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26/06/2017

EXPO ‘Vinte e Três. Joalharia Contemporânea na Ibero-América’ – Sociedade Nacional de Belas Artes, Lisbonne (PT) – 27 Juin- 22 Juill. 2017

Vinte e Três. Joalharia Contemporânea na Ibero-América

Veintitrés. Joyería Contemporánea en Iberoamérica / Twenty-Three. Contemporary Jewelry in Ibero-America

This exhibition is part of the official Past and Present – Lisbon Ibero-American Capital of Culture 2017 commemoration / Exposición incluida en el ámbito de las conmemoraciones oficiales Pasado y Presente – Lisboa Capital Iberoamericana de la Cultura 2017
Opening/Inauguración – 26.06.2017 – 18h00 – 21h00
Sociedade Nacional de Belas Artes

PIN - 23

 

In an age of globalization when artists travel to numerous places, how relevant is their nationality in an artistic context?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
What do we mean when we say that jewelry can identify a people and a culture?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
Why do we mean when we say that a people and a culture can be identified by their jewelry?
Could it nowadays only identify an epoch?
// question the cultural identity and heritage of participating artists
// display works without showing the artists’ names and nationalities
// look at the way jewelry manufacturing undergoes changes and is affected by other materials and techniques
// reflect on concepts of identity and the way our past surfaces in the present
// foster a debate on the response of the public and reveal the artists’ names and nationalities when the event closes
Draw up the themes that PIN elected to embody the Twenty-Three. Contemporary Jewelry in the Ibero-America exhibition to promote a reflection on contemporary manufacturing that will make us re-think the cultural heritage of each artist and the relations this establishes.
Each of the 23 areas that make up the exhibition plan where the pieces are displayed represents a member nation of UCCI – Union of Ibero-American Capital Cities.
The artists’ names and nationalities are not displayed in order that their cultural identity and heritage can be probed and questioned.
The public is invited to seek the origin of each group of artists and interact in loco by trying to discover their nationality – and leave a flag sticker at each area.

Lúcia Abdenur / Luis Acosta / Rodrigo Acosta / Inês Almeida / Sandra Alonso / Rafael Luis Álvarez / Jordi Aparicio / Titi Berrio / Stella Bierrenbach / Anabell Bravo / Catalina Brenes / Ximena Briceño / Eva Burton / Daniela Caro Pérez / Jorge Castañón /Ignasi Cavaller / Hugo Celi / Cristina Celis / Trinidad Contreras / Ángela Cura Méndez / Teresa Dantas / Gemma Draper / Isa Duarte Ribeiro / Nicolás Estrada / Alejandra Ferrer Escobar / Filomeno /Alice Floriano / Sandra Frias / Pamela de la Fuente / Samantha Fung / Catalina Gibert / Carolina Gimeno / Leonor Hipólito / Caco Honorato / Gabriela Horvat / Amira Jalet / Ana María Jiménez / Erika Jordán / Kepa KarmonaMarie Pendariès / Guigui Kohon / Francisca Kweitel / Lorena Lazard / Nina Lima / Maru López / Jorge Manilla / Massiel del Mar (Massiel Mariel Muñoz)/ Caio Marcolini / Carlos Martiel / Simón Mazuera / Renata Meirelles / Marília Maria Mira /Miriam Mirna Korolkovas / Xavier Monclús / Marc Monzó / María Eugénia Muñoz / Lucía Nieves / Inês NunesCatarina Dias / Liliana Ojeda / Natalia Olarte / Raquel Paiewonsky / Clara del Papa /Miriam Pappalardo / Renata Porto / Ramón Puig Cuyàs / Tota Reciclados (Valeria Hasse & Marcela Muñiz) / Cristina Roque dos Santos / Kika Rufino / Vania Ruiz / Estela Sàez / Natalia Sarrazín / Marina Sheetikoff / Diana Silva / Inês Sobreira / Rita Soto / Manuela Sousa / Yolanda Sucre / Edu Tarín /Isabel Tristán / Anahí Vallejos / Manuel Vilhena / WALKA (NanoPulgar) / María Ignácia Walker

Luis ACOSTA at EXPO "23" Luis ACOSTA Rodrigo Acosta - en EXPO "Veintitrés"Rodrigo Acosta - brooch

en EXPO Veintitrés. Joyería Contemporánea en Iberoamérica - Pamela de la Fuente - Feliz de participar con "Pullme" en este gran evento en Portugal, además esta pieza es parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018,Pamela de la Fuente -   « Pullme »  (esta pieza es tambien parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018) Ramon Puig Cuyas en EXPO "Veintitrés. Joyería Contemporánea en Iberoamérica"Ramon Puig Cuyas – brooch

