COUP de COEUR – JULIA MARIA KÜNNAP – ça coule …. de source ……… – EXPO « Overgrown » at Sienna Patti gallery – 15 Juin-9 Juill. 2018

JULIA MARIA KÜNNAP « Overgrown »  at Sienna Patti gallery -   JULIA MARIA KÜNNAP -  June 15 – July 9, 2018 « For someone inspired by imperfection, Julia Maria Künnap creates objects that perfectly capture a moment in time. With flawless skill and control Künnap transforms some of the earth’s hardest materials into melting pools of liquid, sweeping brushstrokes, and about-to-burst bubbles. Overgrown, shows Künnap striving for ever more precision and pushing her materials to greater physical and conceptual limits. These efforts have resulted in impossibly thin fragments and delicate drips that suspend disbelief. Working natural stones, Künnap’s current show is filled with striking blues and greens, inky black, chalky white and translucent crystal, a bold palette that complements the juxtaposition of hand carved facets and highly polished curves. Künnap’s work has always spoken to the magical reality of the natural world—the way water changes from liquid to solid and back to liquid again—and the human desire to understand and tame it. It is no coincidence therefore that finely cut gemstones and the tradition of lapidary work has been a main point of reference throughout Künnap’s work. In recent piece however, she playfully looks at other objects and materials altered by humans. Künnap carefully reshapes cacholong into a ball of crumpled paper. Though the stone is relatively unknown to even most gemstone connoisseurs, Künnap chose it for its matte texture and likeness to paper. With the labor of carving she highlights an unglamorous yet prized stone and makes permanent an ephemeral form that rarely exists beyond the trash bin. Similarly, her series of brushstroke brooches and earrings freeze a human act. By isolating the expressive curve and movement of a stroke, Künnap memorializes both the gesture and the resulting outcome. Künnap marries her mastery of lapidary with subtlety. It is this union that makes Künnap’s work so seductive and timeless »

 Julia Maria Künnap  - Bubble Gum Ring, 2018. carved amethyst & 18k white gold

Julia Maria Künnap  - « Or Better a Fine One » , 2017. (brooch), carved lapis lazuli & 18k yellow gold

Julia Maria Künnap- Why Is It Still Overgrowing?, 2018. (earrings).  nephrite & 18k yellow gold

Julia Maria Künnap - Supervolcano ring -  carved obsidian with rhodium plated silver band

  Julia Maria Künnap graduated in 2004 from the Estonian Academy of Arts, Jewellery Art Department under Professor Kadri Mälk. A 2018 recipient of the prestigious Herbert Hofmann Prize, Künnap is known for her mysteriously and meticulously carved lapidary work. Her work has been included in group and solo exhibitions around the world. Julia Maria Künnap currently lives and works in Tallinn, Estonia. This is her second solo exhibition at Sienna Patti.     Sienna Patti Gallery 80 Main Street Lenox Massachusetts 01240 USA [phone] 8386

EXCHANGE-BIJOU 1 – Isabelle Molénat – Spring knots at « Galerie Sophie etc » « COLOR » from 2 to 30 june EXPO

Isabelle Molénat

Work in progress for the exhibition « Color«  at the « Galerie Sophie etc » in Paris  from  2 to 30 june… spring Knots ! Pure beauty of colors, of textures !

 

 

Isabelle Molénat -  spring Knots ! mai 2018 – Indigo and eco printing

Isabelle Molénat -  spring Knots ! mai 2018 – Indigo and eco printing

 

Galerie Sophie etc Bijoux contemporains
2 rue Gambey, 75011 Paris
01 48 05 80 38
[e-mail]
http://www.sophie-etc.book.fr

 

EXCHANGE-BIJOU 1 – Jonathan HENS – EXPO ‘‎Transformation’ during the MJW 2018 – Lothar Goetter Atelier, Munich (DE) – 8-11 Mars 2018

Transformation

with Jonathan HENS

Contemporary jewelry exhibition inside   Munich Jewellery Week  (7–10 March 2018)
at Lothar Goetter Atelier (Munich)
# 93 on the Schmuck Map
opening 8 March from 3pm to 8pm
Five individuals come together  in a one transformation: Alchemy of colors/Rituals/ Instantaneus/ Metamorphosis/ Identity.

