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05/03/2018

EXPO ‘‎Hidden curriculum’ – during the MJW 2018 – Atelier Cepissakova, Munich (DE) – 8-11 Mars 2018

 

« ‎Hidden curriculum »

Contemporary jewelry exhibition inside   Munich Jewellery Week  (7–10 March 2018)

Popeye loves Olive  Art Space hosts an exhibition platform during Munich Jewellery Week by inviting a group of 14 Greek artists to meet the Mexican artist Jorge Manilla and to develop a joint project on Hidden Curriculum, Identity and Proxemics. 

Opening: Thursday 08/03/18 @19.00 – 22.00

Popeye loves Olive‎ - Hidden curriculum*

Participating Artists:    Jorge Manilla – Aggelika Diplari – Aggelos Konstantakatos – Anna Vlahos – Antria Prasinou – Artemis Valsamaki – Erato Kouloubi – Ioli Livada –  Joanna Grigoriou – Liana Pattihis – Marina Zachou – Niki Stylianou – Xenia Deimezi – Yakinthi Oikonomou – Yiota Vogli

 

 » Hidden Curriculum*
The Hidden curriculum consists of teaching items which are not officially intended and developed by school and educational system. The educational authorities use the concepts of “hidden curriculum” and “invisible curriculum” to explain teachings and attitudes influenced by these implicit factors (Alavi, Abdollahi and Ahmadi, 2008).
With the intention to explore behaviors, perspectives and attitudes, that the participants adopt during their learning process, in an independent way outside of an institution.
For this exhibition we have decided to take the idea of a Hidden Curriculum and explore in a free but very careful way, issues like gender roles, morals, social class, stereotypes, cultural expectations and personal language.
According to the Austrian artist and architect Hundertwasser, we have five layers of skin. From the innermost to the furthest from the centre: Epidermis, Clothes, Houses, Identity and Earth. Each layer (skin) defines and interacts with the whole human entity.
According to Proxemics, we arrange objects and ourselves in relation to space as it makes us feel more or less comfortable. Individuals naturally maintain a separation that relates to environmental and cultural factors but also to social and interpersonal situations. One could say that proxemics is separated in Intimate, Personal, Social and Public Space/Skins. Moreover, all layers of Space/Skins interact, affect and define each other.
Most importantly, it should be underlined; the above studies claim that Identity is created by social interplay.
According to history, Jewelry serves as a primary means of conveying cultural values. Traditionally, jewels were seen as sacred and precious; however, from the beginning of the 20th century, jewelry has started to be objectified. Jewelry as a result of all human social interactions becomes a product of non-verbal communication.
The process, through which a piece of jewelry is created, is totally connected with the cultural and social background of each jewelry artist. From the selection of materials to the final product, it is needed that all different possibilities and perspectives of this act to be explored.
On the other hand, the viewer interacts both with the maker and the wearer of a piece of jewelry; as jewelry narrates stories and communicates feelings and Identities. 
By comparing fourteen Greek jewelry artists’ work in opposition to that of a Mexican artist and educator; this exhibition seeks to collect information on how hidden curriculum, proxemics and identity are expressed through jewelry.
What kind of space occupies the work of each artist? What kind of skin it represents? « 

 

HIDDEN CURRICULUM - Yiota Vogli Dialogue I Νecklace / Ruthenium plated bronze, alpaca, paper pulp, grains, oxidationsYiota Vogli Dialogue I Νecklace / Ruthenium plated bronze, alpaca, paper pulp, grains, oxidations

Yiota Vogli. Brooch: Dialogue, 2017. silver, alpaca, hand painted silver, paper pulp, acrylics, cotton.Yiota Vogli. Brooch: Dialogue, 2017. silver, alpaca, hand painted silver, paper pulp, acrylics, cotton.

Yakinthi Oikonomou Brooch: Veresé, 2017 Argentium silver, bronze, stainless steel. Photo by: Orestis RovakisYakinthi Oikonomou. Brooch: Veresé, 2017. Argentium silver, bronze, stainless steel.. Photo by: Orestis Rovakis.

HIDDEN CURRICULUM - Yakinthi Oikonomou Home sweet home Brooch / Argentium silver, stainless steelYakinthi Oikonomou Home sweet home Brooch / Argentium silver, stainless steel

Xenia Deimezi. Necklace: FEED ME, 2018. Latex, cotton and polyester thread, brilliant cut white diamond.. 70 x 10 cm. Photo by: Aimilia Balaska. From series: into existence.
Xenia Deimezi. Feed-me  Necklace / Latex, cotton & polyester thread, brilliant cut diamond  - Photo by: Aimilia Balaska. From series: into existence

HIDDEN CURRICULUM - Niki Stylianou. - Landscape #3 Necklace / Hand cut and hand stitched leather, thread, copper, pigments, patina
Niki Stylianou.   Landscape #3  - Necklace / Hand cut and hand stitched leather, thread, copper, pigments, patina  

Niki Stylianou Necklace: Mapping: traces made solid, 2017 Copper, bronze, pigments, patina, cord. Photo by: Niki StylianouNiki Stylianou - Necklace: Mapping: traces made solid, 2017 - Copper, bronze, pigments, patina, cord. - Photo by: Niki Stylianou

HIDDEN CURRICULUM - Antria Prasinou Ephemeral Body Neckpiece / Copper, rice paper, ink, silver, pigments, silk thread – avec Antria Prasinou.
Antria Prasinou. - Ephemeral Body - Neckpiece / Copper, rice paper, ink, silver, pigments, silk thread  

Antria Prasinou Brooch: Liberate the Senses, 2017 Copper, rice paper, ink, silver, pigments, silk thread. Photo by: Konstantinos KostopoulosAntria Prasinou - Brooch: Liberate the Senses, 2017 - Copper, rice paper, ink, silver, pigments, silk thread. - Photo by: Konstantinos Kostopoulos

Liana Pattihis Necklace: Shades of Black, 2017 Copper wire, silver chain, enamel. 89 cm Photo by: Liana PattihisLiana Pattihis - Necklace: Shades of Black, 2017 - Copper wire, silver chain, enamel. 89 cm  Photo by: Liana Pattihis

Erato Kouloubi. Brooch: Food Victim 1, 2018. Pasta, acrylics, epoxy, bronze.. 12 x 16 x 5 cm. Photo by: George Economopoulos. From series: Food Victim  Collection.
Erato Kouloubi Food Victim 1 Brooch / Pasta, acrylics, pigments, silver

Erato Kouloubi Brooch: Food Victim, 2018 Pasta, acrylics, pigments, silver. Photo by: Erato KouloubiErato Kouloubi - Brooch: Food Victim, 2018 - Pasta, acrylics, pigments, silver. Photo by: Erato Kouloubi

HIDDEN CURRICULUM - Aggelika Diplari Garden Brooches Wood, argentium silver, pigments, patina – avec Aggelika Diplari.
 Aggelika Diplari. - Garden  Brooches - Wood, argentium silver, pigments, patina 

Ioli Livada Brooch: Untitled, 2017-2018 Bronze, corn leaves, pigments, threads, sterling silver. Photo by: Fanis Logothetis

Ioli Livada  -  Brooch: Untitled, 2017-2018 - Bronze, corn leaves, pigments, threads, sterling silver. Photo by: Fanis Logothetis

Ioli Livada Brooch: Imaginary Flowers 5, 2018 Bronze, corn leaves, pigments, threads, sterling silver.Ioli Livada - Brooch: Imaginary Flowers 5, 2018 - Bronze, corn leaves, pigments, threads, sterling silver.

