snem Yildirim

Classé dans : COUP DE COEUR,DECOUVERTE,JOYA (ES),Snem YILDIRIM (TR),Turquie (TR) — bijoucontemporain @ 20:29

Snem Yildirim have been selected for Joya Barcelona 2016 ….. and it’s a refreshing BLUE « coup de coeur » :-)

Joya 2016 - Snem Yildirim

« Snem Yildirim & Didem Yildirim sont deux soeurs, originaires de Turquie et créatrices du Studio Zigzag, installé à Istanbul et à Ankara depuis 2013.
Leur particularité ? Tester les matériaux et créer des ponts entre art contemporain et bijouterie, entre tradition et modernité. » (Studio Zigzag interview on lenvers-du-decor)

Studio Zigzag is an Istanbul based contemporary jewelry studio, founded by Snem Yıldırım & Didem Yıldırım in 2013.
« For us, it was a step to go out of the frame of modern times’ enforced life, to flee to the dream world … Once we started to discover the materials, materials recreated us with the designs formed by our dreams. »
« We essentially take inspiration from cultural texture and the geography we live in. We experience the materials and production techniques by blending the contrasts such as the east and the west, the local and the global, the traditional and the modern, the geometric and the organic. »

Born in Ankara, Turkey, in 1984.
She graduated from Gazi University, Department of Architecture, and in 2011 she started to study Architectural Design Master Program at Istanbul Bilgi University.
By Inout Project she produced several projects within the scope of city and public space.
She continued Leather Footwear and Accessories Design Program at Istanbul Moda Academy in partnership with the University of the Arts London.
In 2013 she set up her contemporary jewelry studio “Studio Zigzag” with her sister.
Currently, she works at her studio and is a member of Yaygara Contemporary Art Initiative.

Snem Yildirim | Contemporary Art JewelrySnem Yildirim - Charm Series / Polaris Brooch, 2016 – one frame – several patterned and colored circles – many combinations!

Snem Yıldırım - Kanavice 2: Snem Yildirim - eni işler yolda!!! Kanavice 2 Series / necklace oxidized silver, nylon, wood, paint, cotton

Snem Yildirim - eni işler yolda!!! Kanavice 2 Series / necklace oxidized silver, nylon, wood, paint, cotton Snem Yildirim –   Kanavice 2 Series / necklace oxidized silver, nylon, wood, paint, cotton

Snem Yildirim -   Kanavice 2 Series / Three in One , Brooch: Snem Yildirim -   Kanavice 2 Series / Three in One , Brooch

Snem Yildirim - Kanavice 2 Series / Three of You , ring - Photo   Snem Yildirim.: Snem Yildirim -     Kanavice 2 Series / Three of You , ring – Photo Snem Yildirim

Snem Yildirim  -  Kanavice 2 - Brooch oxidized silver, nylon, gold plated bras: Snem Yildirim  -  Kanavice 2 / Brooch oxidized silver, nylon, gold plated bras

SNEM YILDIRIM - (c) Studio Zigzag: Snem Yildirim  -  (c) Studio Zigzag

Snem Yildirim Snem YildirimCharm Series / Polaris Interactive Brooch

(c) Studio Zigzag - SNEM YILDIRIM: Snem Yildirim  -  (c) Studio Zigzag

and because a little of yellow doesn’t hurt …. ;-)

Snem Yildirim | Contemporary Art Jewelry: Snem YildirimKanavice series -  silver, nylon 

Snem Yildirim -  Kanavice Brooch #snemyildirim  Snem Yildirim -  Kanavice Brooch

 

 

Enregistrer

Enregistrer

16/04/2016

Melting Point 2016 VALENCIA (Spain) – EXPO ‘PASSION BIJOU(x)’ – Galería del Tossal, Valencia (SP) – 21 Avril-22 Mai 2016

Passion Bijou(x). Colección Marianne Gassier de Joyería Contemporánea.

Galería del Tossal.   (Con la colaboración del Ajuntament de València):

 

 Melting Point Valencia 2016

Passion Bijou(x). Colección Marianne Gassier de Joyería Contemporánea. Galería del Tossal. Plaça del Tossal, Barri de Carme, València. (Con la colaboración del Ajuntament de València):

 My contemporary jewelry collection in an exhibition !!!

Thanks to Antonio Sánchez García and to all the EASD Valencia team, what was dreamed two years ago after drinking some « Valencia’s water » (not water at all ….. ;-) …) will become reality very soon …..
About 80 jewels from my collection (brooches, neckpieces, bracelets) in 4 themes (« Black envy« , « All Whites« , « Get the Blues » and « Red (thread) » will be displayed, separated by a stream of  about 60 rings …… Was VERY hard to do a choice (galeria Tossal is not big …) !!!