Artist list  :   Nevin Arig – Sara Gackowska –  Celina Gram — Jonathan Hens – Dimitar Stankov

  from Jonathan Hens :    LONG LIVE THE KINK  part 2 collection

« The new work from the serie LONG LIVE THE KINK of   Jonathan Hens  reflects with stunning ability the diversity and unity of our realities. The individual designs, consisting of distinct structures and leather materials, refers to the structures that make human beings versatile. The notion that each individual is an individual in his or her own right that differs from others through superficial and hypodermic characteristics becomes apparent. However, subtly Hens’ work forces us to look beyond. Touching upon the underlying notions in his previous collection where he made us question the differences between sexes, this collection makes us question the importance of dissimilarities. Hens’ most recent collection compells to focus on the unity rather than the diversity of individuals. In designing LONG LIVE THE KINK he started out with one geometrical shape and slightly tweaked and bended the particular form. The sublime interpretation of reality cunningly brings perspective into the dualistic worlds of the other and the self. Leaning towards the tabula rasa concept, he shows the oneness of human beings together in one nation.Becoming typical of Hens’ work is the insights he leaves us with regarding our world and how we choose to perceive it. «   – by Agnes Sabitova

Jonathan HENS -  LONG LIVE THE KINK   collection

Jonathan HENS -  LONG LIVE THE KINK   collection

Jonathan HENS -  LONG LIVE THE KINK   collection

Jonathan HENS -  LONG LIVE THE KINK   collection

Jonathan HENS -  LONG LIVE THE KINK   collection

 

*

Dimitar STANKOV  

Nevin Arig 

 

 

 

 

 

 

 

 

 

Lothar Goetter Atelier
Westendstr. 76A
80339 -  Munich
GERMANY

Opening 08/03/2018 Thursday – 3 pm – 8 pm
Friday 09/03/2018 – 10 am – 6 pm
Saturday 10/03/2018 – 10 am – 2 pm
Sunday 11/03/2018 – 10 am – 2 pm

EXPO ‘‎Hidden curriculum’ – during the MJW 2018 – Atelier Cepissakova, Munich (DE) – 8-11 Mars 2018

 

« ‎Hidden curriculum »

Contemporary jewelry exhibition inside   Munich Jewellery Week  (7–10 March 2018)

Popeye loves Olive  Art Space hosts an exhibition platform during Munich Jewellery Week by inviting a group of 14 Greek artists to meet the Mexican artist Jorge Manilla and to develop a joint project on Hidden Curriculum, Identity and Proxemics. 

Opening: Thursday 08/03/18 @19.00 – 22.00

Participating Artists:    Jorge Manilla – Aggelika Diplari – Aggelos Konstantakatos – Anna Vlahos – Antria Prasinou – Artemis Valsamaki – Erato Kouloubi – Ioli Livada –  Joanna Grigoriou – Liana Pattihis – Marina Zachou – Niki Stylianou – Xenia Deimezi – Yakinthi Oikonomou – Yiota Vogli

 