Rafael Luis Alvarez  - colección "Lo que fue escrito" Rafael Luis Alvarez  broche colección « Lo que fue escrito » - MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos Jordi AparicioJordi Aparicio

Catalina BrenesCatalina Brenes Jorge CastañónJorge Castañón Catalina Gibert -   braceletCatalina Gibert -   bracelet

Carolina Gimeno JewelleryCarolina Gimeno Jewellery

Caco HonoratoCaco Honorato « Corazón de Greda Negra » de la colección Lloraría a Mares

Gabriela HorvatGabriela Horvat

Amira Jalet  *Inferno* Brooch Wood charcoal from the north of Costa Rica "Roble", Oil paintingAmira Jalet  *Inferno* Brooch

Lorena LazardLorena Lazard

Jorge Manilla - This was not organically": Abruptions #8 Brooch Leather, steel, zinc, charcoalJorge Manilla   – This was not organically »: Abruptions #8 Brooch Leather, steel, zinc, charcoal Miriam Mirna Korolkovas - colar COCAR titanio anodizado e prata 925Miriam Mirna Korolkovas – colar COCAR titanio anodizado e prata 925

María Eugenia Muñoz -  colección "Paisajes Constructivos" brocheMaría Eugenia Muñoz -  colección « Paisajes Constructivos » broche

 Necklace by Natalia SarrazinNecklace by Natalia Sarrazin

 Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, telaLiliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)

Massiel de Mar,  collar construido con papel e hilado a mano.Massiel Mariel MUNOZ (Massiel Del Mar),  collar construido con papel e hilado a mano

Vania Ruiz's necklace 'Ayúdame Papito'Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ Vania Ruiz (CasaKiro Joyas)'s necklace 'Ayúdame Papito' (detail)Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ (detail)

Estela SaezEstela Saez Vilanova

Edu TarinEdu Tarin

Isabel Tristan -  Noves polseres.  col·lecció KubsIsabel Tristan · Noves polseres.  col·lecció Kubs

WALKA joyas - jewelryWALKA joyas – jewelry  – « Cornucopia: Charms for Life », 2017 (Cacho, plata, seda y retrato de la artista portuguesa Maria José Oliveira con su pieza, realizado por Cristina Felipe) Eva Ave Burton - «Bouquet para la Condesa Magenta», broche, 2014Eva Ave Burton – «Bouquet para la Condesa Magenta», broche, 2014

ToTa reciclados pieza “Backside 2“ 2017ToTa reciclados  pieza “Backside 2“

Marília Maria Mira 1989, Brooch, silver, steel, paper. 1993, In the Clouds, Invitation card. Photos: Courtesy Maria Marilia Mira.Marília Maria Mira – 1989, Brooch, silver, steel, paper – 1993, In the Clouds, Invitation card.
Photos: Courtesy Maria Marilia Mira.

Miriam Andraus PappalardoMiriam Andraus Pappalardo

Ignasi Cavaller (MFA 2015) • Necklace 'Horus 1' • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017Ignasi Cavaller (MFA 2015 Idar Oberstein) • Necklace ‘Horus 1′ • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017

Simón Mazuera Zambrano - pieza de la serie el viaje. Simón Mazuera Zambrano - broche de la serie el viaje.

Rita Carolina Soto VenturaRita Carolina Soto Ventura (Rita Soto Joyaspieza Refugios I

Sociedade Nacional de Belas Artes

Rua Barata Salgueiro, 36
1250-044 Lisbonne (PT)
De lunes a viernes (excepto festivos) de 12h00 a 19h00 y sábados de 14h00 a 20h00
*concept / curatorship / production: PIN (Madalena Braz Teixeira, Cristina Filipe, Carlos Silva, Raquel Soares, Joana Taurino) e Marco Roque Antunes
*production assistants: Beatriz Faustino, Natalia Olarte
*advisory commission:
​​​​​​​​Lúcia Abdenur, Titi Berrio, Eva Burton, Holinka Escudero, Pamela de la Fuente, Catalina Gibert, Carolina Gimeno, Klimt02 (Leo Caballero e Amador Bertomeu), Francisca Kweitel, Jorge Manilla, Natalia Olarte, Clara del Papa, Renata Porto, Ramón Puig Cuyàs, Andreina Rodriguez-Seijas, Estela Sàez, Alberto Soarez Chang, Andrea Tello, Valeria Vallarta Siemelink, Manuel Vilhena, WALKA
*exhibition design: Fernando Brizio
*assistant designers: André Calvão, Rafael Sabino, Davide Mateus
*graphic design: Arne Kaiser

 