Joanna Grigoriou Fragments 3 Brooch / Wood, resin, pigments, stainless steel

Joanna Grigoriou Fragments 3 Brooch / Wood, resin, pigments, stainless steel  

Anna Vlahos Meander 1 Brooch / Sterling silver, stainless steel
Anna Vlahos Meander 1 Brooch / Sterling silver, stainless steel

Artemis Valsamaki Brooch: Keep the Faith, 2017 Copper, silver, acrylic paint. Photo by: Alexis KamitsosArtemis Valsamaki - Brooch: Keep the Faith, 2017 - Copper, silver, acrylic paint. - Photo by: Alexis Kamitsos

 

HIDDEN CURRICULUM - Jorge Manilla Insides  Brooch / Wood, cochayuyo, copper steelJorge Manilla - Insides  Brooch / Wood, cochayuyo, copper steel

Jorge Manilla Object: Untitled, 2018 Cochayuyo, rubber. Photo by: Christian TvibergJorge Manilla  Object: Untitled, 2018 - Cochayuyo, rubber. - Photo by: Christian Tviberg

 

 

 
Atelier Cepissakova 
Ligsalzstrasse 29
80339 Munich / München, Deutschland
- Thursday 08.03.18 [10.00 – 17.00]
OPENING: 19.00 – 22.00
- Friday 09.03.18: [10.00 – 18.00]
- Saturday 10.03.18 [10.00 – 13.00]
- Sunday 11.03.18 [11.00 – 16.00]Contact:
Erato Kouloubi
eratokosmima@yahoo.com
+30 6944871569http://www.munichjewelleryweek.com/event/hidden-curriculum/

04/03/2018

EXCHANGE-BIJOU 1 – Julia Obermaier present during SCHMUCK 2018 (Munich Jewellery Week (MJW) – 7–10 March 2018

Julia Obermaier, with her very talented creations, is, of course, VERY present during the   Munich Jewellery Week  2018 (MJW 7-10 March 2018)

Julia Obermaier is a Jewellery Maker from Germany.
She graduated in 2016 with a Bachelor of Fine Arts at the Trier University of Applied Sciences, Departement of Gemstones and Jewellery in Idar-Oberstein, Germany.
Since 2016 she has her own atelier in Kempten, Germany.

 

 at first present at the exhibition   Holy Rock with her group ASTONISH , at Internationale Handwerksmesse München, from the 7th to the 13th of march in  Hall B1, Stand-No. 759

ASTONISH is a collective of seven female contemporary jewellery makers sharing a common passion: (gem) stones. For the third consecutive year, they will exhibit their work at Internationale Handwerks Messe(IHM) in Munich, March 2018.
Artist list  :  Sharareh Aghaei – Eva Burton – Gabriela Cohn – Pia Groh – Helen Habtay — Stephie Morawetz — Julia Obermaier

Astonish HOLY ROCK

« Child of the elements.
You connect us to the past and our memories. You give us silence and peace. Hypnotized, we gaze at you when exploring your inner worlds. Born from time and the forces of nature you are everlasting and the matter of our making.
Every Rock is holy, indeed. From stones as silent observers, we make valuable experiences, we communicate through our making. Find the seven makers of ASTONISH for the third consecutive year at SCHMUCK, to pay hommage/tribute to ‘THE HOLY ROCK’ in you and me.
So let us celebrate together Gems and Jewels. »

 

Julia_Obermaier - ASTONISH Dancing on a wonky table – Necklace – Agate, resin, pigment, fabric, silver – 27 x 9 x 5 cm – 2017 – Julia ObermaierJulia Obermaier -   Dancing on a wonky table – Necklace – Agate, resin, pigment, fabric, silver – 27 x 9 x 5 cm – 2017 – Julia Obermaier

« My main subject is about private space. In my pieces I create rooms, containers, boxes or little caves. These spaces can be filled with ones own personal feelings, perceptions and sensations. I see my work as containers protecting the innermost emotions of the viewer or wearer, that they use to confront a busy world. »

 

Internationale Handwerkmesse Munich
Hall B1, Stand-No. 759.
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY
And THEN she is present at   »Die denkende Haut – the perfect sense » -  EXHIBITION   08- 14 MAR 2018 - at  Kunstpavillon
.Die denkende Haut - the perfect sense -  EXHIBITION  /  MJW-SchmuckTalente2018  /  08- 14 MAR 2018 - Kunstpavillon - Garten Sophienstr 7a 80333 -  Munich  GERMANY - -Artist list Peter Bauhuis, Doris Betz, Babette Brühl, Florian Buddeberg, Attai Chen, Eunmi Chun, Anna Maria Eichlinger, Samira Goetz, Merlin Klein, Julia Obermaier, Carina Shoshtary, Nadja Soloviev
Artist list :     Peter BauhuisDoris Betz — Babette Brühl — Florian Buddeberg — Attai ChenEunmi ChunAnna Maria Eichlinger — Samira Goetz — Merlin Klein –  Julia ObermaierCarina Shoshtary — Nadja Soloviev
 » For people as well as for jewellery, everything begins with the skin – the surface, the countless surface possibility in jewellery pieces depending on the material and workmanship. We can try to look through the skin/surface and try to interpret with those pieces. On display are the latest works of 11 jewellery artists and 1 painter from Munich.  »
Every perception begins with the skin, the surface. For people as well as for jewellery. Here, in jewellery, there are countless surfaces – smooth or rough, monochrome or multicoloured, porous or impermeable, chaotic or orderly, depending on the material and workmanship. There are no limits to the diversity of haptic sensations. Likewise with the jewellery in the exhibition Die denkende Haut [The Thinking Skin]. Are we able to look through skin, though, through the surface, inwards, to the essence of the jewellery? Can we do it with people? Neither is a simple undertaking! But we can try to interpret, to read them.
For example, with Julia Obermaier, who cuts, polishes and assembles sculptural-architectural forms from agate, the stone that emerged from volcanic nodules over millions of years. The immortality of nature and the finiteness of man are brought together in an allegorical juxtaposition. Or with Carina Shoshtary, who takes graffiti, dissects it and recomposes it in her jewellery. Messages are thus preserved and interpreted anew. Freedom of thought is manifested in jewellery. The concrete necklaces by Samira Götz only appear to be heavy; they are, however, surprisingly light. They function as burden and liberation at once. The last example is Merlin Klein, whose ‘ash jewellery’ simultaneously stands for grief, solace and remembrance.
The works on display constitute not just surface, technique and workmanship; they are concepts, with a message for the beholder. They allow one to gaze deep into the essence of the individual, nature and the universe; this is jewellery and art, or art and jewellery, or only jewellery, or just art, wearable on the skin or an object in a vitrine, ultimately simply beautiful and an eternally exciting process when one allows the ‘skin to think’. / Dirk Allgaier, February 2018
« Thinking is not only an abstract act of intellectual reckoning, but also a kind of responsive intelligence permeating our bodies and navigating us through our daily entanglements on the physical, emotional and creative planes. In this sense, dance is an embodied reflection on space; and the mind of an angler is in the hand curled around the fishing rod. Similarly, the movement of fingers on the keyboard of a piano is a visible extension of the musical thinking within the body of a performer, and the same fingers on the keyboard of a computer reproduce the dictates of a cerebral algorithm.
Between anything that touches and anything that is touched – be it an inanimate object or a living body – is the skin, which not only sends out signals like lustre, youth and freshness fromwithin, but also absorbs impulses from without, to be analysed, interpreted and answered in due time. The skin is an interface, revealing an inside and effecting responses in the environment; or thinking an outside by opening up and responding to stimuli. And when it becomes a foundation and support for structures of metals, stones, pearls, etc., then it draws in the elements of the world into its own cycle of impression and expression, transforming them into jewellery and enabling the enhancement of an adorned body.
But, owing to its intermediary position between an inside and an outside, the skin is afflicted with the same mysterious hybridity that characterises all limits and thresholds. Is it still the body? Or is it already part of the environment? Is it still an organ covering all other organs, a spread of epidermis capable of being seen, touched, injured? Or is it already a material, formed to a shield, a mask, an ornament? Or is it neither the one nor the other, but simply an immaterial and intermediary space of difference?
Such questions cannot be quite avoided in the familiar “practices of appearance” like the fine and the applied arts. They are also at the root of the constellation of jewellery and painting that are being presented in this exhibition. »  / Thinking skin by Pravu Mazumdar
Julia Obermaier  Necklace 'Space between' agate, silver, resin, pigment  2017   MJW 2018 n°42  'Die Denkende Haut- The Perfect Sense'
Julia Obermaier  • Necklace « Space between » • agate, silver, resin, pigment • 2017 • ©photo by artist  MJW 2018 #42 : « Die Denkende Haut- The Perfect Sense » group exhibition
 