 » Hidden Curriculum*
The Hidden curriculum consists of teaching items which are not officially intended and developed by school and educational system. The educational authorities use the concepts of “hidden curriculum” and “invisible curriculum” to explain teachings and attitudes influenced by these implicit factors (Alavi, Abdollahi and Ahmadi, 2008).
With the intention to explore behaviors, perspectives and attitudes, that the participants adopt during their learning process, in an independent way outside of an institution.
For this exhibition we have decided to take the idea of a Hidden Curriculum and explore in a free but very careful way, issues like gender roles, morals, social class, stereotypes, cultural expectations and personal language.
According to the Austrian artist and architect Hundertwasser, we have five layers of skin. From the innermost to the furthest from the centre: Epidermis, Clothes, Houses, Identity and Earth. Each layer (skin) defines and interacts with the whole human entity.
According to Proxemics, we arrange objects and ourselves in relation to space as it makes us feel more or less comfortable. Individuals naturally maintain a separation that relates to environmental and cultural factors but also to social and interpersonal situations. One could say that proxemics is separated in Intimate, Personal, Social and Public Space/Skins. Moreover, all layers of Space/Skins interact, affect and define each other.
Most importantly, it should be underlined; the above studies claim that Identity is created by social interplay.
According to history, Jewelry serves as a primary means of conveying cultural values. Traditionally, jewels were seen as sacred and precious; however, from the beginning of the 20th century, jewelry has started to be objectified. Jewelry as a result of all human social interactions becomes a product of non-verbal communication.
The process, through which a piece of jewelry is created, is totally connected with the cultural and social background of each jewelry artist. From the selection of materials to the final product, it is needed that all different possibilities and perspectives of this act to be explored.
On the other hand, the viewer interacts both with the maker and the wearer of a piece of jewelry; as jewelry narrates stories and communicates feelings and Identities. 
By comparing fourteen Greek jewelry artists’ work in opposition to that of a Mexican artist and educator; this exhibition seeks to collect information on how hidden curriculum, proxemics and identity are expressed through jewelry.
What kind of space occupies the work of each artist? What kind of skin it represents? « 

 

Yiota Vogli Dialogue I Νecklace / Ruthenium plated bronze, alpaca, paper pulp, grains, oxidations

Yiota Vogli. Brooch: Dialogue, 2017. silver, alpaca, hand painted silver, paper pulp, acrylics, cotton.

Yakinthi Oikonomou. Brooch: Veresé, 2017. Argentium silver, bronze, stainless steel.. Photo by: Orestis Rovakis.

Yakinthi Oikonomou Home sweet home Brooch / Argentium silver, stainless steel

Xenia Deimezi. Feed-me  Necklace / Latex, cotton & polyester thread, brilliant cut diamond  - Photo by: Aimilia Balaska. From series: into existence

Niki Stylianou.   Landscape #3  - Necklace / Hand cut and hand stitched leather, thread, copper, pigments, patina  

Niki Stylianou - Necklace: Mapping: traces made solid, 2017 - Copper, bronze, pigments, patina, cord. - Photo by: Niki Stylianou

Antria Prasinou. - Ephemeral Body - Neckpiece / Copper, rice paper, ink, silver, pigments, silk thread  

Antria Prasinou - Brooch: Liberate the Senses, 2017 - Copper, rice paper, ink, silver, pigments, silk thread. - Photo by: Konstantinos Kostopoulos

Liana Pattihis - Necklace: Shades of Black, 2017 - Copper wire, silver chain, enamel. 89 cm  Photo by: Liana Pattihis

Erato Kouloubi Food Victim 1 Brooch / Pasta, acrylics, pigments, silver

Erato Kouloubi - Brooch: Food Victim, 2018 - Pasta, acrylics, pigments, silver. Photo by: Erato Kouloubi

 Aggelika Diplari. - Garden  Brooches - Wood, argentium silver, pigments, patina 

Ioli Livada  -  Brooch: Untitled, 2017-2018 - Bronze, corn leaves, pigments, threads, sterling silver. Photo by: Fanis Logothetis

Ioli Livada - Brooch: Imaginary Flowers 5, 2018 - Bronze, corn leaves, pigments, threads, sterling silver.

Joanna Grigoriou Fragments 3 Brooch / Wood, resin, pigments, stainless steel  

Anna Vlahos Meander 1 Brooch / Sterling silver, stainless steel

Artemis Valsamaki - Brooch: Keep the Faith, 2017 - Copper, silver, acrylic paint. - Photo by: Alexis Kamitsos

 

Jorge Manilla - Insides  Brooch / Wood, cochayuyo, copper steel

Jorge Manilla  Object: Untitled, 2018 - Cochayuyo, rubber. - Photo by: Christian Tviberg

 

 

 

Atelier Cepissakova 
Ligsalzstrasse 29
80339 Munich / München, Deutschland
- Thursday 08.03.18 [10.00 – 17.00]
OPENING: 19.00 – 22.00
- Friday 09.03.18: [10.00 – 18.00]
- Saturday 10.03.18 [10.00 – 13.00]
- Sunday 11.03.18 [11.00 – 16.00]Contact:
Erato Kouloubi
[e-mail]
[phone]http://www.munichjewelleryweek.com/event/hidden-curriculum/