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25/09/2015

EXPO ‘TRASCENDIERON’ – Mutuo Centro de Arte, Barcelona (ES) – 8-10 Oct. 2015

TRASCENDIERON A SOLO SHOW BY MARÍA IGNACIA WALKER

at Mutuo Centro de Arte

 OPENING ON OCTOBER 8, 2015 FROM 8.30 pm TO 11 pm

Alchimia is proud to present Trascendieron, a solo exhibition by Chilean graduating jewellery artist Maria Ignacia Walker opening at the independent cultural centre Mutuo in Barcelona on October 8, 2015. This is the first in a series of solo exhibitions realized by the graduating students of Alchimia’s MFA program 2014/2015, each happening in a diffezrent city, from Prague to Antwerp, between October 2015 and April 2016

Mi Walky

MFA JEWELLERY AND BODY ORNAMENTS
Alchimia contemporary jewellery School
2013 – 2015
« mi proyecto de graduación del Master en Bellas Artes »
Materials: Porcelain / Horsehair / Resin / Gold thread / Gold
Porcelana / Cabellos de caballo / Resina / Hilo de oro / Oro

“Mis joyas son el resultado de un dialogo con mi propio cuerpo”

María Ignacia Walker, joyera contemporánea nacida en Chile, con un background en dirección de arte publicitaria.
Actualmente reside en Florencia, luego de haber realizado un Magíster en joyería contemporánea y ornamentación del cuerpo en Alchimia School of Contemporary Jewellery.
Su trabajo nace a partir de la investigación de rituales propios traducidos en amuletos y objetos conceptuales que expresan su esencia y se conectan con su cuerpo mediante performances

Maria Ignacia Walker Trascendieron 7 2015 Necklace-object, 8 x 59 cm, porcelain, horse hair and gold thread Photo by Marcos Bucco, courtesy of the artist: Maria Ignacia Walker Trascendieron 7 – 2015 Necklace-object, 8 x 59 cm, porcelain, horse hair and gold thread Photo by Marcos Bucco, courtesy of the artist

A simple fact of life that María Ignacia Walker obsesses over: The shedding of hair.
The obsession – losing them, collecting them, ordering them, measuring them and archiving them. The desire – to preserve these losses – It gives rise to “transcendieron”.
The discourse is not about beauty and it is not about sensuality, not even about cultural symbols that hair carries.
How much hair do you lose constantly, everyday?
How many pieces grow out of your body and die every moment?
“The transcendents” are a homage to the moments when you lose your hair.
Captured and immortalized in the fragility of the porcelain, they give perpetuity and freeze all their expressions in the moment of their detachment from the body.
With a threading method, the artist uses horsehair as connectors. They show the lightness, energy and freedom, while demonstrating the real, natural movement of the hair.
Together with the act of keeping and protecting the hair in a porcelain form, they are given another life that keeps them present through their absence.

Un simple hecho cotidiano que obsesiona a María Ignacia Walker: El desprendimiento del cabello.
Perderlos, recopilarlos, ordenarlos, medirlos y archivarlos. El deseo de preservar estas pérdidas da origen a “Trascendieron”.
Un discurso que no es sobre belleza, tampoco de sensualidad y menos de los símbolos o conceptos culturales que existen a partir del cabello.
¿Cuántos cabellos se desprenden constantemente?
¿Cuántas veces al día se desprenden partes del cuerpo?
“Trascendieron” es un homenaje a la muerte de los cabellos, los que son plasmados e inmortalizados a través de la frágil porcelana, que les otorga perpetuidad y congela las expresiones de cada uno de ellos al momento de su adiós.
A modo de hilo, la artista usa los cabellos de caballo como conectores. Ellos entregan libertad, ligereza y energía, características propias de los movimientos naturales del cabello.
Junto al acto de preservar los cabellos en estas formas de porcelana, se hace presente su vida en la ausencia de la misma.  - Text: Josefina Monsalve

Maria Ignacia Walker -Trascendieron 1Maria Ignacia Walker Trascendieron 1 – 2015 Necklace-object, 28 x 45 cm, porcelain, horse hair and resin Photo by Marcos Bucco, courtesy of the artist

Maria Ignacia Walker Trascendieron 13 2015 Brooch, 7 x 8 cm, porcelain, horse hair and gold Photo by Marcos Bucco, courtesy of the artist: Maria Ignacia Walker Trascendieron 13 – 2015 Brooch, 7 x 8 cm, porcelain, horse hair and gold Photo by Marcos Bucco, courtesy of the artist

Trascendieron - Maria Ignacia Walker - 2015: Maria Ignacia Walker – Trascendieron –   2015

Maria Ignacia Walker Trascendieron 14 2015 Brooch, 11 x 13 cm, porcelain, horse hair and gold Photo by Marcos Bucco, courtesy of the artist: Maria Ignacia Walker Trascendieron 14 2015 Brooch, 11 x 13 cm, porcelain, horse hair and gold Photo by Marcos Bucco, courtesy of the artist