Kunstpavillon
Garten Sophienstr 7a
80333 -  Munich  GERMANY

12/11/2017

EXCHANGE-BIJOU 1 – Jelizaveta Suskaya at Galerie Beyond (BE) – EXPO « Frozen Moment-The Night » – 22 Oct.- 26 Nov. 2017 – EXTENDED until DEC. 9

 J. Suska Jewellery

Galerie beyond ! – TO BE EVENT  !

 FROZEN MOMENT – THE NIGHT  Oct 22 – Nov 26, 2017  -

EXPO extended for TWO WEEKS, until DEC. 9 2017

Triple expo Mielle Harvey - Jelizaveta Suskaya - Alejandra Solar at Galerie beyond - Sint Jorispoort 27, 2000 Antwerpen, Belgium, until November 26.

Triple expo Mielle Harvey – Jelizaveta Suskaya – Alejandra Solar at Galerie beyond -   Antwerpen, Belgium, until November 26.

Frozen Moment – The Night
« I’ve always been fascinated by the ambiance that you can sense in any space that is entered. Similarly to shinto – the indigenous religion of Japan, where many objects have their own spiritual essence. I would call it a ghost. Frozen Moment – The Night pieces are a lot about concept of what memory is leaving us with or of a moment in time. While making Night edition I was also thinking about feeling that night gives to me: it’s cold, dark and full of mystery and fears. I was looking for materialization of these abstract matters. I based it on associations and feelings. After a period of research, I came up with my own material, that the pieces are made of.
This material has two main compounds: polymer, that is lightweight and gives color, just like ‘a moment’ leavesimpression and magma sand, that creates an illusion of a solid stone – material that I strongly associate with concept of memory. In my work, I use a lot of colour that is expression of another spectrum, spectrum of emotions. The Night edition is characterized by black mixed with dark shades of blue, red and yellow. I am using same techniques and approach as I designed earlier at the same time expanding and exploring more. In the beginning of crafting each piece, material is hot and dynamic but in a while it turns still. Like another metaphor of a moment becoming a memory. When looking at my works, people often are saying that they look
like ice, unknown minerals or minuscule surreal landscapes. I question traditional approaches and instead of valuable jewels I celebrate the idea behind the material. That’s why for the rear of the brooches and other supporting details I use valuable metals like gold and titanium. »
​All brooches are unique - Jelizaveta Suska. -

  Jelizaveta Suska  Frozen Moment Night edition. Brooch.2016 Jelizaveta Suska  Frozen Moment Night edition. Brooch.2016

Jelizaveta Suskaya / Collections / Frozen Moment: The Night (2016)Jelizaveta Suskaya / Collections / Frozen Moment: The Night (2016)

Jelizaveta Suska Jewellery -  new broochJelizaveta Suska Jewellery -  new brooch

 

 

 

Galerie beyond
Sint Jorispoort 27
Anvers (Antwerp)(BELGIQUE)
Tel +32 472 42 06 83
beyondfashion@antwerpen.be

http://www.galeriebeyond.be

07/11/2017

EXCHANGE-BIJOU 2 – Reka Lőrincz – EXPO « PEARLS UPSIDE DOWN » at REVERSO galeria, Lisbonne (PT) – 28 Nov. 2017- 10 Janv. 2018

Reka Lőrincz

PEARLS UPSIDE DOWN

Opening: Saturday, 25 November, 17:00 — 20:00.

28 November – 10 January 2018

PEARLS UPSIDE DOWN_expo Reverso

with : Ana Margarida Carvalho — Birgit Laken –  Claudia Hoppe –  Carlos Silva – Daniel Kruger –  Danni Schwaag –  Dulce Ferraz –  Grego Garcia –  Herman Hermsen –  Joanne. T –  Laura Frazão Matos – Lauren Kalman –  Leonor Hipólito –  Marta Costa Reis –  Masako Hamaguchi –  Nikolay Sardamov – Paula Crespo –  Philip Sajet – Réka Lörincz –  Sophie Hanagarth – Stephanie Jendis –  Tanel Veenre –  Terhi Tolvanen –  Kaori Juzu  ……   among others…

« What about the pearls and their necklaces? From symbol of wealth and opulence to symbol of sobriety, from fantastic jewelery, sensual and transgressive to model of bourgeois modesty, the pearls surround us in multiple scenarios and multiple senses.
Beside the quiet collar of the grandmothers, we have Louise Brooks’s or Emmanuelle’s, alongside the puritanical collar of the typical North American executive (the only permissible jewel in the almost masculine uniform), we have the excessive adornments of the rajas of India, not to mention the earring of the girl from Vermeer, or from a corsair turned into a virginal little girl’s earring.
The pearl is born, like Venus, from a shell, but we do not recognize in it the same erotic and libertarian appeal. The pearl was domesticated. It is today a symbol of purity, chastity and restraint and, let’s face it, boring!
Can contemporary jewelery claim as its own the “stone” wich seems so classic and conservative today? »
Marta Costa Reis, 2017  for Galeria Reverso

 Reka Lorincz "Sunday cleaning"  2017  Reka Lorincz « Sunday cleaning »  2017  #gold #clean #mood #housewife #sculpture

Monday to Sunday #brooch   Reka Lorincz #doctor #jewellery #healingwithstones   #handmade   #wearableart #pearl #girlpower  Reka Lorincz – Monday to Sunday 2 – brooch    #doctor #jewellery #healingwithstones   #handmade   #wearableart #pearl #girlpower 

Reka Lorincz -  Take the brooch and run! II  #pearl  #handmade #jewellery #gold #hunter #mouse #trap  Reka Lorincz -  Take the brooch and run! II  brooch  #pearl  #handmade #jewellery #gold #hunter #mouse #trap

 reka lorincz -  Full Cargo - necklace      #wearableart #pearl #girlpower #truck   #woman #wear

Reka Lorincz -  Full Cargo – necklace      #wearableart #pearl #girlpower #truck   #woman #wear 

Reka Lorincz - Don't take care! brooch  Reka Lorincz - Don’t take care! brooch  

Reka Lorincz  - Don't take care -  necklace for EXPO REVERSOReka Lorincz  - Don’t take care -  necklace 

 

 

Galeria Reverso 
Rua da Esperança, nº 59 / 61,
1200 – 655 Lisboa, Portugal
tel (+351) 213 951 407

06/11/2017

EXCHANGE-BIJOU 1 – Marion FILLANCQ – EXPO «Materio-Talk» – Paris Parcours Bijoux 2017 – Les Ateliers de Paris – 9 Nov.-9 Dec. 2017

Marion Fillancq, pensée taille 

Materio-Talk commence le 9 novembre aux  Ateliers de Paris ! Explorez les connections et les dialogues engendrés par la création dans le cadre du Parcours Bijoux : http://bit.ly/2hnUXJf
exposition imaginée par le créateur et commissaire de cette exposition : Sébastien Carré.