EXCHANGE-BIJOU 1 – Julia Obermaier present during SCHMUCK 2018 (Munich Jewellery Week (MJW) – 7–10 March 2018

Julia Obermaier, with her very talented creations, is, of course, VERY present during the   Munich Jewellery Week  2018 (MJW 7-10 March 2018)

Julia Obermaier is a Jewellery Maker from Germany.
She graduated in 2016 with a Bachelor of Fine Arts at the Trier University of Applied Sciences, Departement of Gemstones and Jewellery in Idar-Oberstein, Germany.
Since 2016 she has her own atelier in Kempten, Germany.

 

 at first present at the exhibition   Holy Rock with her group ASTONISH , at Internationale Handwerksmesse München, from the 7th to the 13th of march in  Hall B1, Stand-No. 759

ASTONISH is a collective of seven female contemporary jewellery makers sharing a common passion: (gem) stones. For the third consecutive year, they will exhibit their work at Internationale Handwerks Messe(IHM) in Munich, March 2018.
Artist list  :  Sharareh Aghaei – Eva Burton – Gabriela Cohn – Pia Groh – Helen Habtay — Stephie Morawetz — Julia Obermaier

« Child of the elements.
You connect us to the past and our memories. You give us silence and peace. Hypnotized, we gaze at you when exploring your inner worlds. Born from time and the forces of nature you are everlasting and the matter of our making.
Every Rock is holy, indeed. From stones as silent observers, we make valuable experiences, we communicate through our making. Find the seven makers of ASTONISH for the third consecutive year at SCHMUCK, to pay hommage/tribute to ‘THE HOLY ROCK’ in you and me.
So let us celebrate together Gems and Jewels. »

 

Julia Obermaier -   Dancing on a wonky table – Necklace – Agate, resin, pigment, fabric, silver – 27 x 9 x 5 cm – 2017 – Julia Obermaier

« My main subject is about private space. In my pieces I create rooms, containers, boxes or little caves. These spaces can be filled with ones own personal feelings, perceptions and sensations. I see my work as containers protecting the innermost emotions of the viewer or wearer, that they use to confront a busy world. »

 

Internationale Handwerkmesse Munich
Hall B1, Stand-No. 759.
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

And THEN she is present at   »Die denkende Haut – the perfect sense » -  EXHIBITION   08- 14 MAR 2018 - at  Kunstpavillon

Artist list :     Peter Bauhuis — Doris Betz — Babette Brühl — Florian Buddeberg — Attai Chen — Eunmi Chun — Anna Maria Eichlinger — Samira Goetz — Merlin Klein –  Julia Obermaier — Carina Shoshtary — Nadja Soloviev

 » For people as well as for jewellery, everything begins with the skin – the surface, the countless surface possibility in jewellery pieces depending on the material and workmanship. We can try to look through the skin/surface and try to interpret with those pieces. On display are the latest works of 11 jewellery artists and 1 painter from Munich.  »

Every perception begins with the skin, the surface. For people as well as for jewellery. Here, in jewellery, there are countless surfaces – smooth or rough, monochrome or multicoloured, porous or impermeable, chaotic or orderly, depending on the material and workmanship. There are no limits to the diversity of haptic sensations. Likewise with the jewellery in the exhibition Die denkende Haut [The Thinking Skin]. Are we able to look through skin, though, through the surface, inwards, to the essence of the jewellery? Can we do it with people? Neither is a simple undertaking! But we can try to interpret, to read them.
For example, with Julia Obermaier, who cuts, polishes and assembles sculptural-architectural forms from agate, the stone that emerged from volcanic nodules over millions of years. The immortality of nature and the finiteness of man are brought together in an allegorical juxtaposition. Or with Carina Shoshtary, who takes graffiti, dissects it and recomposes it in her jewellery. Messages are thus preserved and interpreted anew. Freedom of thought is manifested in jewellery. The concrete necklaces by Samira Götz only appear to be heavy; they are, however, surprisingly light. They function as burden and liberation at once. The last example is Merlin Klein, whose ‘ash jewellery’ simultaneously stands for grief, solace and remembrance.
The works on display constitute not just surface, technique and workmanship; they are concepts, with a message for the beholder. They allow one to gaze deep into the essence of the individual, nature and the universe; this is jewellery and art, or art and jewellery, or only jewellery, or just art, wearable on the skin or an object in a vitrine, ultimately simply beautiful and an eternally exciting process when one allows the ‘skin to think’. / Dirk Allgaier, February 2018