 Maria Ignacia Walker - 2015 - TRASCENDIERON - Materials: Porcelain / Horsehair / Resin / Gold thread / Gold Porcelana / Cabellos de caballo / Resina / Hilo de oro / Oro: Maria Ignacia Walker – 2015 – TRASCENDIERON – Materials: Porcelain / Horsehair / Resin / Gold thread / Gold Porcelana / Cabellos de caballo / Resina / Hilo de oro / Oro

Maria Ignacia Walker - 2015 - TRASCENDIERON - Materials: Porcelain / Horsehair / Resin / Gold thread / Gold: Maria Ignacia Walker – 2015 – TRASCENDIERON – Materials: Porcelain / Horsehair / Resin / Gold thread / Gold

Maria Ignacia Walker - 2015 - TRASCENDIERON - Materials: Porcelain / Horsehair / Resin / Gold thread / Gold: Maria Ignacia Walker – 2015 – TRASCENDIERON – Materials: Porcelain / Horsehair / Resin / Gold thread / Gold

Maria Ignacia Walker - 2015 - TRASCENDIERON - work in process ...Maria Ignacia Walker - 2015 – TRASCENDIERON – work in process …

 

 

 

Mutuo Centro de Arte
c/Julià Portet, nº5,
08002 BARCELONA
tel 630426684 / 675 316 999

 

 

01/07/2014

EXPO ‘Delirio y Cordura’ – Velvet da Vinci gallery (USA) – 9 Juill.-10 Aout 2014

Velvet da Vinci : Coming in July… « Delirio y Cordura » (Delirium and Sanity)
Chilean Contemporary Jewelry

Opening Reception: Friday July 11, 6-8 pm

Artist’s Talk: 6:30 pm

Coming in July... Delirio y Cordura (Delirium and Sanity)Chilean Contemporary Jewelryhttp://www.velvetdavincigallery.com/upcoming/
In the ten years since Joyas Jóias, Velvet da Vinci’s first exhibition of Latin American jewelry, there has been a growing awareness and appreciation for the achievements of contemporary jewelers in Mexico, Argentina, Peru and Brazil. For our exhibition, Delirio y Cordura (Delirium and Sanity) we concentrate on contemporary Chilean jewelry artists. Each jeweler was inspired by the themes of delirium and sanity, choosing one or both concepts. The idea of harmony and balance versus  insanity and irrationality influence the creation of each work through an exploration of shape, color, material, and concept.  Chaos, out of order.
 
 
Participating ArtistsCarolina Gimeno Carolina Hornahuer — Claudia Correa — Claudio Pino — Francisco Ceppi — Gabriela Fissore — Maria Eugenia Munoz — Maria Ignacia Walker — Nicolas Hernandez — Paola Raggo — Pia Walker — Rafaella Pruzzo — Rocco Napoli — Valentina Rosenthal — Veronica Perez Artigas — Walka Studio — Yessica Bordon

​Gabriela Fissore Piece: Cor Silver, copper, japanese lacquer 19cmGabriela Fissore Piece: Cor Silver, copper, japanese lacquer 19cm

Rafaella Pruzzo Necklace: Molindore Oxidized silver, book pages 21 x 18 x 5 cmRafaella Pruzzo Necklace: Molindore Oxidized silver, book pages 21 x 18 x 5 cm

Walka Studio , Brooch, Walka Studio T-Oro Sagrado Bull horn, gold plating brass, steel

Pia Walker, Pendant, Pia WalkerPendant: Rotamiento – Steel, copper, acrylic, aluminium

Carolina Gimeno Velvet da VinciCarolina Gimeno Encounter IV, Brooch Birch, sterling silver 13 x 11 x 5 cm

Carolina Hornauer Brooch: Ismos #1 Rigid polystyrene foam, japanese lacquer, silver, enameled stoneware ceramic 7 x 6 x 7 cmCarolina Hornauer Brooch: Ismos #1 Rigid polystyrene foam, japanese lacquer, silver, enameled stoneware ceramic 7 x 6 x 7 cm

Maria Eugenia Munoz Ring: Delirium Tremensdoscópicos Sterling silver, copper, acrylic, mirror, Swarovski crystal 4.5 x 2.5 x 3 cmMaria Eugenia Munoz Ring: Delirium Tremensdoscópicos Sterling silver, copper, acrylic, mirror, Swarovski crystal 4.5 x 2.5 x 3 cm
Claudio Pino Ring: Interactive Mirror, 2 14k gold, 925 sterling silver, mirror, carnelians, pearls Kinetic RingClaudio Pino Ring: Interactive Mirror, 2 14k gold, 925 sterling silver, mirror, carnelians, pearls Kinetic Ring

 

 

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