Parcours Bijoux 2017

Inauguration jeudi 9 Novembre, à partir de 18h30

Materio-Talk - Aux Ateliers de Paris - inauguration 9 novembre 2017 soir

 

 

avec les « duos » :
Akis Goumas (Gr) / Marion Fillancq,
Märta Mattsson Jewellery (Su) / Marie Masson,
Peter Hoogeboom (Nl) / Yiumsiri Kaï Vantanapindu,
Tanel Veenre (Ee) / Sébastien Carré
 
« Les artistes, appelés à créer une pièce pour chaque thème, ont également été appelés à créer deux bijoux sur leur propre sujet spécifique, l’un utilisant le matériel que l’autre artiste aurait utilisé ; l’autre doit contenir un mot supplémentaire, celui que l’autre personne de l’équipe aura utilisé pour décrire le travail de son coéquipier. En ce sens, le dialogue entre les artistes se manifeste par le discours des matières et évolue sous notre regard.
L’un des aspects les plus fascinants de l’exposition Materio Talk a été le fait que chaque artiste ait dû choisir un mot spécifique pour décrire le travail de son propre coéquipier. D’un même lemme, tous les artistes engagés dans ce projet ont développé leurs propres langages formels en constante réciprocité avec leur propre collègue, donnant vie à un dialogue tangible, mais particulier, sur les formes, les idées et les bijoux, capable de transmettre de grands sujets dans une petite taille. »
*
Beautés Primitives / Primal Beauty
« On ne peut comprendre son propre présent sans le passé car le passé fait partie de nous-mêmes et nous devons l’embrasser.
Le passé, et plus précisément le temps préhistorique, est le principal domaine d’étude de l’artiste grec Akis Goumas et de la française Marion Fillancq. Pour les deux, cette quête archéologique est, avant tout, une quête pour eux-mêmes.
Les fragments de la mer Egée permettent à Akis de construire son langage formel, tandis que les anciennes techniques du verre sont le point de départ de l’investigation de Marion: ils concentrent leurs travaux sur une mémoire reconstruite capable d’englober notre contemporanéité et qui posent toujours des considérations ouvertes sur la nature intérieure de l’homme. »
Nichka Marobin
Akis Goumas - "Inner" - photo by V.XeniasAkis Goumas -  Pendant: Inner, 2017 – Hammered bronze, casted sheets, steel, obsidian, pigments – Photo by: V. Xenias
« Je suis impliqué depuis plus d’une décennie dans l’étude des découvertes préhistoriques de la région égéenne et cela a affecté mon rapport au bijou. Mon processus créatif se développe comme une fouille conceptuelle en mon for intérieur et met en évidence des émotions, les impressions de souvenirs personnels ou collectifs, ou bien même des évènements obscurs du passé.
Dans un certain sens, ce processus ressemble à une excavation archéologique dans laquelle chaque couche a les caractéristiques d’une certaine période.« 
www.akisgoumasgallery.com – Akis GoumasMarion Fillancq, pensée taille - Nucléus & marionites -  photo F. GolfierMarion Fillancq, pensée taille – Nucléus & marionites -  photo F. Golfier
« Alors que l’Homme de la préhistoire taillait la pierre pour ses besoins. Il semble que nous taillons encore aujourd’hui, pour nos désirs. Ce postulat constitue la base du travail de Marion Fillancq et met en évidence des idées, concepts, ou esthétiques contraires. Ironisant souvent sur l’idée du luxe, c’est aussi certains statuts du bijou lui-même qui sont bousculés, créant une dualité contre laquelle Marion Fillancq elle-même, a du mal à lutter.« 
www.marionfillancq.com – Marion Fillancq
Sans titre (sparagmata) 2017  Pièce réalisée avec le mot proposé par Akis Goumas, sparagmata
Marion Fillancq - Sans titre (sparagmata) 2017 Pièce réalisée avec le mot proposé par Akis Goumas, « sparagmata ». Il désigne des fragments d’objets usés, ou délités par le temps
J’ai choisi d’utiliser MES sparagmata à moi, c’est à dire, mes chutes de laiton, avec en contrepoids, le positif de ces chutes, l’origine de ces productions dont il ne reste que du vide, un morceau de miroir trempé, serti.
Marion Fillancq - Sans titre (sparagmata) 2017 Pièce réalisée avec le mot proposé par Akis Goumas, "sparagmata". Il désigne des fragments d’objets usés, ou délités par le temps
Marion Fillancq - Sans titre (sparagmata) 2017 – détail – laiton brut, miroir trempé – Pièce réalisée avec le mot proposé par Akis Goumas, « sparagmata ». Il désigne des fragments d’objets usés, ou délités par le temps
Marion Fillancq - 'Schizophrène ascendant bling bling', 2017. Bronze cuivré, laiton argenté, oxydes de zirconium
Marion Fillancq - ‘Schizophrène ascendant bling bling‘, 2017. Bronze cuivré, laiton argenté, oxydes de zirconium
« Travail sur la pluralité de mes casquettes, la dualité qui m’habite, la gêne, le doute qui m’habite comme créateur face à un marché ambivalent. »
Marion Fillancq - 'Schizophrène ascendant bling bling', 2017. Bronze cuivré, laiton argenté, oxydes de zirconium - DETAIL
Marion Fillancq - ‘Schizophrène ascendant bling bling’, 2017. Bronze cuivré, laiton argenté, oxydes de zirconium – DETAIL
MATERIO TALK - Marion Fillancq - 3
Marion Fillancq   - détail de «schizophrène ascendant blingbling»
Marion Fillancq - (rouge) 'Flint Memory', 2017. Silex, alun, cuivre, cuir
Marion Fillancq -   ’Flint Memory’, 2017. Silex, alun, cuivre, cuir
« Travail sur la mémoire des matériaux, à travers les âges, du silex au métal. »
Marion Fillancq -   'Flint Memory', 2017. Silex, alun, cuivre, cuir (détail)
Marion Fillancq -   ’Flint Memory’, 2017. Silex, alun, cuivre, cuir (détail)
Marion Fillancq - nucleus & marionite, 2015. Cristal, miroir, rocailles.
Marion Fillancq – nucleus & marionite, 2015. Cristal, miroir, rocailles.
« Travail sur la question qui axe mon travail: qu’est ce que la préciosité? Ici, je propose comme réponse que la préciosité est représentée par ces perles, les marionites, qui nous rappellent nos origines et la naissance de l’intelligence de l’homme. Elles ne sont pas précieuses parce qu’elles brillent…. mais parce qu’elles sont taillées dans in matériaux réflecteur de mémoire, et d’authenticité…. »
Marion Fillancq -  (Celle avec 2 gouttes): Sève, 2017. Argent, Crystal, miroir.  Obsédée que je suis paf les techniques de la préhistoire.... j’ai choisi de les représenter ici comme la Sève de notre évolution, en mouvement, et «coulant», quelque part.
Marion Fillancq -  (Celle avec 2 gouttes): Sève, 2017. Argent, Crystal, miroir. 
« Obsédée que je suis paf les techniques de la préhistoire…. j’ai choisi de les représenter ici comme la Sève de notre évolution, en mouvement, et «coulant», quelque part. »
Marion Fillancq -  dorsale : "Sève", 2017. Argent, Crystal, miroir.
Marion Fillancq -  dorsale : « Sève », 2017. Argent, Crystal, miroir. 
discussion entre Akis Goumas et Marion Fillancq le soir de l'inauguration, 9 nov. 2017
discussion entre Akis Goumas et Marion Fillancq le soir de l’inauguration, 9 nov. 2017
 