« Thinking is not only an abstract act of intellectual reckoning, but also a kind of responsive intelligence permeating our bodies and navigating us through our daily entanglements on the physical, emotional and creative planes. In this sense, dance is an embodied reflection on space; and the mind of an angler is in the hand curled around the fishing rod. Similarly, the movement of fingers on the keyboard of a piano is a visible extension of the musical thinking within the body of a performer, and the same fingers on the keyboard of a computer reproduce the dictates of a cerebral algorithm.
Between anything that touches and anything that is touched – be it an inanimate object or a living body – is the skin, which not only sends out signals like lustre, youth and freshness fromwithin, but also absorbs impulses from without, to be analysed, interpreted and answered in due time. The skin is an interface, revealing an inside and effecting responses in the environment; or thinking an outside by opening up and responding to stimuli. And when it becomes a foundation and support for structures of metals, stones, pearls, etc., then it draws in the elements of the world into its own cycle of impression and expression, transforming them into jewellery and enabling the enhancement of an adorned body.
But, owing to its intermediary position between an inside and an outside, the skin is afflicted with the same mysterious hybridity that characterises all limits and thresholds. Is it still the body? Or is it already part of the environment? Is it still an organ covering all other organs, a spread of epidermis capable of being seen, touched, injured? Or is it already a material, formed to a shield, a mask, an ornament? Or is it neither the one nor the other, but simply an immaterial and intermediary space of difference?
Such questions cannot be quite avoided in the familiar “practices of appearance” like the fine and the applied arts. They are also at the root of the constellation of jewellery and painting that are being presented in this exhibition. »  / Thinking skin by Pravu Mazumdar

Julia Obermaier  • Necklace « Space between » • agate, silver, resin, pigment • 2017 • ©photo by artist  MJW 2018 #42 : « Die Denkende Haut- The Perfect Sense » group exhibition

 

Kunstpavillon
Garten Sophienstr 7a
80333 -  Munich  GERMANY

EXPO ‘Holy Rock’ – during the Munich Jewellery Week (MJW) – Internationale Handwerksmesse München, Munich (DE) – 7-13 Mars 2018

Holy Rock

 Contemporary jewelry exhibition inside   Munich Jewellery Week   (MJW)  7 – 10 March

ASTONISH 2018 at Internationale Handwerksmesse München, from the 7th to the 13th of march in

Hall B1, Stand-No. 759

ASTONISH is a collective of seven female contemporary jewellery makers sharing a common passion: (gem) stones. For the third consecutive year, they will exhibit their work at Internationale Handwerks Messe(IHM) in Munich, March 2018.

Artist list  :  Sharareh Aghaei – Eva Burton – Gabriela Cohn – Pia Groh – Helen Habtay — Stephie Morawetz — Julia Obermaier

Child of the elements.
You connect us to the past and our memories. You give us silence and peace. Hypnotized, we gaze at you when exploring your inner worlds. Born from time and the forces of nature you are everlasting and the matter of our making.
Every Rock is holy, indeed. From stones as silent observers, we make valuable experiences, we communicate through our making. Find the seven makers of ASTONISH for the third consecutive year at SCHMUCK, to pay hommage/tribute to ‘THE HOLY ROCK’ in you and me.
So let us celebrate together Gems and Jewels.