Of course jewels by the « better » actual jewellers (Christophe Burger, Sébastien Carré, Edu Tarin (Talente Prize 2016), François Pereña, Patricia Lemaire, Marianne Anselin, Teresa Faris, Maria Rosa Franzin, Philip Sajet, Noon Passama, Jorge Manilla, Gaetano Pesce, Gigi Mariani, Liana Pattihis, Marta Mattsson, Ramon Puig Cuyas , etc etc ……..) but also by all the youngs newly graduates  (my favourite field of investigations !  ….) from the better jewelry schools (Alchimia in Italy, Idar Oberstein in Germany, Massana in Spain, Afedap or HEAR in France, Suny New Palz in USA …..).

I’m VERY proud &  filled with emotion to share my choices and to give back to these jewellers, I hope, the pleasure they gave me.

The exhibition, titled « PASSION BIJOU(x) », will be held in Galeria Tossal, Valencia (Spain) from April 21 to May 22 2016, during the MELTING POINT jewelry event that occurs every two years in the city of Valencia.
More informations here

And SO SO SO MANY THANKS to all who helped for this project !! A SPECIAL THANK to Antonio Sánchez García who worked (hard) at EASD Valencia !

Alina Carp - ma broche 'Ana' !!!!!!!!!!!!!!: Alina Carp – ma broche ‘Ana’ (from the legend Of Manole) – means SO much for me !

Michelle Kraemer Necklace: CumulusNimbus II, 2014 Balsawood, paint, artificial sand, silver powder, silver 50 x 12 x 7 cm Photo by: Michelle Kraemer From series: Cumulus: Michelle Kraemer Necklace: CumulusNimbus II, 2014 Balsawood, paint, artificial sand, silver powder, silver 50 x 12 x 7 cm Photo by: Michelle Kraemer From series: Cumulus (when times become DARK … even darkness has its beauties …)

Jorge Manilla necklace - : from serie "IN MEMORIAM". •	Mexico,  2014 •	porcelain & thread / porcelana y hilo de algodon Jorge Manilla necklace – : from serie « IN MEMORIAM ». •    Mexico,  2014 •    porcelain & thread / porcelana y hilo de algodon

Mireia Calaf - broche"cortando obsesiones": Mireia Calaf - broche »cortando obsesiones« 

Sebastien Carré 'Inflammation noire', 2014 - pellicule de film, coton, laine & perles: Sebastien Carré ‘Inflammation noire’, 2014 – pellicule de film, coton, laine & perles

Edu Tarín. "Antípoda 5" black. 2014. Brooch. Copper, gold. Electroforming. 115x90x55mm. Photo by Manu Ocaña: Edu Tarín. « Antípoda 5″ black. 2014. Brooch. Copper, gold. Electroforming. 115x90x55mm. Photo by Manu Ocaña

Liana Pattihis broches 01-blue fine trace chain (small) 5,5cm diam L17cm -oct 2012-: Liana Pattihis broche 01-blue fine trace chain (small) 5,5cm diam L17cm -oct 2012

 Noon Passama black  portrait brooch - "Portrait # 16" , 2013 Leather, fur, oxidized silver mouth, oxidized silver backing, remanium pin 10.6 x 10.6 x 5.5 cm: Noon Passama black  portrait brooch – « Portrait # 16″ , 2013 Leather, fur, oxidized silver mouth, oxidized silver backing, remanium pin 10.6 x 10.6 x 5.5 cm (this one choosed me !)

Catalina Gibert - aMARE  necklace - 2013- linen canvas, acrylic paint, lapis lazuli, silver-   detail: Catalina GibertaMARE  necklace – 2013- linen canvas, acrylic paint, lapis lazuli, silver-   detail

Selen Ozus - "error 107" necklace - porcelain | glaze | cotton | silk - 2011: Selen Ozus – « error 107 » necklace – porcelain | glaze | cotton | silk – 2011

Valentina Caprini (Alchimia 2012) - necklace "Rinascita" -  1300 Meters of Red Thread -Valentina Caprini (Alchimia 2012) – necklace « Rinascita » -  1300 Meters of Red Thread

with "Strong" necklace, by Yiota Vogli  France 2015: with « Strong » necklace, by Yiota Vogli   - ’Arteries & Veins’ collection 2015, cotton, wool

Fermall " Tenebres" Plata, or, ópal etiopia. 2016  Brooch "Darkness" Silver, gold, opal Ethiopia. 2016  Lluís Comín.: Lluís Comín – brooch  » Tenebres » Plata, or, ópal etiopia. 2016  Brooch « Darkness » Silver, gold, opal Ethiopia. 2016 

I then will give a conference on April 22, at 10:00, at EASD de València: Salón de Actos
Calle Pintor Domingo, 20. – this day, conferences/lectures talk about the COLLECTORS and PROMOTERS view

22nd APRIL / lectures :
COLLECTORS and PROMOTERS view
10:00  Marianne Gassier (France). Collector, blogger and contemporary jewellery expert. Passion Bijou(x)
11:15   Juan Riusech (France/Spain) Jeweller, galerist and colector in Lille (France). Proyecto Alliage
12:30   Eliana Negroni (Italy) Curator and organizer of “Jewels in Ferment / Gioielli in fermento”. Considerations on a Themed Award

 

Galería del Tossal.
Plaça del Tossal,
Barri de Carme, València

 

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