 
Les Ateliers de Paris
30 rue du Faubourg Saint-Antoine
75012 Paris
(M° Bastille)
Tél. : 01 44 73 83 50
http://www.ateliersdeparis.com

05/11/2017

EXCHANGE-BIJOU 1 – Marion Lebouteiller – petits délices d’automne ….

Classé dans : EXCHANGE-BIJOU,France (FR),Marion LEBOUTEILLER (FR) — bijoucontemporain @ 15:12
Marion Lebouteiller

at DAZZLE exhibition   - opens Sunday 12th Nov 2017 until Sunday 7th Jan 2018 . at OXO tower wharf

 

Marion Lebouteiller Jewellery - soon at Dazzle London! - UPCOMING EXHIBITION / A venir  DAZZLE at OXO TOWER - LONDON - 12th November 2017 / 7th January 2018

***

Marion Lebouteiller - Absolu sculptural ring - 'Eastern Vision' - recycled sterling silver, black tourmaline crystal.

Marion Lebouteiller – Absolu sculptural ring – ‘Eastern Vision’ – recycled sterling silver, black tourmaline crystal.

Marion Lebouteiller - Absolu rings - recycled sterling silver

Marion Lebouteiller - Absolu rings – recycled sterling silver

Marion Lebouteiller - Sterling silver, recycled 18ct yellow gold and black tourmaline crystals ringsMarion Lebouteiller – Sterling silver, recycled 18ct yellow gold and black tourmaline crystals rings

Marion Lebouteiller - Absolu ring - recycled sterling silverMarion Lebouteiller - Absolu sculptural ring -  recycled sterling silver 

Marion Lebouteiller- ABSOLU earrings at DAZZLE nov 2017Marion Lebouteiller- ABSOLU earrings at DAZZLE nov 2017

Marion Lebouteiller - ABSOLU rings - before-afterMarion Lebouteiller – ABSOLU rings – before-after

 

 

 DAZZLE exhibition

at Gallery@Oxo, on the South Bank

DAZZLE on Facebook

02/10/2017

EXCHANGE-BIJOU 2 – Carlos SILVA – « SMACK » (Offjoya 2017 – Ingallerybcn, Barcelona – 4–20 Oct. 2017) / « PINàPARIS » (Parcours Bijoux 23 sept.-8 Oct. 2017)

Carlos SILVA

participa en la muestra SMACK / Offjoya 2017  at Ingallerybcn

Opening: 4 October 19:30 – 22:00

SMACK / Offjoya 2017  at Ingallerybcn

«  SMACK brings us together as a group in many ways. Not only with the first letters of our names but also a common idea to describe an activity, a sound for hitting the right thing. The words diversity– connection to yummy food, big heart-breaking kisses, drugs and punishment – is intriguing. In our case, we use it for things that are necessary ingredients for our work, as interesting ideas, unexpected materials, supportive colleagues, energy giving snacks, excellent tools, the right equipment and much more. »
For the exhibition SMACK at INGallery in Barcelona,
we, Sofia Björkman, Matt Lambert, Agnieszka Knap, Carlos Silva and Karin Roy Andersson, come together and show art jewellery with SMACK feeling!
Welcome!

«  A sneak peek of the new pieces EXCHANGE-BIJOU 2 – Carlos SILVA – :)
I will be showing a new body of work, exploring shape and volume on total black charcoal pieces« SMACK   4 October 19:30 4 October - 20 October  Carlos Silva_pt   Carlos Silva jewel

Carlos Silva Jewelry   août ·2017   New exhibition coming soon, stay tunned :) . carlossilva carlossilvajewelry  charcoalart  ewelryCarlos Silva - new body of work, exploring shape and volume on total black charcoal pieces Carlos Silva - new body of work, exploring shape and volume on total black charcoal pieces aout 2017Carlos Silva - new body of work, exploring shape and volume on total black charcoal pieces

Carlos Silva - new body of work, exploring shape and volume on total black charcoal piecesCarlos Silva – new body of work, exploring shape and volume on total black charcoal pieces

Carlos Silva - MADEIRA - WOOD - Brooch  Carvão, espuma, cobre, aço e tinta Charcoal, foam, copper, steel and paintCarlos Silva - MADEIRA | WOOD.  -  Pregadeira | Brooch  Carvão, espuma, cobre, aço e tinta Charcoal, foam, copper, steel and paint

Carlos Silva Jewelry - Necklace Charcoal, foam, copper, paint and silicone thread 14,5 x 7 x 2,5 mm – à Ingallerybcn.Carlos Silva Jewelry  ·  Necklace – Charcoal, foam, copper, paint and silicone thread – 14,5 x 7 x 2,5 mm – à Ingallerybcn.

Carlos Silva -  Brooch (Back) Charcoal, foam and painted copper  12 x 7,5 x 2,5 mm – à Ingallerybcn.Carlos Silva Jewelry  ·  Brooch (Back) – Charcoal, foam and painted copper   - 12 x 7,5 x 2,5 mm – à Ingallerybcn.

 

Ingallerybcnpenedes 3
08012 Barcelona
ingallerybcn@gmail.com

http://www.ingallerybcn.com

+34 932 37 96 94
Opening hours during JOYA: Thursday – Sunday 11:00-14:00, 17:00-20:30
Opening hours from after JOYA: Tuesday – Saturday: 11:00-14:00 and 17:00-20:30

 

AND ……

 Parcours Bijoux paris 2017PINàPARIS parcours Bijoux 2017PINàPARIS parcours Bijoux 2017

PINAPARIS. BIJOUX CONTEMPORAINS
INAUGURAÇÃO / VERNISSAGE samedi 23 septembre à 18:00 – 21:00 
Comissária / Commissaire:  Monika BRUGGER

Artistas respresentados / Artistes représentés:
Ana ALBUQUERQUE — Frederica BASTIDE DUARTE  — Carolina BRANCO  [EAAA] — Ana CAMPOS  — Márcia CIRNE  –  Marta COSTA REIS  [Ar.Co] — Teresa DANTAS  — Catarina DIAS  / Inês NUNES — Tomaz DINÍSIO  [EAAA] — Inês ESTEVES  –  Beatriz FAUSTINO  — Dulce FERRAZ  — Cristina FILIPE  — FILOMENO — Manuel JÚLIO — Teresa MILHEIRO  — Marília Maria MIRA  — Miriam MIRNA KORLOKOVAS  — Typhaine Le MONNIER  — Olga NORONHA  — Inês NUNES  –  Maria José OLIVEIRA  — Filomena PRAÇA  — Áurea PRAGA  — João RAMOS [EAAA] — Tereza SEABRA  –  Carlos SILVA  — Catarina SILVA  –  Diana SILVA  — Tânia SIMÃO XAVIER  [Ar.Co] –  Inês SOBREIRA –  Manuela SOUSA

EAAA – Escola Artistica António Arroio
Ar.Co – Centro de Arte e Comunicação Visual

A exposição PINAPARIS decorre no âmbito da SEMAINE DES CULTURES ÉTRANGÈRES e do PARCOURS BIJOUX, em PARIS e reúne obras de trinta e três artistas de três gerações e quatro nacionalidades (portuguesa, brasileira, colombiana e francesa) com distintas afinidades a Portugal e com o denominador comum de serem ou terem sido membros da PIN.
Os trabalhos presentes ora seguem o repto lançado pela comissária Monika Brugger e tiveram presente « Paris », como tema, ora são peças chave, no percurso dos artistas presentes, realizadas ao longo das últimas três décadas.