 

*

Julia Obermaier -   Dancing on a wonky table – Necklace – Agate, resin, pigment, fabric, silver – 27 x 9 x 5 cm – 2017 – Julia Obermaier

 

Eva Burton – En el umbral de Xibalba – necklace – Anodized aluminium, syntetic corundum, 14 kt gold – 33.5 x 16 x 2.5 cm – 2017 – Qi Wang

Sharareh Aghaei -   Untitled – Necklace – Titanium Nets, Malachite and lapis lazuli Powder, Cement, Resin epoxy – 40x17x4 cm – 2017 – Nima Ashrafi

Stephie Morawetz -  Golden Look – Vagina Mirror – Olive wood, mirror Perspex, Perspex, gold plated brass – 13 x 10 x 1,5 – 2017 – photo rights Shenkar College of Engineering and Design

Stephie Morawetz - Same Shit – Necklace – Bird shit pearls (from the Shenkar jewelry department), gold plated brass – 2017 – photo rights Stephie Morawetz

GABRIELA COHN   - Organic Bowl – Object – Porcelain – 14 x 15 x 12 cm – 2017

Gabriela Cohn Necklace: Bornn, 2016 Porcelain, Silver, Alpaca, Pigments 22 x 14 x 35 Photo by: Qi Wang

Pia Groh – N`7 – Necklace – oxidized Silver, agate – 23 x 6 x 5 cm – 2017 – Photo rights Pia Groh

Helen Habtay -  Map and Territory-No8    Map and Territory, no8 – Necklace – Leather, Tiger Eye, Ribbon, Rubber – 46 x 7,5 x 3 cm – 2017 – Photo rights Qi Wang

 

 

 

Internationale Handwerkmesse Munich
Hall B1, Stand-No. 759.
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

EXPO ‘INFLUENCES’ – during the Munich Jewellery Week – B/E Galerie Benjamin Eck, Munich (DE) – 7-10 Mars 2018

INFLUENCES

Contemporary jewelry exhibition inside   Munich Jewellery Week    7 – 10 March
opening: 7 March - 3pm  at  B/E Galerie Benjamin Eck

 

The City, the environment and the surrounding landscape in which one lives, inevitably affects our doing and being. Architecture, urbanity, green space, colors, sounds, smells, neighborhood, open spaces, quality of life, mentality, politics, social and societal developments, old and new, climate, tradition, modify and characterize the city and the lifestyle.

Consciously or unconsciously – this is also reflected in the work and expressions from the artist living and working there. Born or moved to this place, it affects the vision and inspiration, existing is taken up and re-interpreted and refleocted. This expresses itself in the form, color, material and technics.

The current works of the participating artists from geographically, structurally and scenic different – large or small cities – reflect all this conditions.

 

Artists:     Claudia Steiner – Corrado De Meo –  Elin Flognman – Gabi Veit –  Gigi Mariani – Judy McCaig – Lluís Comín – Maria Rosa Franzin –  Nicola Heidemann –  Patrizia Bonati –  Stefano Rossi – Yoko Takirai/Pietro Pellitteri.

 

Patrizia Bonati / Cremona

Patrizia Bonati 

Lluís Comín / Barcelona

Lluis Comin 

Elin Flognman /Trollhättan

Elin Flognman

Maria Rosa Franzin / Padova – brooch

Maria Rosa Franzin 

Nicola Heidemann / Passau

Nicola Heidemann

Judy McCaig -Barcelona/ Edinburgh

Judy McCaig 

Gigi Mariani /Modena

Gigi Mariani 

Corrado De Meo /Livorno

Corrado de Meo 

Stefano  Rossi 

Stefano  Rossi  

Claudia Steiner /wien

Claudia Steiner

Gabi Veit

Gabi Veit /Bolzano

Gabi Veit  

Yoko Takirai/Pietro  Pellitteri

Yoko Takirai/Pietro Pellitteri 

 

B/E Galerie Benjamin Eck
Zieblandstraße 19,
80799 München, Deutschland

Hours:
Opening: Wednesday – 3pm

Wednesday: 3pm – 7pm
Thursday: 11:00am – 7:00pm
Friday & Saturday: 11:00am – 6:00pm

Special: Saturday – 11am
“meet the artists & breakfast”

EXCHANGE-BIJOU 2 – Carlos SILVA new exhibitions for a new year

 Carlos Silva Jewelry

New exhibition @ Galeria Autoria : Miguel Bombarda quarter simultaneous inaugurations
Saturday, 13 January Porto

Carlos Silva Instagram

Participants:
 Carlos Silva, Carla Gaspar, Carolina Apolonia,Cristina Roque Dos Santos, Ines Sobreira, Marilia Maria Mira, Marina Costa, Rodrigo Acosta and Valentim Quaresma.