PIN fête aujourd'hui [9.9.2017] 13 ans et publie en 1ère main cette photo de Guillaume Pazat qui dépeint la directrice de la maison du Portugal à Paris - André de Gouveia - avec un collier de Carlos Silva, pré-annonçant la prochaine exposition de PIN "Bijoux contemporains" PIN fête aujourd’hui [9.9.2017] 13 ans et publie en 1ère main cette photo de Guillaume Pazat qui dépeint la directrice de la maison du Portugal à Paris – André de Gouveia – avec un collier de Carlos Silva, pré-annonçant la prochaine exposition de PIN « Bijoux contemporains »

Carlos Silva - photo de Guillaume Pazat qui dépeint la directrice de la maison du Portugal à Paris - André de Gouveia - avec un collier de Carlos Silva, pré-annonçant la prochaine exposition de PIN "Bijoux contemporains"photo de Guillaume Pazat (détail) qui dépeint la directrice de la maison du Portugal à Paris – André de Gouveia – avec un collier de Carlos Silva

Carlos Silva - collier  PINàPARIS 2017Carlos Silva - collier  PINàPARIS 2017 – necklace

 Carlos Silva - PINàPARISCarlos Silva at PINàPARIS –  bracelet – olive tree wood, silver leaf – 2014

Carlos Silva at PINàPARISCarlos Silva at PINàPARIS – necklace

 

 

 

 

 

MAISON PORTUGAL – ANDRÉ DE GOUVEIA
7P BOULEVARD JOURDAN
75014 PARIS
METRO | RER B : CITÉ UNIVERSITAIRE
TEL: 01 40 79 02 40
2a feira / Lundi – 5a feira /Jeudi > 11h – 19h
6a feira / Vendredi – Sábado/ Samedi > 11h – 20h
Domingo / Dimanche > 13h – 20h
VISITA GUIADA / VISITE GUIDÉE + MONIKA BRUGGER
7.10.2017 | 14h

27/09/2017

It’s time for JOYA 2017 !! Barcelona (SP) – 5-6-7 Oct 2017

JOYA 2017  is coming !!   5-6-7 Oct 2017

 JOYA_2017 - 5-6-7 Oct 2017

Even if, this year? I don’t come to JOYA ! :-(   because of Paris Parcours Bijoux …… SORRY !BUT I have to talk about « my » very dear GREEK jewellers, very present !

When you go to the « showroom page » it begins DIRECTLY with « my Greeks » ! :-) ….. alphabetical order ….. So HERE WE GO !!!!!!!!!!!!

 

AGAPI SMPOKOU

Agapi Simpokou - Necklace - Porcelain.  "Vanity" - http://www.joyabarcelona.com/images/2017/ AGAPI SMPOKOU – Necklace – Porcelain.  « Vanity »
« What is jewellery? A customer chooses a diamond according to its value. Diamonds have value because of their durability, clarity and strength. These qualities imply the human need to overcome the fear of death. I question the durability and value of diamonds by working with them in porcelain, presented in a 3D and linear form in my work. »

 

 AGGELIKA DIPILARI

Aggelika Diplari -Necklace: Wood, silver, stainless steel, acrylic pigments  http://www.joyabarcelona.com/images/2017/AGGELIKA DIPILARI – Necklace: Wood, silver, stainless steel, acrylic pigments.
« I select driftwood. I study its organic materiality and diachronic multifaceted narratives. I need to continue their complex stories, by reviving history through my alterations and illustrations. I simulate life in its absence, cancelling the warped weight of time by crystallising the wood’s surface. Reflecting my feelings of the present, I find and imagine—portray—the unknown effects on the experiences of tomorrow. »

ANTRIA PRASINOU ANTRIA PRASINOU Brooch - Paper, cotton, silver.  "Burning the knowledge"  http://www.joyabarcelona.com/images/2017/Antria_Prasinou.jpgANTRIA PRASINOU Brooch – Paper, cotton, silver.  « Burning the knowledge »
« This collection is based on a metaphor; the destruction of knowledge that transports us through the memory of the past…to today. This « unstable » balance is expressed through the fragility of the material. I use paper to capture and then illustrate the shadows that attempt, through their movement, to outline the essence of true identity. »

ARTEMIS VALSAMAKI
Artemis Valsamaki - Brooch - Copper, silver, acrylic paint. - http://www.joyabarcelona.com/images/2017/Artemis_Valsamaki.jpgARTEMIS VALSAMAKI – Brooch – Copper, silver, acrylic paint.
« For me, jewellery is a medium for manifesting my thoughts and concerns as well as expressing my feelings. I draw my inspiration from human relationships, dreams, Greek mythology, reality and fantasy and whatever hides an emotional power. My intention is always to create a wearable visual, narrative story. »

IOLI LIVADA
(CYPRUS, 1968) (ok, ok, it’s NOT Greece …. but …. hem …. very near ? ;-) …)

IOLI LIVADA - Brooch - Aubergine peel, corn leaf, silver, steel.  "Imaginary flowers" http://www.joyabarcelona.com/images/2017/Ioli_Livada.jpgIOLI LIVADA – Brooch – Aubergine peel, corn leaf, silver, steel.  « Imaginary flowers »
« Inspired by a delicate flower, my work is based on the frailty of things. I try working with materiality, using mostly natural materials such as aubergine peel and corn leaves, and trying to explore their limitations without losing the feeling of a fragile piece. That is how I create flowers that take shape in the landscapes of my dream world. Can an aubergine be transformed into a piece of jewellery? »

NIKI STYLIANOU NIKI STYLIANOU (GREECE, 1968)  Necklace - Copper, bronze, pigments, patinas.  "Mapping: traces made solid" http://www.joyabarcelona.com/images/2017/Niki_Stylianou.jpgNIKI STYLIANOU - Necklace – Copper, bronze, pigments, patinas« Mapping: traces made solid »
« Inside Out, Outside In, Upside Down, Piercing Through, Collapsing into a Trace.
Fugitive, elusive ideas on growth, space, absence and memory that attempt to manifest themselves into physical objects. »

STEFANIA SIOUFA
STEFANIA SIOUFA - Brooch - Silver, pigments, cement, brass sheets, resin, sand, plaster, mixed media. "Transform http://www.joyabarcelona.com/images/2017/Stefania_Sioufa.jpgSTEFANIA SIOUFA – Brooch – Silver, pigments, cement, brass sheets, resin, sand, plaster, mixed media. « Transformation »
«  »Transformation » means the inner change, the work I do with myself and my soul. It is the best version of me, coming from the « dialogue with myself ». Through silence, meditation and observation of my thoughts comes understanding and my need for change and internal transformation. It means the transition from negative to positive, my self-improvement, the change of course, the opening of new roads. »

 

 YIOTA VOGLI

 YIOTA VOGLI (GREECE, 1958)  Pendant - Paper, wood, acrylic, varnishes, silver, alpaca, copper, brass, steel.  "Shadow" http://www.joyabarcelona.com/images/2017/Yiota_Vogli.jpg YIOTA VOGLI – Pendant – Paper, wood, acrylic, varnishes, silver, alpaca, copper, brass, steel.  « Shadow »
« Shadow is a psychological term for everything we cannot see in ourselves. From an early age we adjust our behaviour to gratify our needs and learn to adapt to the external world. As we grow, we condition ourselves to keep all the unaccepted parts of us outside our conscious awareness, even though we drag them ‘behind us’ all the time in our subconscious. »

 

AND the GUEST ARTIST is … not exactly from Greece but also … so near, no ? ;-)

JOYA WINNER 2016
LIANA PATTIHIS
(Cyprus / United Kingdom, 1961)

LIANA PATTIHIS  - Brooch - Silver chain, enamel, stainless steel.  'Chained Interpretations' ... An ongoing study http://www.joyabarcelona.com/images/2017/Liana_Pattihis_-_JOYA_Award_low.jpgLIANA PATTIHIS – Brooch – Silver chain, enamel, stainless steel.  ‘Chained Interpretations’ … An ongoing study
« This latest collection is inspired by online sources and found images depicting flora and fauna specifically in wooded areas, which I find mysterious and intriguing. As with previous work from this series, images are chosen for their visual composition or specific geometrical aesthetic elements and are given a three dimensional ‘chained interpretation’, thus converting them into wearable pieces of jewellery.
Each enamel colour is fused and fired on the chain separately and the piece is constructed afterwards from the previously enamelled chain. Emphasis is given in the building-up and layering of the chains. This allows the piece to evolve, with the various types of chain and colours mixing and intertwining, poetically responding to the images as if they were ‘still lifes’, translating them into an impressionistic pixelated relief of textured three-dimensional layers. »

 

JOYA Barcelona Art Jewellery Fair
5-7 October 2017
Arts Santa Monica, Rambla 7
Barcelona – Spain

22/09/2017

EXCHANGE-BIJOU 2 – Sébastien Carré at CREATIVITY OGGETTI gallery (Torino, Italia) – 23 Sept-14 Oct. 2017

Sébastien Carré

Timeless – Il Gioiello Contemporaneo Indossato da Sel.Dì.

Really Glad to be exhibiting in Creativity oggetti Gallery in Turin during the exhibition « TimeLess »as part of the Guest Star listing of Gioielli in Fermento
Très heureux d’exposer à la galerie Creativity oggetti à Turin pendant l’exposition « TimeLess » dans le listing des Guest Star présentés par Gioielli in Fermento

 
Sabato 23 settembre 2017 dalle 18:00 alle 20:30

Creativity oggetti‎“Timeless - Il Gioiello Contemporaneo Indossato da Sel.Dì.”

CREATIVITY OGGETTI PRESENTA:
“TIMELESS – IL GIOIELLO CONTEMPORANEO INDOSSATO DA Sel.Dì.”
Sabato 23 settembre 2017 dalle 18:00 alle 20:30

Il mondo di CREATIVITY OGGETTI si espande e si fonde con altri mondi fatti di ricerca e passione. Da 16 anni CREATIVITY propone una selezione di gioielli contemporanei provenienti da ogni parte del mondo, vere e proprie opere d’arte da indossare, la cui molteplicità dei materiali e la diversità delle lavorazioni ha caratterizzato la galleria e polarizzato così l’attenzione dei suoi visitatori abituali.
Oggi una nuova sfida: contestualizzare il gioiello facendone vedere al pubblico la parte “vissuta”, la sua applicazione quotidiana, l’indosso su abiti che possano essere portati dal giorno alla sera.
Il gioiello non come qualcosa di estraneo a noi da sfoggiare solo in occasioni speciali, ma come qualcosa di uso quotidiano, che può essere abbinato ad abiti dalle linee differenti, basta saper scegliere con un minimo di abilità.
Perfetta per questo la Collezione FW1718 di Sel.Dì della designer torinese DANIELA SELLONE, la quale partendo da un mood atemporale, TIMELESS appunto, che è la chiave magica dell’anima del brand, ha realizzato capi trasversali, giochi di volumi differenti, alcuni evoluzione di creazioni storiche dell’artista, che ben si collocano tra passato e futuro in una dimensione imprecisata e per questo sempre attuale. L’emotività è uno degli elementi fondamentali delle creazioni di Daniela Sellone, personaggio sensibile e poliedrico, in continua evoluzione, tanto da dare a questa collezione proprio il nome EVOLUTION, a sottolineare un passaggio, una mutazione, che conserva i suoi legami col passato, attraverso l’utilizzo di temi conduttori come le code (presenti anche sui bellissimi cappotti) e un?allure ironica ed intellettuale.
Questa filosofia ben si sposa con quella del gioiello contemporaneo, spesso pezzo unico e di certo non soggetto al mutare delle mode, ma opera d’arte, scultura che si muove nello spazio, appoggiata al rever di un cappotto, che occhieggia dallo scollo di una giacca, appena abbozzata al fondo di una gonna o come polsiera a chiudere la manica di un capo in maglia.
Nulla di scontato o di commerciale, ma qualcosa di unico e personale che arricchisce e racconta della personalità di chi lo indossa e per questo senza tempo. Basta solo saper trovare ciò che fa per noi. Ogni pezzo che entra a far parte della nostra vita va amato e desiderato, come qualcosa che ci completi.
L’evento sarà una sorta di scorcio di quotidianità nella quotidianità in cui le modelle si confonderanno tra il pubblico coinvolgendolo in un gioco delle parti interattivo dove gli ospiti saranno anche protagonisti, fino ad essere loro i modelli di uno shooting in cui potranno indossare sia i capi della Collezione Sel.Di, sia i gioielli dei vari designer selezionati per l’occasione, alcuni dei quali totalmente inediti per la galleria e special guest della serata.
In un inusuale scambio tra pubblico e modelle sarà possibile visionare le opere di questi artisti, alcuni dei quali presenti tra gli ospiti, e conoscere così più da vicino le loro opere, le varie lavorazioni e i materiali, oltre che, ovviamente, la fonte di ispirazione.
Saranno protagonisti della serata con gli abiti della Collezione Sel.Di i gioielli dei seguenti designer:
Aqto — Silvia Beccaria — Daniela Boni — Isabelle Busnel — Clara Del Papa — Pastore e Bovina — Laura Forte –Christine Jalio — Anna Król — Uli Rapp — Giulia Savino — Chiara Scarpitti — Barbara Uderzo — Alena Willroth — Elena Valenti — Ksenia Vohkmentseva.
Guest Star dell’evento una selezione di pezzi della mostra internazionale Gioielli in Fermento (GIF), felice connubio tra il “mondo contemporaneo del gioiello e mondo contemporaneo del vino: in entrambe le situazioni si intende volgere l’elemento naturale in qualcosa di prezioso ed unico (come recita la presentazione del catalogo generale del progetto curato da Eliana Negroni). »

La selezione di GIF comprenderà gli artisti:  Gigi Mariani — Maria Rosa Franzin — Maura BiamontiSébastien CarréNicoletta Frigerio — Corrado De Meo — Ylenia Deriu — Nicola Heidemann — Ria Lins — Mineri Matsuura — Alessandro Petrolati — Poppy Porter — Stefano Rossi – Claudia Steiner.