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Carlos Silva Jewelry  ·  Necklace | wood and paint

Carlos Silva Jewelry  ·  Rings – copper, wood and paint

Carlos Silva – Rings    -   copper  black and white  

Carlos Silva Earrings   copper  black and white

Carlos Silva -necklaces

 

 

 Galeria Autoria  
Rua Miguel Bombarda, 285,
Loja 10,
Porto (Portugal)
[phone]

EXCHANGE-BIJOU 1 – Ute van der PLAATS at « BIJOUX ! » – Norton Museum or Art,West Palm Beach, Florida USA – 1-4 March 2018

Ute van der PLAATS 

coming up 2018 :  BIJOUX ! Norton Museum or Art, 1 – 4 March West Palm Beach, Florida USA For the seventh consecutive year, the Norton presents the exhibition and sale of unique contemporary art jewelry from around the world, with the opportunity to meet participating international artists.

 

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Ute van der PLAATS  - Janv. 2018 – Boy with a pearl necklace #motherandsonphotoshoot #porcelainjewellery #secretgarden

 

Ute van der PLAATS  - Janvier, 2018 -·Secret garden necklace – detail  – photo credits Erwin Maes

Ute van der Plaats – ready dor BIJOUX mars 2018 – Photocredit Erwin Maes

Ute van der PLAATS  – Janvier, 2018 -·Secret garden earrings

          Norton Museum or Art, 1451 S. OLIVE AVENUE, WEST PALM BEACH, FL 33401 (Florida USA)

EXCHANGE-BIJOU 1 – Pilar Cotter – work(s) in process – between sculpture & jewelry – « Urbanismo Inhabitable -ciudades de porcelana »

Pilar Cotter

work(s) in process – « Urbanismo Inhabitable -ciudades de porcelana« 

Evolution pas à pas, en secret, avancées toujours en secret et mystérieuses …. quelques coups d’oeil, comme de petites fenêtres entr’ouvertes sur une création intimiste ….

Inspirations architecturales pour série « Urbanismo Inhabitable -ciudades de porcelana« 

 » … inspirada en los elementos decorativos que se usaron en la casas racionalistas canarias a partir de los años 30, el llamado « nudo geómetrico », cuyo nombre se lo puso el arquitécto Marrero Regalado refiriéndose a las lineas paralelas de corte redondo que hacía el arquitécto Jose Blasco en sus casas. Esto dío un sin fin de secuencias en muchísimas fachadas en todo tipo de barrios de los centros capitalinos tanto en Las Palmas de Gran Canaria como en Santa Cruz de Tenerife , que poco a poco he ido archivando para seguir desarrollando en forma de piezas, de la pared al cuerpo…….. »

Pilar Cotter – juin 2017 ·    C/ Perez de Rozas, Santa Cruz de Tenerife – detail of architecture

Pilar Cotter- broche – porcelana -   -Foto-de-Lucía-Salomone

Pilar Cotter – juin 2017 · Barrio de los hotelitos , Santa Cruz de Tenerife.

Pilar Cotter - juin 2017 ·    Barrio Los Arenales, Las Palmas de Gran Canaria.

Pilar Cotter -Urbanismo Inhabitable #porcelain #ciudadesdeporcelana – Jan. 2018 – work in progress

Pilar Cotter - Urbanismo Inhabitable – ciudades de porceladas

Pilar Cotter Trio de broches #porcelain 

Pilar Cotter- Conjunto de broche y escultura #porcelain #sculpture #contemporaryjewelry

Pilar Cotter Systems fever full movement #jewelry #contemporaryjewelry

Pilar Cotter – Dúo de pared #porcelain #sculpture

Pilar Cotter – Reducción #porcelain #cotemporaryjewelry

Pilar Cotter – System obssesion , lo que no se ve siempre es importante, sistema de pin móvil, de la pared al cuerpo….. #contemporaryjewelry

 

 

Pilar Cotter blog
Pilar Cotter website (not very updated ….)
Pilar Cotter Instagram