Per restare in un clima decisamente “sospeso” la serata sarà accompagnata da un delicato sottofondo di musica classica e con un momento food & beverage offerto dalla Fabbrica di Liquori TRINCHERI, casa storica piemontese fondata nel 1904 e famosa per la produzione del Vermuth, agli inizi del secolo molto in voga tra le signore ed oggi tornato di gran moda ad iniziare dalla penisola iberica.
Ad occuparsi del make-up e dell’hair styling delle modelle gli allievi di una delle scuole più conosciute e qualificate del settore, la Ernesto Giampino Academy. Accademia torinese di altissimo livello, essa fonde il Talento con l’Arte per dare quel qualcosa in più che è tipico del settore Moda. Non semplici acconciature e sedute trucco, ma un vero caleidoscopio di emozoni studiato con attenzione. In questo caso il mood Timeless sarà la fonte di ispirazione per dare alle modelle un’allure senza tempo, diafana, vintage e futurista al tempo stesso.
Le foto dell’evento saranno realizzate da Daniele Ratti, fotografo e architetto, già direttore artistico di Paratissima, la manifestazione espositiva che ogni anno si tiene a Torino dal 2006.
Alcune sue opere si trovano attualmente nelle collezioni permanenti del PAN di Napoli, il GAI di Torino e la Fondazione Bartoli Felter di Cagliari.
Le immagini dello shooting saranno regalate in formato web a tutti coloro che vorranno farsi ritrarre.
Per tutti coloro, operatori del settore e non, che prenderanno parte all’evento sarà possibile postare in diretta foto e video su tutti i canali social (Facebook, Instagram, Twitter, ecc) inserendo uno o più dei seguenti hashtag: #creativityoggetti, #seldi #timeless #gioiellocontemporaneoto, #gioiellinfermento. Solo così potremmo ripostare le foto e i video più belli.
La Collezione FW 1718 Sel.Dì sarà eccezionalmente in vendita presso la sede di CREATIVITY OGGETTI
dal 23 settembre al 14 ottobre.
 collier RANCOEUR (noir) de sébastien Carré - nouvelle collection de Sel.Dì. - sept 2017collier RANCOEUR (noir) de Sébastien Carré - nouvelle collection de Sel.Dì. – sept 2017
Sébastien Carré - bracelet INFLAMMATION #8 - foto di Bianca CappelloSébastien Carré – bracelet INFLAMMATION #8  – foto di Bianca Cappello
Spille (brooch) Isabelle Busnel sulla nuova collezione di Sel.Dì. - sept 2017Spille (brooch) Isabelle Busnel sulla nuova collezione di Sel.Dì. – sept 2017

Creativity oggetti

Via Carlo Alberto 40/f,
10123 Turin – ITALY
+39 011 817 7864

07/09/2017

EXCHANGE-BIJOU 1 – Marion Lebouteiller – from the bench chaos ……

Classé dans : EXCHANGE-BIJOU,France (FR),Marion LEBOUTEILLER (FR),rings — bijoucontemporain @ 0:05
Marion Lebouteiller

Among the bench chaos …… aussi beau avant qu’après …..

Marion Lebouteiller ​ -Among the bench chaos this afternoon ... : wax rings to be cast in recycled sterling silver, black tourmaline crystals.Among the bench chaos this afternoon … : wax rings to be cast in recycled sterling silver, black tourmaline crystals.

Marion Lebouteiller ​ - Lots of new rings are on their way to the casters! Can't wait to see them in silver! sept 2017Marion Lebouteiller ​ – Lots of new rings are on their way to the casters! Can’t wait to see them in silver! sept 2017

Marion Lebouteiller ​  Sending some new rings to the hallmarking office today ~ here is probably the biggest ring I have ever made!Sending some new ABSOLU rings to the hallmarking office today ~ here is probably the biggest ring I have ever made!

Marion Lebouteiller ​ - Absolu ring -  recycled silver - juin 2017  marionlebouteillerjewellery  Marion Lebouteiller ​ – Absolu ring -  recycled silver – juin 2017 - Marion Lebouteiller Jewellery

Marion Lebouteiller ​ -  Absolu sculptural ring - recycled sterling silver.Marion Lebouteiller Jewellery -  Absolu sculptural ring – recycled sterling silver. juill. 2017

Marion Lebouteiller ​ - Azurite drusy ringMarion Lebouteiller ​ – Azurite drusy ring at summer exhibition « Beyond the blue » at Gill Wing Jewellery London
piece I have made for Gill Wing Jewellery’s Summer exhibition BEYOND THE BLUE.
The ring has been cast from wax into recycled sterling silver and then I have set an azurite drusy on the side. I had the opportunity to go to London to visit the exhibition last week and it was amazing! More than 50 pieces of BLUE contemporary jewellery made from 50 international artists are exhibited until the end of August. If you happen to be in London, it’s really worth to head to Islington to have a look!  For details on how to get there click here

Marion Lebouteiller ​ - Azurite drusy ring at summer exhibition "Beyond the blue" at Gill Wing Jewellery London  Marion Lebouteiller ​ – Azurite drusy ring at summer exhibition « Beyond the blue » at Gill Wing Jewellery London

INSPIRATIONS… Pierre SOULAGES

Marion Lebouteiller ​ - INSPIRATIONS... Pierre SOULAGES

« This month I have been looking a lot at Pierre Soulages‘s work and it deeply inspires me. Pierre Soulages is a French artist born in 1919 who is known as « the painter of black ». Painting with black enables him to bring light into his work. « He sees light as work material; striations of the black surface of his paintings enable him to reflect light, allowing the black to come out of darkness and into brightness, thus becoming a luminous colour ».
Although I use a completely different process and material, the texture I get on my jewellery by stretching the wax resonates with his textures. What I see in his work and what I tend to do in mine is trying to make a shape or create a feeling that the piece has been made within seconds, in one breath. Even though the technique I am using is very difficult to achieve and that it takes a lot of practice and patience (!) I want to show something effortless that praises the instant gesture.
Do look further at Pierre Soulage’s work on the internet, you will be astonished by the quality of his work and look also for his early prints… real gems! »

// « Ce mois-ci je me suis fortement intéressée au travail de Pierre Soulages.
Bien que j’utilise une technique et une matière complétement différentes, la texture que j’obtiens en étirant la cire résonne subtilement avec sa peinture.
Pierre Soulages, peintre du Noir, voit la lumière comme matière ; les lignes épaisses de la surface reflétent la lumière, permettant ainsi au noir de sortir de l’ombre pour devenir lui-meme matière, lumière et couleur.
Ce que je vois dans son travail et ce que j’essaie d’acquérir dans le mien, c’est de donner l’impression que l’oeuvre a été faite en une fraction de seconde, en un seul souffle. Même si la technique que j’utilise est très difficile à maitriser et que cela demande beaucoup d’expérience et de patience (!), je souhaite montrer dans mes pièces quelque chose de fluide qui arrive sans efforts, naturellement et qui fait l’éloge d’un geste spontané, de l’instant présent.
Si vous ne connaissez pas les estampes de Pierre Soulages qu’il a faites préalablement aux peintures noires, je vous invite à les chercher sur internet, de vrais bijoux »  Marion Lebouteiller

Marion Lebouteiller ​ - Absolu rings - recycled sterling silver Marion Lebouteiller ​ – Absolu rings – recycled sterling silver

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